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Frederick Christian Lewis & Nicolas Poussin

Frederick Christian Lewis and Nicolas Poussin - Bacchanalia In His Majesty's Collection A Dance before a Herm of Pan or Priapus

Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus)

Frederick Christian Lewis's original aquatint engraving, "Bacchanalia, 'In His Majesty's Collection'" (A Dance before a Herm of Pan, or Priapus) is based upon a drawing by Nicolas Poussin housed in England's Royal Collection at Windsor. It is a strong example of his mastery of the aquatint medium. Printed in sepia tones, F. C. Lewis employs overlaying aquatint grounds to effectively render the nuances of Nicolas Poussin's wash drawing. This engraving was commissioned by John Chamberlain for the set of original engravings and etchings published under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine and Venetian Schools" completed in 1812, and is listed within the index page under the title, "Sacrifice". The scene depicts a 'Bacchanalia' with a group of men and women dancing and taking part in a celebration in honour of Bacchus, the God of wine. The Bacchantes were the followers of Bacchus or Dionysus. Pan was the god of shepherds and flocks. and the god, Priapus, also called Triphallus is said to have been the son of Bacchus and Venus. This impression is printed upon early 19th century wove paper with the 'J. Whatman' watermark and with full margins, bearing the text; "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London" under the image, and numbered, "Pl. XLII" in the upper right corner as created by F. C. Lewis in London around 1809. It a striking example of the original engraving and aquatint created by the British artist, Frederick Christian Lewis and the designs of the French artist, Nicolas Poussin.
 
Title: Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus)
Engraver: Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856)
Designer: Poussin, Nicolas (Villers, France, 1594 - Rome, 1665)
Date: c. 1809
Medium: Original Aquatint Engraving
Publisher: John Chamberlaine, London
Note: Frederick Christian Lewis 'F. C. Lewis': An eminent early nineteenth century painter, etcher, aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler and studied at the Royal Academy Schools. He first gained notice in 1803 with his aquatints after Thomas Girtin's designs and published under the title of, "Twenty of the most Picturesque Views in Paris and its Environs". Then, from 1808 to 1823, he became one of the principal engravers for William Ottley's famous volumes on Renaissance art, "The Italian School of Design". Frederick Christian Lewis also contributed etchings for J.M.W. Turner's, "Liber Studiorum", as well as creating commissioned engravings after the designs of Landseer and Flaxman.
  During his successful career, F. C. Lewis exhibited his art at the Royal Academy (1802-1853), the British Institution (1817-1853), the Society of British Artists (1824-1846) and at the Old Water-Colour Society. Frederick Christian Lewis was also Engraver of Drawings to King George IV, King William IV and Queen Victoria.
  Frederick Christian Lewis was a greatly skilled and versatile printmaker. His abilities to render painting and drawing techniques into the etched medium, in particular, set his art on a high plane. His contributions (from approximately 1805 to 1812) to "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools" are particularly noteworthy. Aquatints (many printed in colors and sepia tones), stipple engravings, etchings and soft grounds bearing his name are all found within this set.
  Nicolas Poussin: The father of French Classical painting, Nicolas Poussin settled in Paris in 1612. He studied under various painters but his primary influence were the paintings and engravings of Raphael and his school and Roman statuary and reliefs housed in the royal collection. He first arrived to Rome in 1624 and worked for a time in the studio of Domenichino. During this early period, Nicolas Poussin began to abandon the dominant Baroque style in favour of a more restrained, classical manner.
  By 1630, Nicolas Poussin began to concentrate upon antique themes, moving towards a classicism akin to Raphael and Romano. After living in Paris for a period of two years (1640-42), Nicolas Poussin returned permanently to Rome and developed his now famous method of painting. One scholar writes, “During the next decade he painted for such patrons the works that in his own day were considered to be his finest achievement and are still recognized as the purest exemplification of the classical spirit. The emphasis is on clarity of conception, moral solemnity, and obedience to rule.” *
  Nicolas Poussin created such works as The Dance in Honour of Pan, A Bacchanalian Feast, The Education of Bacchus, The Birth of Bacchus, The Sleeping Venus and Satyrs and others. He continued to be the inspiration for classically minded painters through the following centuries. Among many other painters, Cezanne declared that Poussin was a primary influence upon his art.
  Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus): An original aquatint engraving, "Bacchanalia, 'In His Majesty's Collection' is based upon a drawing, by Nicolas Poussin housed in England's Royal Collection at Windsor. It is a strong example of the mastery of the aquatint medium of Frederick Christian Lewis. Printed in sepia tones, F. C. Lewis employs overlaying aquatint grounds to effectively render the nuances of Nicolas Poussin's wash drawing. The scene depicts a 'Bacchanalia', a celebration in honor of Bacchus, the 'God of Wine'. It was created by F. C. Lewis in 1809 for John Chamberlaine's set of engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", and bears the text; "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London" under the image, and numbered, "Pl. XLII" in the upper corner, and is listed within the index page under the title, "Sacrifice" . This is a striking example of the original engraving and aquatint created by the British artist, Frederick Christian Lewis and the designs of the French artist, Nicolas Poussin.
  The index page of the "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools" lists this original F. C. Lewis aquatint engraving under the title, "Sacrifice". However it is based upon a wash drawing by Nicolas Poussin listed as, A Dance before a Herm of Pan, or Priapus housed in England's Royal Collection at Windsor, Royal Collection Trust, reference number RCIN 911979. The scene depicts a group of men and women taking part in the revels in honour of Bacchus. A 'Bacchanalia' is a Roman festival of Bacchus celebrated with song, dance and various other decadent pleasures. The Bacchantes were the followers, (both men and women) of Bacchus (Bachus, also spelt Bacus), or Dionysus. They were characterized by licentiousness and revelry. Bacchus was the God of wine, son of Zeus (Jupiter) and Semele. This scene is also very similar to a painting by Nicolas Poussin created in (1631-1633), housed in the National Gallery, London, listed under the title, Bacchanal before the Statue of Pan. The statue in this painting is similar to the one seen to the right of both the drawing and this engraving (Pan was a god of shepherds and flocks). There is another painting of a similar subject listed as Hymen (Hymenaios), disguised as a woman at a sacrifice to Priapus, or dance in honour of Priapus (1634-1638), housed at the Sao Paulo, Museum of Art which depicts a 'bacchanalia', with the statue of Priapus as the central figure. Again, it is the same statue previously described as 'Pan'. However, it is possible the John Chamberlaine entitled this engraving "Sacrifice" after the later painting. Priapus, also called Triphallus is believed to be the deity, protector of vineyards and gardens, and is said to have been the son of Bacchus and Venus. The word Priapus may be translated as 'principal of production' or 'fecundation of Apis'.
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine (London, 1745 - 1812) was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, Imitations of "Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 Imitations of "Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
Reference: * Ian Chilvers & Harold Osborne, "The Oxford Dictionary of Art", Oxford University Press, Oxford, 1997, pp. 446 - 448. (Quotation on p. 447.)
Size: 10 3/4 X 14 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $895.00 US
Condition: Printed upon early 19th century wove paper with the 'J. Whatman' watermark and with full margins as created by F. C. Lewis in 1809 for John Chamberlaine's set of engravings published under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Bearing the text; "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London" under the image, and numbered, "Pl. XLII" in the upper corner, and is listed under the title, "Sacrifice" within the index. A beautifully printed impression with full, unfaded tonal values and in excellent condition throughout. "Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus)" represents a superb, original example of the etched art of Frederick Christian Lewis.
Subject: Frederick Christian Lewis, F. C. Lewis, Nicolas Poussin, Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), sacrifice, Hymenaios, Hymen disguised as a woman at a sacrifice to Priapus, original aquatint engraving, drinking wine, dancing, French Classical painting, antique themes, wash drawing, British Prints.
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Original Aquatint by Frederick Christian Lewis 'F. C. Lewis' designed by Nicolas Poussin

Bacchanalia A Dance before a Herm of Pan or Priapus by Frederick Christian Lewis designed by Nicolas Poussin published by John Chamberlaine for the Original Designs of the Most Celebrated Masters of the Bolognese Roman Florentine and Venetian Schools
Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), from the set published by John Chamberlaine under the general title, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools".

View other Original Works of art by Frederick Christian Lewis.

Frederick Christian Lewis 'F. C. Lewis' (London, 1779 - 1856)
# Image Title & Artists Medium Date Engraver Designer Notes -
01.- Augusta Fane Countess of Lonsdale by F. C. Lewis after Sir Thomas Lawrence Augusta Fane, Countess of Lonsdale by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London  
02.- Arches by F. C. Lewis after Canaletto Arches (Architectural View of a Capriccio from the Forum of Augustus in Rome), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Giovanni Antonio Canal (Canaletto). Original Aquatint and Etching 1811 F. C. Lewis Giovanni Antonio Canal (Canaletto) John Chamberlaine, London, inscribed, "Canaletti delt.", "F. C. Lewis fc.", "In His Majesty's Collection", and the publication line, "Published April 17 1811. by J. Chamberlaine Scotland Yard.", and numbered, "Pl. LXVI".  
03.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nocolas Poussin. Original Aquatint Engraving c. 1809 F. C. Lewis Nocolas Poussin John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLII".  
04.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Grand Study of Trees (A Pastoral Scene with Dancing Figures), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). Original Etching and Aquatint 1807 F. C. Lewis Claude Lorrain John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection".  
05.- Leda and the Swan by F. C. Lewis after Raphael Leda and the Swan (Greek mythology: Zeus came to Leda in the form of a swan), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. Original Etching 1809 F. C. Lewis Raffaello Santi, 'Raphael' John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pub. Feby. 7. 1809, by I. Chamberlaine, Scotland Yard.", and numbered, "Pl. XLVI". Sold
06.- Pharaoh by F. C. Lewis after Claude Lorrain Pharaoh (Moses and the Israelites Pass Through the Red Sea), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee) Original Etching & Aquatint with Hand Coloring 1809 F. C. Lewis Claude Lorrain John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engrav’d by F. C. Lewis", and the publication line, "Published Jany. 1809, by J Chamberlaine, London", and numbered, "XLVIII".  
07.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Polyphemus (A One-Eyed Giant 'A Cyclops), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). Original Etching and Aquatint 1807 F. C. Lewis
G. Lewis		 Claude Lorrain John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis".  
08.- Portrait of Henry Bloxam as Child by F. C. Lewis after Sir Thomas Lawrence Portrait of Henry Bloxam as Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London  
09.- Portrait of Miss Mary Bloxam as a Young Lady by F. C. Lewis after Sir Thomas Lawrence Portrait of Miss Mary Bloxam as a Young Lady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London  
10.- Portrait of Richard Roland Bloxam as a Child by F. C. Lewis after by Sir Thomas Lawrence Portrait of Richard Roland Bloxam as a Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London  
11.- Sibyl by F. C. Lewis after Raphael Sibyl (Sibyl, The Prophetess or The Goddess of Poetry), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. Original Soft Ground Etching 1809 F. C. Lewis Raffaello Santi, 'Raphael' John Chamberlaine, London, inscribed, "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pubd. Feby. 7. 1809 by I. Chamberlaine Scotland Yard."; with the watermark, "Edmeads & Pine, 1809", and numbered, "Pl. XLIII" Sold
12.- The Heliodorus in The Vatican by F. C. Lewis after Raphael Study For Part of The Celebrated Fresco, The Heliodorus in The Vatican by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. Original Soft Ground Etching 1818 F. C. Lewis Raffaello Santi, 'Raphael' William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. Sold
13.- Temple of Apollo by F. C. Lewis after Claude Lorrain Temple of Apollo (Kotylion Mountain, Bassae, Greece), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). Original Etching with Hand Coloring 1809 F. C. Lewis Claude Lorrain John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection". Sold
14.-   The Calmady Children, Emily and Laura Calmady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London Sold
15.- The Finding of the True Cross by F. C. Lewis after Gregorio Pagani The Finding of the True Cross by Frederick Christian Lewis (F. C. Lewis), based upon a design by Gregorio Pagani. Original Etching & Aquatint 1812 F. C. Lewis Gregorio Pagani William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line. Sold
16.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Holy Family (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'. Original Soft Ground Etching 1809 F. C. Lewis Raffaello Santi, 'Raphael' John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard.", and numbered, "Pl. XLIX".  
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain The Landing of Aeneas (The hero of Virgil's Aeneid, Aeneas was the son of Anchises and Aphrodite), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee). Original Etching and Aquatint 1807 F. C. Lewis
G. Lewis		 Claude Lorrain John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. & G. Lewis", "In His Majesty's Collection", and numbered, "PL. IV"  
18.- The Sisters by F. C. Lewis after Sir Thomas Lawrence The Sisters, Sir Thomas Lawrence's Nieces by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence. Original Stipple & Soft Ground Etching with Hand Colouring 1837 F. C. Lewis Sir Thomas Lawrence Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London Sold
19.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Treading the Wine Bags (Three Bacchantes standing in Profile), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nicolas Poussin. Original Aquatint 1809 F. C. Lewis Nicolas Poussin John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin."Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLVII".  
20.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Virgin & Child & St. John by Frederick Christian Lewis (F. C. Lewis), based upon a design by Michelangelo 'Buonarroti, Michelangelo'. Original Soft Ground Etching 1811 F. C. Lewis Michelangelo 'Buonarroti, Michelangelo' John Chamberlaine, London, inscribed, "Mich. I Angelo delt.", "F. C. Lewis Sculp.", "In His Majesty's Collection", and the publication line, "Published April. 17. 1811 by J. Chamberlaine Scotland Yard", and numbered, "Pl. LXIII". Sold

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
French Artist Index The 'French artist' directory contains a listing of original works of art created by artists from France and or art with a French theme. The artworks date from the 17th century to the 20th century.
Italian Artist Index The 'Italian Art' directory contains a listing of original works of art created by artists from Italy and or art with an Italian theme. The artworks date from the 15th century to the 20th century.
Subject:
Music & Dance Portrayed in Art Index The 'Music & Dance Portrayed in Art' directory contains original works of art concentrating upon the theme of music and dance, a subject of great examination and interest for many artists. Their countless portraits or studies of composers, musicians, singers, dancers, and musical instruments are an important contribution to the arts.
Landscapes, Seascapes, City & Town Views Art Index This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century.
Women Portrayed in Art Index The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries.

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