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Leopold-Levy's original etching, "Ferme a Vauhalen" (Farm at Vauhalen) was created by the artist in 1912. It is printed upon fine, hand-made, laid paper and with full margins as published by the Gazette des Beaux-Arts on the above date stated. It is signed within the plate with Levy's monogram to the lower left. "Ferme a Vauhalen" is a fine, original example of the landscape art created by the French artist, Leopold-Levy |
Title: | Ferme a Vauhalen (Farm at Vauhalen) |
Artist: | Levy, Leopold (Paris, 1882 - 1966) |
Date: | 1912 |
Medium: | Original Etching |
Publisher: | Gazette des Beaux-Arts, Paris |
Note: | Leopold-Levy: A fine French twentieth century landscape artist, Leopold-Levy first studied art at the Atelier of Bonnat in Paris. In 1900, he exhibited his art for the first time at the Salon des Independants. A master of the landscape, the portrait and the still life, Leopold-Levy's work was hailed from an early period by such noted artists as Andre Derain. It wasn't, however, until the end of the First World War (when the artist exhibited his landscapes of Provence and Aix) that Leopold-Levy gained a strong international reputation. From this point on he was regularly invited to exhibit with the Salon d'Automne and the Salon des Tuileries. |
Scholars have compared Leopold-Levy's art to such diverse masters as Cezanne and Watteau and have placed him in the Impressionist, Constructivist, Fauvist and Classical schools of art; all of which shows that his oeuvre is far too individualistic for such classifications. With its strong tonal values and renderings of space and form, Ferme a Vauhalen is a brilliant example of Leopold-Levy's landscape art. | |
Gazette des Beaux Arts: The revival of etching as a prominent form of art first took place in France in the mid nineteenth century. Sparked by the Paris etchings of Charles Meryon, French artists elevated etching to a creative process of art as vital as painting or sculpture. Such an outburst of artistic energy in this field had not been seen since the days of Rembrandt and other seventeenth century Dutch master etchers. | |
At the vanguard of this wave was the Paris based Gazette des Beaux Arts. Beginning with its initial publication in 1859, the Gazette regularly commissioned the greatest etchers of the day to supply original graphic art for publication. Nineteenth century editions included original etchings by Daubigny, Goya, Meryon, Whistler, Seymour Haden, Max Liebermann, Albert Besnard and others. And from the beginning of the twentieth century until it ceased publication in 1930, such fine international artists as John Sloan, Paul Adrien Bouroux, Georges Gobo, Louis Jou, Leopold-Levy and Donald Shaw MacLaughlan contributed works of art. With artists such as these it's easy to understand why etchings from the Gazette have long been sought after. | |
Size: | 5 X 9 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Price: | Sold |
Condition: | Printed upon fine, hand-made, laid paper and with full margins as published by the Gazette des Beaux-Arts in 1912. Signed within the plate with the artist's monogram to the lower left. A finely printed impression with full burr and in excellent condition throughout. Ferme a Vauhalen (Farm at Vauhalen) represents a prime, original example of the art of Leopold-Levy. |
Subject: | Leopold-Levy, Ferme a Vauhalen, (Farm at Vauhalen), original etching and drypoint, French landscape art, Impressionist, Andre Derain, Gazette des Beaux-Arts |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Etching by the French artist, Leopold-Levy.
Ferme a Vauhalen (Farm at Vauhalen) |
View other original works of art published by the 'Gazette Des Beaux Arts'.
Gazette des Beaux-Arts, Paris |
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# | Image | Title & Artist | Artist Info | Medium | Date | - | |
01.- | Coin de Marche a Venise by Georges Gobo | Georges Gobo (San Francisco, 1876 - Nantes, France, 1958) | Original Etching | 1929 | |||
02.- | Etude (Study) by Alfred Stevens | Alfred Stevens (Bruselles, 1823 - Paris, 1906) | Original Etching | 1889 | |||
03.- | Evacues by Louis Jou | Louis Jou (Gracia, Spain, 1882 - Baux, 1968) | Original Etching | 1916 | Sold | ||
04.- | Femme Assise sur un Canape, 'Etude' (Woman Seated on a Sofa, 'Study') by Giuseppe de Nittis | Giuseppe de Nittis (Barletta, Italy, 1846 - Saint-Germaine-en-Laye, France, 1884) | Original Etching | Date: c. 1880 (1st Ed: 1913) | |||
05.- | Ferme a Vauhalen (Farm at Vauhalen) by Leopold Levy | Leopold-Levy (Paris, 1882 - 1966) | Original Etching | 1912 | Sold | ||
06.- | Ferme, Normandie (Farm, Normandy) by John Winkler | John W. Winkler 'John Winkler' (Austria, 1890 - San Francisco, 1979) | Original Etching & Drypoint Engraving | 1924 | |||
07.- | Fifth Avenue Critics ("Une Rue a New York") by John Sloan | John French Sloan 'John Sloan' (Lock Haven, PA, 1871 - Hanover, NH, 1951) | Original Etching | 1905 | Sold | ||
08.- | Fleurs (Flowers Still-Life) by Emile Roustan | Emile Roustan (Cambodia, 1877 - Paris, 1959) | Original Lithograph Printed in Colour | 1924 | |||
09.- | - | Le Tisserand (The Weaver) by Max Liebermann | Max Liebermann (Berlin, 1847 - 1935) | Original Etching | 1898 | Sold | |
10.- | La Place de l'Hotel de Ville a Hondschoote (Market Square in the Rain) by Paul Adrien Bouroux | Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949) | Original Etching and Drypoint Engraving | 1922 | |||
11.- | Le Pont de la Tour a Londres by Paul-Adrien Bouroux | Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949) | Original Soft Ground Etching Printed in Colour | 1921 | |||
12.- | Lever de Lune (Moonrise) by Charles Francois Daubigny | Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878) | Original Etching with Plate Tone | 1871 | |||
13.- | Portrait of Constantin Meunier by Pierre Eugene Vibert | Pierre Eugene Vibert (Geneva, 1875 - 1937) | Original Woodcut Printed in Colour | 1902 | Sold | ||
14.- | Ruelle du Pecheur by Donald Shaw Maclaughlan | Donald Shaw Maclaughlan (Charlottetown, P.E.I., 1876 - New York, 1938) | Original Etching | 1902 | |||
15.- | Soleil Couchant (Sunset) by Charles Francois Daubigny | Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878) | Original Etching | 1859 | |||
16.- | Toilette d'une Femme Turque by Alexandre Lunois | Alexandre Lunois (Paris, 1863 - Le Pecq (Seine-et-Oise), 1916) | Original Lithograph | 1912 | Sold | ||
17.- | Vue de Grece (View of Greece) by Maxime Lalanne | Maxime Lalanne (Bordeaux, 1827 - Nogent-sur-Marne, 1886) | Original Etching | 1864 | Sold |
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