Title: |
Moritat |
Artist: |
Levine, Jack (Boston, Massachusetts, born, 1915 - died, New York, 2010) |
Date: |
1968 |
Medium: |
Original Soft Ground Etching |
Note: |
Jack Levine: Post World War Two American art
was largely guided by the current fashions of the day. Curators and
critics alike rushed from abstract expressionism to pop art to post
modernism as moths to the flame. With an almost brainwashed zeal they
condemned any work of art that looked vaguely realistic. One might almost
say that in these decades representational art was viewed as 'counter
revolutionary'. Yet such great painters and printmakers as Leonard Baskin,
Charles White, Ben Shahn, Philip Evergood, Chaim Koppelman and others
produced outstanding etchings and lithographs of a non abstract nature.
Perhaps the most important and influential of these fine artists was
Jack Levine. |
|
Born in Boston, Jack Levine first studied at the Boston
Museum of Fine Arts with Denham Ross (1929-1931) and then completed
his education at Colby College under Harold Zimmerman. He then traveled
extensively and lived for a period of one year in both Rome and in Mexico.
Levine gained recognition early in his career as a painter and held
his first one man exhibition in New York in 1938. Known first for his
biting social art, Levine drew the ire of those he often portrayed,
such as, the politicians, the generals and the arts establishment. By
1950, this satirical vein gave Levine notoriety as the 'enfant terrible'
of the Social Realist School. |
|
During the following years, Levine continued to both
gain fame and stand against current art trends. He stated, " So much
of Abstract Expressionism seems to me a matter of sheer velocity. To
me, firing at a target is the real problem - learning how to paint an
ear or hand correctly. With the Abstract Expressionist, well - firing
at no target is not a great matter, no matter how fast the bullet goes." |
|
In 1960, Jack Levine turned for the first time to the
art of printmaking. From the start his original lithographs, etchings
and aquatints placed him among America's most accomplished printmakers.
Some of these monumental works of art continued to portray incisive
social criticism and social compassion while others (such as this original
example entitled, Moritat) examined personal relationships in a truly riveting manner.
Looking at this work of art it is little wonder that today the etchings
and lithographs of Jack Levine are considered to be in the first rank
of contemporary American art. |
|
Jack Levine's paintings and prints are included in the
collections of the Fine Arts Museums of San Francisco, the National
Museum of American Art, Washington, the Art Institute of Chicago, the
Metropolitan Museum of Art and the Museum of Modern Art, New York. A
full member of the National Academy of Design, Levine was also an influential
teacher at the Art Institute of Chicago and the Pennsylvania Academy
of Fine Arts. |
Source: |
Moritat belongs to a set created in the latter 1960's when
Levine was commissioned to make a number etchings illustrative of Bertold Brecht's
famous play, "The Three Penny Opera". The etchings were published in New York in 1968
in limited and signed editions ranging from forty five to one hundred impressions.
The plates were then destroyed. They are delightful portrayals of the seamy characters and
their lives as penned by Brecht. |
Edition: |
Limited edition of forty five impressions, numbered
VI/XLV. |
Size: |
8 7/8 X 9 3/4 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Buy Now |
Price: $495.00 US |
Condition: |
Printed upon fine, hand-made paper bearing the 'Rives'
watermark and with full, deckled margins as published in New York in
1968. Signed and numbered 'VI/XLV' by the artist along the lower margin.
A beautifully printed impression and in excellent condition throughout.
Moritat stands as a prime example of the art of Jack Levine,
one of America's greatest modern masters. |
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