Jack Levine

Girls of Tunbridge Alley # 1

Jack Levine's original soft ground etching and aquatint, Girls of Tunbridge Alley #1 is a fine, original example of his graphic art. Using aquatinting to create the background wall and soft ground etching to delineate the two primary characters, Levine has created an unforgettable scene of life within a brothel. The primary girl irons her clothes for the night's work ahead. The expression of boredom and hopelessness in the visage of the figure lying on the bed contrasts sharply with the rich patterns of the wallpaper.

Jack Levine was originally commissioned to make several etchings illustrative of Bertold Brecht's famous play, "The Three Penny Opera". Girls of Tunbridge Alley #1 is one of his contributions. It was published in New York in 1968 in a limited and signed edition of 100 impressions. This original soft ground etching and aquatint is as a stunning example of the art created by the American artist, Jack Levine.

Original Soft Ground Etching & Aquatint by the American artist, Jack Levine.

Girls of Tunbridge Alley Original Etching by Jack Levine

Girls of Tunbridge Alley #1

View other original works of art by Jack Levine.

Jack Levine (Boston, Massachusetts, born, 1915)
#	Image	Title & Artist	Date	Medium	Info
01.-		Girls of Tunbridge Alley #1 by Jack Levine	1968	Original Soft Ground Etching & Aquatint	Signed and numbered '41/100' in pencil by Jack Levine.
02.-		McHeath at Tunbridge Alley by Jack Levine	1968	Original Soft Ground Etching	Signed and numbered 'VI/XLV' in pencil by Jack Levine.
03.-		Moritat by Jack Levine	1968	Original Soft Ground Etching	Signed and numbered 'VI/XLV' in pencil by Jack Levine.

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Title:	Girls of Tunbridge Alley # 1
Artist:	Levine, Jack (Boston, Massachusetts, born, 1915 - died, New York, 2010)
Date:	1968
Medium:	Original Soft Ground Etching & Aquatint
Edition:	Limited edition of one hundred, numbered 41/100, Plate 13.
Note:	Jack Levine: Post World War Two American art was largely guided by the current fashions of the day. Curators and critics alike rushed from abstract expressionism to pop art to post modernism as moths to the flame. With an almost brainwashed zeal they condemned any work of art that looked vaguely realistic. One might almost say that in these decades representational art was viewed as 'counter revolutionary'. Yet such great painters and printmakers as Leonard Baskin, Charles White, Ben Shahn, Philip Evergood, Chaim Koppelman and others produced outstanding etchings and lithographs of a non abstract nature. Perhaps the most important and influential of these fine artists was Jack Levine.
	Born in Boston, Jack Levine first studied at the Boston Museum of Fine Arts with Denham Ross (1929-1931) and then completed his education at Colby College under Harold Zimmerman. He then traveled extensively and lived for a period of one year in both Rome and in Mexico. Levine gained recognition early in his career as a painter and held his first one man exhibition in New York in 1938. Known first for his biting social art, Levine drew the ire of those he often portrayed, such as, the politicians, the generals and the arts establishment. By 1950, this satirical vein gave Levine notoriety as the 'enfant terrible' of the Social Realist School.
	During the following years, Levine continued to both gain fame and stand against current art trends. He stated, " So much of Abstract Expressionism seems to me a matter of sheer velocity. To me, firing at a target is the real problem - learning how to paint an ear or hand correctly. With the Abstract Expressionist, well - firing at no target is not a great matter, no matter how fast the bullet goes."
	In 1960, Jack Levine turned for the first time to the art of printmaking. From the start his original lithographs, etchings and aquatints placed him among America's most accomplished printmakers. Some of these monumental works of art continued to portray incisive social criticism and social compassion while others (such as this original example entitled, Girls of Tunbridge Alley #1) examined personal relationships in a truly riveting manner. Looking at this work of art it is little wonder that today the etchings and lithographs of Jack Levine are considered to be in the first rank of contemporary American art.
	Jack Levine's paintings and prints are included in the collections of the Fine Arts Museums of San Francisco, the National Museum of American Art, Washington, the Art Institute of Chicago, the Metropolitan Museum of Art and the Museum of Modern Art, New York. A full member of the National Academy of Design, Levine was also an influential teacher at the Art Institute of Chicago and the Pennsylvania Academy of Fine Arts.
Source:	Jack Levine was originally commissioned to make several etchings illustrative of Bertold Brecht's famous play, "The Three Penny Opera". Girls of Tunbridge Alley #1 is one of his contributions. It was published in New York in 1968 in a limited and signed edition of 100 impressions. The plate was then destroyed.
Size:	13 1/2 X 8 10/16 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image:

Buy Now	Price: $750.00 US
Condition:	Printed upon fine, hand-made paper bearing the 'Rives' watermark and with full, deckled margins as published in New York in 1968. Signed and numbered '41/100' by the artist along the lower margin. Containing very faint traces of matte burning, else a beautifully printed impression and in excellent condition throughout. This original etching stands as a stunning example of Jack Levine's art, one of America's great modern masters.
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