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Armand Leleux created this original lithograph entitled, "Zingari (Lombardie Venitienne)" Gypsies (Lombardy-Venetia) for the Paris arts publication, L'Artiste, in 1845. It is based upon the painting of the same title by Leleux, which was exhibited at the Paris Salon earlier that year. This beautiful scene originates from one of Leleux’s trips to northern Italy. The Kingdom of Lombardy-Venetia (or, the Lombardo-Venetian Kingdom) was created in 1815 and ended in 1866 when it fell to the new nation of Italy. Under Austrian control the territory embraced most of northern Italy, including such provinces as Milan, Como, Bergamo, Pavia, Venice, Verona, Padova and Udine. The Biblioteca Nationale de France includes an impression of this original lithograph in its permanent collection. Both this original impression of Zingari and the impression housed in the Biblioteca bear the publisher's name, "L'Artiste", and the text, "Salon de 1845" in the upper margin, and the title, "Zingari (Lombardie Venitienne)", the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the lower margins. Zingari (Lombardie Venitienne) is a fine, original example of the lithographic and landscape art created by the 19th century French artist, Armand Leleux. |
Title: | Zingari Lombardie Venitienne Gypsies Lombardy Venetia |
Artist: | Leleux, Armand Hubert Simon 'Armand Leleux' (Paris, 1818 - 1885) |
Date: | 1845 |
Medium: | Original Lithograph |
Publisher: | L'Artiste, Paris |
Printer: | Bertauts, Paris |
Source: | L'Artiste, Paris (4o Serie - Tome III) |
Note: | Armand Hubert Simon Leleux, 'Armand Leleux': A French painter and lithographer, Armand Hubert Simon Leleux was a student of the great master, Jean-Auguste-Dominique Ingres (1780-1867). In 1835 he accompanied Ingres on a trip to Rome. Armand Leleux first exhibited his art at the Salon de Paris in 1839. During his career he was a regular exhibitor there as well as frequently showing his art in both Germany and Switzerland. Armand Leleux’s elder brother, Adolphe Pierre Leleux (1812-1891) was also a highly regarded genre and history painter. |
Armand Leleux frequently traveled in Spain, Italy Germany and Switzerland, and much of his art is dedicated to scenes of these lands. In 1848 he married the Swiss artist, Louise Emilie Giraud (1824-1885) and they lived in both Paris and Dardagny. Among their circle of friends were such artists and writers as Jean Baptiste Camille Corot, Theophile Gautier and Eugene Sue. | |
Armand Leleux received medals for his art in 1844, 1847, 1848, 1857 and 1859. He was appointed Chevalier of the Legion d’honneur in 1860. Today museums in Bayonne, Bordeaux, Geneva, Toulouse and Paris include examples of his art in their permanent collections. | |
Zingari (Lombardie Venitienne) Gypsies (Lombardy-Venetia): Armand Leleux created this original lithograph entitled, Zingari (Lombardie Venitienne) for the Paris arts publication, L'Artiste, in 1845. It is based upon the painting of the same title by Leleux, which was exhibited at the Paris Salon earlier that year. This beautiful scene originates from one of Leleux’s trips to northern Italy. The Kingdom of Lombardy-Venetia (or, the Lombardo-Venetian Kingdom) was created in 1815 and ended in 1866 when it fell to the new nation of Italy. Under Austrian control the territory embraced most of northern Italy, including such provinces as Milan, Como, Bergamo, Pavia, Venice, Verona, Padova and Udine. This original lithograph bears the publisher's name, "L'Artiste", and the text, "Salon de 1845" in the upper margin, and the title,’’Zingari (Lombardie Venitienne)”, the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the lower margins as published for the 19th century French art journal, L'Artiste, France's foremost nineteenth century publisher of artistic lithographs, etchings, & engravings since its inception in 1831. See: L'Artiste, Beaux – Arts et Belles- Lettres, 4 Serie – Tome III, Paris Bureaux de L'Artiste, ru de Siene-Saint-Germain, 59, 1845. It is listed in the 1845 issue of L'Artiste under the Table Des Matieres, 1845 - 4o Serie - Tome III, Janvier, Fevrier, Mars, Avril, ‘Gravures’, ‘Treizieme Livraison’, “Les Zingari, lithographie de M. Arm. Leleux, d’apres son (tableau.)". That 1845 issue of L'Artiste also contained engravings, etchings and lithographs, by A. Masson, Eugene Leroux, Roze, Colin, Victor Prevost after P. Ledas, Ch. Geofroy after N. Diaz, Taylor after C. Roqueplan, L. Marvy after E. Toudouze and others. The Gallica, Biblioteca Nationale de France includes an impression of this original lithograph in its permanent collection. It may be viewed on their site under the Museum Number 1845 (SER4, T3) | |
L'Artiste, Paris (1831 - 1904): The Paris art journal, L'Artiste was one of the most-long lasting literary reviews encompassing the visual arts, literature, and music. It is considered by many a most important historical record of French art of the nineteenth century. Founded and directed by Achille Ricourt, this art journal published its first issue in February of 1831, under the title of, "L'Artiste. Journal de la Litterature et des Beaux-Arts" at the address, Rue de Seine-Saint-Germain, 39. Its first vignette, created by Tony Johannot depicted a painter, a sculptor, a writer and a musician accompanied by two women singing. During its long publishing history, the journal was edited by Achille Ricourt (founder/director), Arsene Houssaye (first editor in chief), a post that was also held by, Edouard Houssaye, Auguste de Vaucelle, Theophile Gautier, and others. Each volume consisted of reproductive and most importantly, original prints in the medium of lithography, etching, engraving, and other graphic mediums created by contemporary French artists such as, Paul Delaroche, Tony Johannot, Celestin-Francois Nanteuil, Francois Jules Collignon, Jules Dupre, Hector Martin, Charles Joshua Chaplin, Paul Gavarni, Auguste Delatre, Armand Hubert Simon Leleux, Charles Francois Daubigny, E. Delacroix, Theodore Valerio and many other important artists of the times. "Zingari (Lombardie Venitienne)" by Armand Leleux is a striking example of the lithographic art commissioned by L'Artiste in 1845. L'Artiste published art reviews and literary works by art critics and writers such as, Pierre Jules Theophile Gautier, Charles Baudelaire, Honore de Balzac, A. Houssaye, A. Dumas, and others. L'Artiste later absorbed the "Revue de Paris", another important French literary magazine founded by Louis Desire Vernon in 1829. By the time of its demise in 1904, L'Artiste had published a total of seventy two issues. | |
Bertauts, Publishing & Printing Firm (c. 1830's - c. 1970's): The renowned French lithographic publisher and printer, Bertauts was considered one of the finest printers in Europe during the mid-nineteenth century. According to the Beaus-Arts – de la Lithographie et des Imprimeurs, Bertauts began printing lithographs after 1826 and established his lithographic firm in 1836. During the 1830's and into the 1870's, original lithographs printed by Bertauts appeared in such publications as, "L'Artiste, Paris" (1831-1904), "Album du Salon" (1839-1844), "Les Beaux-Arts" (1843-1844), "Les Artistes Contemporains", (1845 - 1853), "Les Artistes Anciens et Modernes, Paris" (1850 - 1862), "Animaux et Paysages d'Apres Nature" (1858), the "Gazette des beaux arts" (1859-1939), "Souvenirs d' Artistes" (1860-1876), and other major 19th century art journals of the time. Zingari (Lombardie Venitienne) Gypsies (Lombardy-Venetia) was printed by Bertauts in Paris for L'Artiste in 1845. | |
Size: | 12 5/8 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $265.00 US |
Condition: | Printed upon fine chine colle that has been pressed onto a larger sheet of white, wove paper and with full margins as printed and published in Paris 1845. Bearing the publisher's name, "L'Artiste", and the text, "Salon de 1845" in the upper margin, and the title, "Zingari (Lombardie Venitienne)", the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the lower margins. Containing some foxing, particularly in the near margins, due to a previous acidic matting; else a good impression and in fair condition throughout. Zingari (Lombardie Venitienne) Gypsies (Lombardy-Venetia) represents a beautiful, original example of the nineteenth century lithographic art of Armand Leleux. |
Subject: | Armand Leleux, Armand Hubert Simon Leleux, Zingari (Lombardie Venitienne), Gypsies (Lombardy-Venetia), original lithograph, the Lombardo-Venetian Kingdom, Jean-Auguste-Dominique Ingres (1780-1867), scenes of northern Italy, Louise Emilie Giraud (1824-1885) |
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Original Lithograph by the French artist, Armand Leleux..
Zingari (Lombardie Venitienne) Gypsies (Lombardy-Venetia) |
View other original works of art published by "L'Artiste, Paris".
L'Artiste, Paris | ||||||||
# | Image | Title & Artist | Artist Info | Medium | Date | Notes | - | |
01.- | Avant L'Orage, Paysage (Before the Storm, Landscape) by Francois Jules Collignon | Francois Jules Collignon 'F. J. Collignon' (Paris, c. 1800 - 1850) | Original Lithograph | 1844 | Signed by Francois Jules Collignon in the stone to the lower left and bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon de 1844", the artist's name, "F. Jules Collignon pinx. et del.", & the printer's details, "Peequereau imp." along the upper & lower margins. | Sold | ||
02.- | Bords de la Somme, Picardie (Banks of the Somme, Picardy) by Jules Dupre | Jules Dupre (Nantes, 1811 - L'Isle-Adam, 1889) | Original Lithograph | 1836 | Signed in the stone to the lower left with Jules Dupre's 'J. D.' monogramme and bearing the publisher's name, "L'Artiste", the artist's name, "Jules Dupre", the title, & the printer's details, "Lith. de Bernard et Frey." along the upper & lower margins. | Sold | ||
03.- | Gorges d’Apremont Gorges of Apremont by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1846 | bearing the publisher's name, "L'Artiste", the title, the artist's name, "H. Martin pinx. et lith.", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins . | |||
04.- | Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) | Original Lithograph | 1849 | Bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon 1849", the title, the artist's name, "Ch. Chaplin pinx", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margins. | |||
05.- | Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni | Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866) | Original Lithograph | 1856 | Bearing the full publisher's name, "L'Artiste", the title, the artist's name, "Gavarni", & the printer's details, "Imp. Bertauts, r. Cadet, II" along the upper & lower margins. | |||
06.- | Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1848 | Bearing the publisher's name, "L'Artiste", the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins. | |||
07.- | Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jean | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) designed by Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877) | Original Lithograph | 1851 | Bearing the publisher's name, "L'Artiste", the title, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margin. | |||
08.- | Pecheur Champenois (Fisherman of Champagne) by Hector Martin | Hector Martin (France. c. 1825 -1846) | Original Lithograph | 1848 | bearing the publisher's name, "L'Artiste" in the upper margin and the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, r. st. Marc 14" along the lower margin. | |||
09.- | Soir d'Automne (Autumn Evening) by Auguste Delatre | Auguste Delatre (Paris, 1822 - 1907) | Original Etching and Drypoint with Plate Tone | 1859 | Signed and dated in the plate by Auguste Delatre and bearing the artist's name, "Aug. Delatre pinx. et sc", title, & the printer's details "Imp. Aug. Delatre"in the lower margin. | Sold | ||
10.- | Souvenir de Hollande (Remembrance of Holland) by Theodore Valerio | Theodore Valerio (Herserange, France, 1819 - Vichy, 1879) | Original Lithograph | 1844 | Signed and dated in the stone by Theodore Valerio to the lower right and bearing the publisher's name, "L'Artiste", the title, the artist's name, "Valerio pinx. et lith.", & the printer's details, "Imprime par Auguste Bry a Paris" along the lower margin. | |||
11.- | Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux | Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885) | Original Lithograph | 1845 | Bearing the publisher's name, "L'Artiste", the text, "Salon de 1845", the title, the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the upper and lower margins. |
View other original works of art by the 19th century publisher / printer Bertauts, Paris.
Bertauts, Paris | ||||||||||
# | Artist Last Name | Image | Artist & Title | Medium | Date | Artist Information | Notes | - | ||
01.- | Baron | Jeux d'enfants (Children's Games) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1853 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, II, Paris". | ||||
02.- | Baron | La Musique (Music) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1854 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, Paris". | ||||
03.- | Bodmer | Marcassins (Young Wild Boars) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | ||||
04.- | Bodmer | Sangliers dans une Mare (Wild Boars in a Pond) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | Sold | |||
05.- | Boulanger | Attaque du Lion by Louis Boulanger | Original Tinted Lithograph | c. 1830 (Souvenirs d'Artistes edition) | Louis Boulanger (Vercelli, 1806 - Dijon, 1867) | Souvenirs d'Artistes, "Imp. Bertauts, r. Cadet, Paris". | ||||
06.- | Chaplin | Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jeanron | Original Lithograph | 1851 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) after Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877) | L'Artiste, Paris, "Imp. Bertauts, Paris". | ||||
07.- | Chaplin | Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Original Lithograph | 1849 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) | L'Artiste, Paris (Salon 1849), "Imp. Bertauts, Paris". | ||||
08.- | Dauzats | Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) by Adrien Dauzats | Original Lithograph | 1841 | Adrien Dauzats (Bordeaux, 1804 - Paris, 1868) | Salon de 1841, Challamel edit. 4. R. de L'Abbaye. F.S.' G.', Paris, Maison du Roi, "Imp. Petit & Bertauts". | ||||
09.- | Francais | Un Chemin (A Road) by Francois-Louis Francais | Original Lithograph | 1842 | Francois-Louis Francais (Plombieres (Vosges), 1814 - Paris, 1897) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | ||||
10.- | Gavarni | Gulnare (Mlle. Melanie Waldor) by Paul Gavarni | Original Lithograph | 1843 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | Les Beaux-Arts, Paris, L. Curmer, 49, Rue de Richelieu, "Imp. Bertauts" | Sold | |||
11.- | Gavarni | Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni | Original Lithograph | 1856 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | L'Artiste, "Imp. Bertauts". | ||||
12.- | Laurens | Puits Breton (Breton Well) by Jules Laurens designed by Charles de Tournemine | Original Lithograph | c. 1850 - 1853 | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) after Charles Emile Vacher de Tournemine 'Charles de Tournemine' (Toulon, 1814 – 1873) | Les Artistes Contemporains, Paris, "Imp. Bertauts, r. Cadet, Paris". | ||||
13.- | Leleux | Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux | Original Lithograph | 1845 | Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885) | L’Artiste, Paris, (Salon de 1845), "Imp. Bertauts". | ||||
14.- | Leroux | L'Embuscade (The Ambush) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1843 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) | Les Beaux-Arts, "Imp. Bertauts, r. St. Marc, 14". | ||||
15.- | Leroux | Le Singe au Miroir (The Monkey at the Mirror) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1850 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) after Alexandre Gabriel Decamps (Paris, 1803 - Fontainebleau, 1860) | Les Artistes Anciens et Modernes, "Imp. Bertauts". | ||||
16.- | Martin | Gorges d’Apremont Gorges of Apremont by Hector Martin | Original Lithograph | 1846 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris" | ||||
17.- | Martin | Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris". | ||||
18.- | Martin | Pecheur Champenois (Fisherman of Champagne) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, r. st. Marc 14". | ||||
19.- | Mouilleron | Jeune homme jouant de la basse (Young Man Playing the Cello) by Adolphe Mouilleron after a design by Jean Louis Ernest Meissonier | Original Lithograph | 1842 | Adolphe Mouilleron (Paris, 1820 – 1881) after Jean Louis Ernest Meissonier (Lyons, 1815 - Poissy, 1891) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | Sold | |||
20.- | Mouilleron | L'Orage (The Storm) by Adolphe Mouilleron | Original Lithograph | 1844 | Adolphe Mouilleron (Paris, 1820 – 1881) | Les Beaux-Arts, Paris, Leon Curmer, 49 Rue Richelieu, Paris, "Imp. Bertauts | ||||
21.- | Nanteuil | Une Source (A Source, Particularly of a Stream or River) by Celestin-Francois Nanteuil | Original Lithograph | 1842 | Celestin-Francois Nanteuil (Rome, 1813 - Bourron-Marlotte, 1873) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". |
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