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| Jules Laurens's original etching, "Truands de Campagne" (Thieves in the Countryside) is an artist proof impression before letters printed on fine, laid paper with the 'Aqua-Fortistes' watermark, as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. The National Gallery of Canada includes an impression of this original etching in its permanent collection. Truands de Campagne is a fine, original example of the etched art created by the French artist, Jules-Joseph-Augustin Laurens. |
| Title: | Truands de Campagne (Thieves in the Countryside) |
| Artist: | Laurens, Jules-Joseph-Augustin 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) |
| Date: | 1865 |
| Medium: | Original Etching |
| Publisher: | A. Cadart & Luquet, Paris |
| Printer: | Auguste Delatre, Paris |
| Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
| Note: | Jules Joseph Augustin Laurens 'Jules Laurens' A fine French nineteenth century painter, etcher and lithographer, Jules Laurens first studied art under his elder brother, Joseph-Bonaventure Laurens. Showing considerable talent, he was sent to Paris to study under Paul Delaroche. A landscape painter of great merit, Jules Laurens' first achievements in the graphic arts were in the medium of lithography. Holding a lifelong fascination for the middle east, his first portfolio was published in 1859, entitled, "Voyage en Turquie et en Perse". It contained one hundred lithographs. |
| Jules Laurens began etching in 1862, probably at the urging of Cadart. Altogether he etched 216 plates, the best being, "Sous Les Murs de Teheran", "Truands de Campagne" and "Canard Sauvage", all published by the "Societe des Aqua-Fortistes". Jules Laurens was decorated by the French government for his achievement in the arts in 1868. "Truands de Campagne" (Thieves in the Countryside) is a striking example of the etched art created by Jules Laurens. The National Gallery of Canada (Musee des Beaux-Arts du Canada) includes an impression of this original etching in its permanent collection, Inventory No 23702.187. | |
| Truands de Campagne: This original Jules Laurens etching entitled, "Truands de Campagne" (Thieves in the Countryside) hails from the Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings), Oeuvres Inedites et Originales - Quatrieme Annee - Quatrieme Volume - (1865-1866), published by A. Cadart & Luquet, Editeurs, 79 Rue de Richelieu, 79, Paris, plate # 187. The (September, 1865 - August, 1866) issue of Eaux-Fortes Modernes contained sixty eight original etchings. There were five original etchings listed for each month, however the following pages contained two to three original etchings per page, #183 W. Ridley, #184 Alfred-Louis Brunet-Debaines, #188 Luis Jimenez, #205 Adolphe Appian, #210 Delprat, #213 Pierre-Emile Berthelemy, #215 Lanson, and #237 Baron. Contributing artists for this issue include, Eugene Smits, Herman Cossmann, Jules Laurens, Alfred Mery, Ferdinand Roybet, George Snell, Alexandre Sege, Bronislaw Zalenski, Amadee de Boret, Gilberto Borromeo, Alphonse Aufray, David Sutter, Alfred Taiee, and other fine 19th century artists of the period. An 'Artist Proof Impression', "Truands de Campagne" is a striking example of the etched art of Jules Joseph Augustin Laurens commissioned for the Societe des Aqua-Fortistes - Eaux-Fortes Modernes. | |
| Alfred Cadart: Within a surprisingly short period of time, the revival of etching as an original art form in Europe and America during the latter nineteenth century became viewed as a means of artistic expression equal to (and in more than several quarters, superior to) painting and sculpture. And, during that period, Alfred Cadart (1828-1875), sometimes listed as Alphonse Cadart, was France's foremost publisher of original etchings. He was most influential in re-establishing etching as a major artistic medium in France, England and America. In 1862, Alfred Cadart, along with Felix Chevalier, founded the Societe des Aqua-Fortistes (Society of Etchers), an organization, responsible for producing some of the finest French art from this era until its demise in 1867. The initial members included Felix Bracquemond, Henri Fantin- Latour, Johan Barthold Jongkind, Alphonse Legros and Theodule Ribot. Many of the fine etchings published by Cadart, particularly the earlier prints, were printed by August Delatre (1822-1907). Recognized as the most gifted printer-etcher of his era, August Delatre's influence upon the course of creative etching was significant. The artists who requested their services for their impressions reads like a 'who's who' of nineteenth century art. Corot, Chauvel, Brendel, Chaigneau, Constantin, Cottin, Whistler, Meryon, Haden, Jacquemart, Appian, Daubigny, Bracquemond, Rops, and other fine artists all pressed for their skills and advice. Both Cadart and Delatre were thus responsible for creating some of the most memorable and finest etchings of the nineteenth century. Jules Laurens's original etching, "Truands de Campagne" (Thieves in the Countryside) is a fine, original example of the etchings published by Cadart during the early 1860's decade. This particular etching depicts an exterior scene with two vagrants standing by the door of a country cottage. | |
| Through the years, Alfred Cadart's firm entered into various partnerships producing changes in the name of the firm, as well as a change of address during the publication of some of his art albums. Starting around 1859, Alfred Cadart's publications bear the "Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacres". In 1861, Alfred Cadart entered into partnership with Felix Chevalier, establishing their new publishing house as, 'A. Cadart & F. Chevalier", Rue Richelieu, 66, Paris'. His next partnership began around 1862 with Jules Luquet, thus creating the firm of 'A. Cadart & Luquet, Editeurs', Rue de Richelieu, 79, Paris". In 1867, Cadart formed another partnership, this time with Mr. Luce, launching la Maison de "Cadart et Luce, Editeurs-Fondateurs, 58, Rue Neuve des Mathurins, 58". Then in 1872 he began to publish under his own name, "A. Cadart, Editeur-Fondateur, 58, Rue Neuve des Mathurins, 58". In 1874, the address changed to '56, Boulevard Haussmann, 56, Paris". After Cadart's death in 1875, his widow, Celonie-Sofie Cadart continued publishing original graphic works of art under the name, "Vve A. Cadart", (Puis Veuve Cadart), at the same address "56, Boulevard Haussmann, 56, Paris, until the demise of the firm in 1882. A selection of Paris art journals that contained original etchings published by the A. Cadart firm are listed below. | |
| Some of the earliest issues published by Alfred Cadart containing original etchings include, "Specimen, Paris Qui S'en Va", and "Paris Qui S'en Va Paris et Qui Vient", (1859-1860), Publication Artistique, dessinee et Gravee par Leopold Flameng, publie par Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacre. When Alfred Cadart entered into partnership with Felix Chevalier in 1861, their new publishing house ran under the name of 'A. Cadart & F. Chevalier'. It was located at Rue Richelieu, 66, Paris until its demise around 1863. During that period, their firm published other important sets, such as Charles-Francois Daubigny's album with nineteen original etchings entitled, "Voyage en Bateau, Croquis a L'Eau Forte" par Daubigny (1862), printed by Auguste Delatre, with text that read; "publie par A. Cadart & F. Chevalier". Cadart's 1862 portfolio entitled, "Huit Gravures a l'eau-forte par Manet" (Eight etchings by Edouard Mane), is also of great note, and it actually contained nine original etchings (two were printed on a single sheet). | |
| From (1862-1867), Alfred Cadart along with the Societe des Aqua-Fortistes was responsible for producing some of the greatest etchings from this vital decade. The firm published its first long running series of art albums, issued from September of 1862 to August of 1867 under the title of, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes". During the publication of "Eaux-Fortes Modernes" Alfred Cadart ended his partnership with Felix Chevalier and entered into a new partnership with Jules Luquet, establishing the publishing house of 'Cadart & Luquet'. The first two issues of this publication contain two title pages, the first title page bears the name & address of the firm, 'A. Cadart & F. Chevalier', and the second title page bears the name & address of the firm, 'Cadart & Luquet'. The remaining issues (only) bear the 'Cadart & Luquet' details on the title page. "Traite de La Gravure - A L'Eau-Forte", 1866 by Maxime Lalanne contains a catalogue of the lithographs and etchings published by 'Cadart & Luquet'. The first two issues of "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" are included in this catalogue. The following is a listing of the, "Eaux-Fortes Moderne" art publications, the addresses and the numerical sequence for each volume published from 1862 to 1867. The (Sep, 1862 - Aug, 1863) issue lists sixty etchings (#01 to #60), and the (Sep, 1863 - Aug, 1864) issue lists sixty etchings (#61 to #120). The printed addresses that appear on both issues are (A. Cadart & Chevalier, Editeurs, 66, Rue de Richelieu, 66, Paris), and (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). As mentioned earlier, the following issues only contained one address (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). The (Sep, 1864 - Aug, 1865) lists sixty etchings (#121 to #180), the (Sep, 1865 - Aug, 1866) lists sixty etchings ( #181 to #240) and lastly, the (Sep, 1866 - Aug, 1867) issue lists sixty etchings (#241 to #300). For this series, Cadart commissioned hundreds of outstanding etchings by major 19th century French and international artists. By the time of their demise in 1867, Cadart and the Societe des Aqua-Fortistes had published hundreds of original etchings for the series, 'Eaux-Fortes Modernes', three hundred etchings, sixty etchings per issue. Most were printed on single pages, however, some pages contained multiple etchings, increasing the number to over three hundred. Published in 1865, "Truands de Campagne" (Thieves in the Countryside) stands as fine, original example of the etched art of Jules Joseph Augustin Laurens commissioned for Cadart's first major French art journal, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings). | |
| During Cadart's partnership with Jules Luquet (1863 - 1867), the publishing house of Cadart & Luquet also published individual etchings, periodicals and various art albums or series containing original graphic works of art created by an individual artist, such is the case with the series of original etchings listed as, "Scenes Culinaires" which dealt with culinary scenes in Parisian restaurants etched by the French artist, Theodule-Augustin Ribot. These include, "La Carte", "L'Aide de Cuisine", "Le Recette du Cuisinier", "Les Eplucheurs", "Le Mets Brule, Salon de 1863", "Le Dejeuner des Cuisiniers", "Le Dejeuner du chat", and others. A few examples of art albums created by an individual artist include, A. P. Martial's two albums of Parisian views with original etchings entitled, "Vieux Paris" and "Ancien Paris". Both albums contained a collection of one hundred etchings in each portfolio with views of famous homes, city views, streets scenes, and important monuments in Paris. Another art publication entitled, "La Legende de Malborough" contains a collection of twenty one etchings by Amedee de Boret illustrating the Malborough's war verses. There were many additional works published in this manner by the Cadart firm, created and etched by such distinguished artists as, Maxime Lalanne, Jules Jacquemart, de Longueville, A. Gueyroy, and others. | |
| In 1868, Alfred Cadart initiated the publication of another series of original etchings, entitled, "L'Illustration Nouvelle" par Une 'Societe de Peintres-Graveurs, a L'Eau-Forte' (Society of Painters - Etchers) published under the partnership of 'Cadart et Luce' which ran from 1868 to 1871. However, starting with the 1872 issue, Cadart published the series under his own name, 'A. Cadart', until his death in 1875. After the death of Alfred Cadart, his widow, Celonie-Sofie Cadart continued to publish "L'Illustration Nouvelle" (The New Illustration), but changed the name to, "Vve A. Cadart", (Puis Veuve Cadart). This continued until the last issue was published in 1881. The address noted on the issues (1868-1872) was (58, Rue Neuve des Mathurins, 58, Paris) and from (1873-1881) the issues contained the address (56, Boulevard Haussmann, 56, Paris). Note: 'Veuve A. Cadart', or 'Vve A. Cadart' stands for Widow of A. Cadart. In total, there were 584 etchings commissioned for "L'Illustration Nouvelle". Like the previous series, entitled, "Eaux-Fortes Modernes", most of the etchings were printed on single pages, however, some pages contained multiple etchings, increasing the number of the combined issues to over six hundred etchings created by master etchers of the 19th century. | |
| In 1874, while "L'Illustration Nouvelle" was still in publication, Cadart began another fine series of original etchings, the first issue was entitled, "Publications A. Cadart - L'Eau-Forte en 1874" (Publications A. Cadart - Etching in 1874), published by 'A. Cadart', 58, Rue Neuve des Mathurins, 58, Paris. The second issue, L'Eau-Forte en 1875" contained a change of address (56, Boulevard Haussmann, 56, Paris). After the death of Alfred Cadart in 1875, his widow, Celonie-Sofie Cadart also continued to publish this series, but she changed the title to "Publications Vve A. Cadart - L'Eau-Forte en 1876", Vve A. Cadart, Editeur - Imprimeur (same address, but with a change of date) until the last one entitled, "Publications Vve A. Cadart - L'Eau-Forte en 1881" was published in 1881. Every issue contained thirty original etchings with the exception of the second issue which contained forty etchings, however, some pages had more than one etching printed per page, bringing the total to over two hundred and fifty etchings published in the eight issues from 1874 to 1881. According to the British Museum of Art, the firm closed in 1882. It is believed that Celonie-Sofie Cadart could no longer afford the high cost of publishing and declared bankruptcy. After the closure of the Cadart publishing house, all of the inventory was auctioned off, ending an era of more than two decades of original creative printmaking, and the publishing of some of the finest etchings of the latter part of the nineteenth century by France's foremost publisher of original etchings, and one of the principal forces behind the French etching revival, Alfred Cadart. | |
| Edition | Truands de Campagne, Artist Proof Impression before Letters. |
| Reference: | A. Cadart & Luquet, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), Quatrieme Annee - Quatrieme Volume - (1865-1866), 79 Rue de Richelieu, 79, Paris, (plate # 187). |
| Raisonne: | Henri Beraldi, Les Graveurs du XIX Siecle, Librairie L. Conquet, Paris, 1889, pp. 59-61. Catalogue # 16, First and Only State, as published by Cadart. |
| Size: | 12 1/4 X 9 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $375.00 US |
| Condition: | Printed on fine, laid paper and bearing the 'Aqua-Fortistes' watermark. With full margins extending almost to the perimeters of the matte as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. An 'Artist Proof Impression', Truands de Campagne (Thieves in the Countryside) is in fine condition throughout. It is a superb, original example of the famous French art of Jules-Joseph-Augustin Laurens. |
| Subject: | Jules Laurens, Jules Joseph Augustin Laurens, Truands de Campagne (Thieves in the Countryside), original etching, Cadart, Paris, Auguste Delatre, Paris, Societe des Aqua-Fortistes, landscapes, nineteenth century French painter, lithographer and etcher. |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Etching by the French artist, Jules-Joseph-Augustin Laurens 'Jules Laurens'.
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| Truands de Campagne (Thieves in the Countryside) |
View other original works of art by Jules Laurens.
| Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | ||||||
| # | Image | Title & Engraver | Medium | Date | Notes | - |
| 01- |  |
Canards Sauvages (Wild Ducks) by Jules Laurens | Original Etching | 1862 | Signed within the plate and bearing the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Canards Sauvages", the publisher's name, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu 66", the artist's name "Jules Laurens sculpt" and the printer's details "Imp. Delatre, Rue des Feuillantines 4, Paris" in the lower margin as published by Alfred Cadart's "Societe des Aqua-Fortistes", Paris for the "Eaux-Fortes Modernes". | |
| 02.- |  |
Puits Breton (Breton Well) by Jules Laurens designed by Charles de Tournemine | Original Lithograph | 1854 | Bearing the full publisher's address and rectangular blindstamp of "Les Artistes Contemporains" as well as the artist's names "Jules Laurens Lith:" & "Ch. de Tournemine Pinx", & the printers details, "Imp. Bertauts. r. Cadet, Paris" printed along the lower margin as published for "Les Artistes Contemporains". | |
| 03.- |  |
Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens | Original Etching | 1863 | Signed by Jules Laurens within the plate and bearing the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Sous Les Murs de Teheran", the publisher's name, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu 66", the artist's name "Jules Laurens sculpt" and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris" in the lower margin above the plate-mark. as published by Alfred Cadart's "Societe des Aqua-Fortistes", Paris for the "Eaux-Fortes Modernes". | Sold |
| 04.- |  |
Truands de Campagne (Thieves in the Countryside) by Jules Laurens | Original Etching | 1865 | Signed by Jules Laurens within the plate, 'Proof Impression' before the addition of the title, or printer's and publisher's details as published by Alfred Cadart's "Societe des Aqua-Fortistes", Paris for the "Eaux-Fortes Modernes". | |
View other original etchings published by Alfred Cadart's publishing house & his partners.
| "Alfred Cadart", "A. Cadart & F. Chevalier", 'A. Cadart & Luquet", "Cadart et Luce", "A. Cadart", & "Vve A. Cadart" | |||||||
| # | Last Name | Artist & Title | Artist Info | Source | Date | - | |
| 01.- | Abraham | Bords de l'Oudon (Banks of the Oudon) by Tancrede Abraham | Tancrede Abraham (Vitre, 1836 - 1895) | Eaux-Fortes Modernes (plate # 31) | 1863 | ||
| 02.- | Aufray | Moulin Hollandais sur le Canal du Roi-Guillaume (Dutch Windmill on the Canal Roi-Guillaume) by Alphonse Aufray | Alphonse Edouard de Roc'Bhian Aufray 'Alphonse Aufray' (Paris, 1833 - 1886) | Eaux-Fortes Modernes (plate # 194) | 1865 | Sold | |
| 03.- | Barillot | Un Verger au Printemps (An Orchard in Springtime) by Leon Barillot | Leon Barillot (Montigny-les-Metz, 1844 - Paris, 1929) | L'Eau-Forte en 1878 (plate #19) | 1878 | Sold | |
| 04.- | Beaujoint | Vue de Varennes en Argonne (View of Varennes in Argonne) by Alphonse Beaujoint | Alphonse Beaujoint (France, Active, 1850 - 1870) | Eaux-Fortes Modernes (plate # 192) | 1865 | ||
| 05.- | Berthelemy | Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide) by Pierre Emile Berthelemy | Pierre Emile Berthelemy (Rouen, 1818 - Bernieres-Sur-Mer, 1890) | Eaux-Fortes Modernes (plate # 121) | 1864 | ||
| 06.- | Besnus | La Mare au Drac, Champagne (The Pond at Drac, Champagne) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate # 149) | 1865 | Sold | |
| 07.- | Besnus | Une Famille de Philosophes (A Family of Philosophers) by Amedee Besnus | Amedee Besnus (Paris, 1831 - 1909) | Eaux-Fortes Modernes (plate 222) | 1866 | ||
| 08.- | Borromeo | Vue Prise aux iles Borromees, Lac Majeur (View of the Borromean Islands, Lake Maggiore) by Gilberto Borromeo | Gilberto Borromeo (Milan, Italy, 1815 - 1885) | Eaux-Fortes Modernes (plate # 200) | 1865 | ||
| 09.- | Brendel | Une Bergerie (A Sheepfold) by Albert Brendel | Albert-Henrick Brendel 'Albert Brendel' (Berlin, 1827 - Weimar, 1895) | Eaux-Fortes Modernes (plate # 7) | 1862 | ||
| 10.- | Chaigneau | Le Petit Troupeau (The Little Herd) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 91) | 1864 | Sold | |
| 11.- | Chaigneau | Moutons en Plaine, Salon de 1863 (Sheep in the Plain) by Jean Ferdinand Chaigneau | Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) | Eaux-Fortes Modernes (plate # 49) | 1863 | Sold | |
| 12.- | Chauvel | A Fleury, Seine-et-Marne (In Fleury, Seine-et-Marne) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | Eaux-Fortes Modernes (plate #147) | 1865 | Sold | |
| 13.- | Chauvel | Apres la Pluie, a Vaujours (After the Rain, at Vaujours) by Theophile-Narcisse Chauvel | Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) | L'Eau-Forte en 1876 (plate # 21) | 1876 | Sold | |
| 14.- | Constantin | Fantaisies (Fantasies) by Auguste Constantin | Auguste Aristide Fernand Constantin 'Auguste Constantin' (Paris, 1824 - 1895) | Eaux-Fortes Modernes (plate 21) | 1863 | ||
| 15.- | Cossmann | Apres la Bataille (After the Battle) by Herman-Maurice Cossmann | Herman-Maurice Cossmann 'Herman Cossmann' (Berlin, 1821 - Paris, 1890) | Eaux-Fortes Modernes (plate # 221) | 1866 | ||
| 16.- | Cottin | Basse-Cour (Farmyard) by Pierre Cottin | Pierre Cottin (La Chapelle-Saint-Denis, 1823 - Paris, 1886) | Eaux-Fortes Modernes (plate # 112) | 1864 | ||
| 17.- | Dansaert | La Rentree du Pierrot (The Return of Pierrot) by Leon Dansaert | Leon-Marie-Constant Dansaert 'Leon Dansaert' (Brussels, 1830 - 1909) | Eaux-Fortes Modernes (plate # 40) | 1863 | ||
| 18.- | de Boret | Chevaliers et Sorcieres (Horsemen and Witches) by Amedee de Boret | Amedee De Boret (Jussey, France, 1837 - Raincourt, 1916) | Eaux-Fortes Modernes (plate # 218) | 1866 | ||
| 19.- | Delatre | Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre | Auguste Delatre (Paris, 1822 - 1907) | Eaux-Fortes Modernes (plate # 167) | 1865 | Sold | |
| 20.- | Duseigneur | Dans la Rue, Lyon (In the Street, Lyon) by Georges Duseigneur | Louis-Didier-Georges Duseigneur 'Georges Duseigneur' (Lyon, 1841 - Paris, 1906) | Eaux-Fortes Modernes (plate # 170) | 1865 | ||
| 21.- | Edwards | Parc a Richmond, Angleterre (Park in Richmond, England) by Edwin Edwards | Edwin Edwards (Framlingham, 1823 - London, 1879) | Eaux-Fortes Modernes (plate #122) | 1864 | ||
| 22.- | Faruffini | Le Sacrifice Egyptien d'une Vierge au Nil, Salon de 1867 (Egyptian Sacrifice of a Virgin to the Nile) by Federico Faruffini | Federico Faruffini (Milan, Italy, 1831 - Perugia, Italy, 1869) | Eaux-Fortes Modernes (plate # 281) | 1867 | Sold | |
| 23.- | Gabriel | La Petite-Venise 'Provence' (Little Venice 'Province') by Justin Gabriel | Justin Gabriel (Brignolles, 1838 - ?) | Eaux-Fortes Modernes (plate # 126) | 1864 | Sold | |
| 24.- | Gassies | Le Forgeron (The Blacksmith) by Georges Gassies | Georges Gassies (Paris, 1829 - 1919) | Eaux-Fortes Modernes (plate # 10) | 1862 | Sold | |
| 25.- | Jacquemart | Souvenirs de Voyage (Souvenirs of a Journey) (Souvenirs of a Journey) by Jules Jacquemart | Jules-Ferdinand Jacquemart 'Jules Jacquemart' (Paris, 1837 - 1880) | Eaux-Fortes Modernes (plate # 8) | 1862 | Sold | |
| 26.- | Laguillermie | Jeune Bretonne Vannant du Ble Noir au Bord de la Mer, Salon de 1874 (Young Bretonne Winnowing Buckwheat at the Seaside) by Frederic-Auguste Laguillermie | Frederic-Auguste Laguillermie (Paris 1841 - 1934) | L'Eau-Forte en 1875 (plate # 16) | 1875 | ||
| 27.- | Lancon | Un Vieux Lion (An Old Lion) by Auguste Andre Lancon | Auguste Andre Lancon 'Auguste Lancon' (Saint-Claude (Jura) 1836 - Paris, 1887) | L'Eau-Forte en 1874 (plate # 14) | 1874 | ||
| 28.- | Laurens | Canards Sauvages (Wild Ducks) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 13) | 1862 | ||
| 29.- | Laurens | Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 51) | 1863 | ||
| 30.- | Laurens | Truands de Campagne (Thieves in the Countryside) by Jules Laurens | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) | Eaux-Fortes Modernes (plate # 187) | 1865 | ||
| 31.- | Leconte | Une Rue a Sienne, Italie (A Street in Sienna, Italy) by Louis Leconte de Roujou | Louis Leconte de Roujou 'Louis Leconte de Roujou' (Blois, c. 1820 - 1870) | Eaux-Fortes Modernes (plate # 23) | 1863 | ||
| 32.- | L'hermitte | Interieur de Moulin a Kersaint, Finistere (Interior of a Mill in Kersaint, Finistere) by Leon-Augustin Lhermitte | Leon-Augustin L'hermitte (Mont-Saint-Pere, 1844 - Paris, 1925) | L'Eau-Forte en 1875 (plate # 22) | 1875 | Sold |
| 33.- | Lombard | Le Borriquero, Espagne (The Donkey Keeper, Spain) by Louis Lombard | Louis Lombard (Paris, 1831 - ?) | Eaux-Fortes Modernes (plate # 35) | 1863 | Sold |
| 34.- | Mery | Abeilles (Bees) by Alfred Emile Mery | Alfred Emile Mery 'Alfred Mery' (Paris, 1824 - 1896) | Eaux-Fortes Modernes (plate # 216) | 1866 | |
| 35.- | Monzies | L' Opinion du Modele (The Opinion of the Model) by Louis Monzies | Louis Monzies (Montauban, 1849 - Le Mans) | L'Eau-Forte en 1878 (plate # 16) | 1878 | |
| 36.- | Morin | Pays Quand Meme (Home all the Same) by Edmond Morin | Edmond Morin (au Havre, 1824 - Scaeux, 1882) | L'Eau-Forte en 1875 (plate # 33) | 1875 | |
| 37.- | Noterman | Les Plaideurs (The Litigants) by Zacharias Noterman | Zacharias Noterman (Ghent, 1813 - Paris, 1874) | Eaux-Fortes Modernes (plate # 42) | 1863 | |
| 38.- | Prevost | Les Remords (Remorse) by Alexandre Prevost | Alexandre Celeste Gabriel Prevost 'Alexandre Prevost' (Paris, c. 1830 - 1900) | Eaux-Fortes Modernes (plate # 258) | 1866 | |
| 39.- | Queyroy | Menhirs de Meneck by Armand Queyroy | Armand Queyroy 'Mathurin Louis Armand Queyroy' (Vendome, 1830 - 1893) | Eaux-Fortes Modernes (plate # 17) | 1862 | |
| 40.- | Ribot | La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 41.- | Ribot | Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Scenes Culinaires | c. 1863-1866 | |
| 42.- | Ribot | Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 58) | 1863 | |
| 43.- | Ribot | Le Recette du Cuisinier (The Cook's Recipe) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | L'Eau-Forte en 1878 (plate # 25) | 1877 | |
| 44.- | Ribot | Les Eplucheurs (The Peelers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 25) | 1863 | |
| 45.- | Ribot | M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Alfred Cadart, Founder of the Society of Etchers) by Theodule Augustin Ribot | Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) | Eaux-Fortes Modernes (plate # 99) | 1864 | Sold |
| 46.- | Roybet | En Retard Pour La Fete (Late for the Fair) by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 148) | 1865 | Sold |
| 47.- | Roybet | Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') by Ferdinand Roybet | Ferdinand Roybet (Uzes, 1840 - Paris, 1920) | Eaux-Fortes Modernes (plate # 214) | 1866 | Sold |
| 48.- | Rudaux | Il M'aime Un Peu, Beaucoup? (He Loves Me, Loves Me Not?) by Edmond Adolphe Rudaux | Edmond Adolphe Rudaux 'Edmond Rudaux' (Verdun, 1840 - Paris, 1914) | L'Eau-Forte en 1881 (plate # 4) | 1881 | Sold |
| 49.- | Sege | Moulins dans le Pas-de-Calais (Windmills in the Pas-de-Calais) by Alexandre Sege | Alexandre Sege (Paris, 1818 - Coubron (Seine-et-Oise), 1885) | Eaux-Fortes Modernes (plate #181) | 1865 | |
| 50.- | Smits | La Lettre (The Letter) by Eugene Smits | Eugene Joseph Henri Smits 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) | Eaux-Fortes Modernes (plate # 232) | 1866 | Sold |
| 51.- | Snell | Lillebonne en 1848 by George Snell | George Snell (United States, 1820 - 1893) | Eaux-Fortes Modernes (plate # 240) | 1866 | |
| 52.- | Taiee | Notre St. Ouen d'avant la guerre by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | L'Illustration Nouvelle (plate # 205) | 1873 | |
| 53.- | Taiee | Rose Tremiere (Alcea Rosea, Hollyhock) by Alfred Taiee | Alfred Taiee (Paris, 1820 - ?) | Eaux-Fortes Modernes (plate # 249) | 1866 | |
| 54.- | Ulm | Brant Decouvrant le Phosphore (Brandt Discovering Phosphorus) by Emile Ulm | Emile Ulm (Rochefort, 1829 - Paris, 1892) | Eaux-Fortes Modernes (plate # 137) | 1864 | Sold |
| 55.- | Valentin | Un Ouvrier de Sevres (A Worker from Sevres) by Henry Augustin Valentin | Henry Augustin Valentin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) | Eaux-Fortes Modernes (plate # 70) | 1863 | |
| 56.- | Vernier | Rue Saint-Nicolas, Blois by Emile Louis Vernier | Emile Louis Vernier 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) | Eaux-Fortes Modernes (plate # 32) | 1863 | |
| 57.- | Villevieille | En Picardie (In Picardy) by Leon Villevieille | Leon Villevieille (Paris, 1826 - 1863) | Eaux-Fortes Modernes (plate # 87) | 1864 | Sold |
| 58.- | Von Heyden | Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) by August Von Heyden | August Jakob Theodor Von Heyden 'August Von Heyden' (Breslau, 1827 - Berlin, 1897) | Eaux-Fortes Modernes (plate # 33) | 1863 | Sold |
| 59.- | Weber | Souvenir de Normandie (Souvenir of Normandie) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 53) | 1863 | Sold |
| 60.- | Weber | Un Pardon Breton, pres le Faouet, Morbihan (A Breton Pilgrimage, near Le Faouet, Morbihan) by Otto Weber | Otto Weber (Berlin, 1832 - London, 1888) | Eaux-Fortes Modernes (plate # 84) | 1864 | |
| 61.- | Zaleski | Lecon de Lecture a Orenbourg (A Reading Lesson in Orenburg) by Bronislaw Zaleski | Bronislaw Zaleski (Raczkiewicze, Poland, 1819 - Menton, France, 1880) | Eaux-Fortes Modernes (plate # 207) | 1866 |
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