Kawanabe Kyosai (Gyosai)

Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs)

Kawanabe Kyosai's original woodcut, "Nagai mono ni wa makarero (Resistance is futile)" hails from the Kyosai Hyakuzu, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), published by Okura Magobei between 1881 - 1886. This scene seems born from one of Kyosai's most bizarre nightmares and is a fine example of Japanese Mythology & Proverbs. The proverb in this Kyosai (Gyosai), woodcut reads; "Nagai Mono ni wa makarero" which, in Japanese culture, implies a peaceful unity or a structured conformity, even under the most demanding or unexplained circumstances. It is believed an individual must do whatever it takes for the greater good of the country, organization, or group. Loosely translated into the English language, the phrase has numerous interpretations, however, they are all somewhat similar. A few such examples include, "You Can't Help Getting Tied Up Long Term", "Don't get wrapped up in anything lengthy", "Don't go against the grain", "Don't rock the boat", "Yield to the powerful", "If you can't beat them, join them", and the list goes on, however,to make it short, "Nagai Mono Ni wa makarero" basically means, "Resistance is futile". This last interpretation is very fitting, as the double headed creature has wrapped itself around its helpless victim who is most likely about to be devoured.

According to Japanese legends and superstitions, Yokai, sometimes spelt (Youkai), are believed to be terrifying and unexplained apparitions or demons with supernatural powers, many as hideous and dangerous as the demon depicted in this Kyosai woodcut. This creature appears to be a menacing, red-tongued octopus with two heads (human and animal). Both heads are emerging from the red kimono. Above, a pair of dogs have knocked over the table of a man who tries to defend himself from the attack. One dog is apparently barking at the octopus whose tentacles reach out to the entire area of the image. Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) is a fine original example of Kyosai's art which surely belongs to the surreal world of dreams and unconscious emotions.

Title:	Nagai Mono Ni wa makarero ("Resistance is futile", "You Can't Help Getting Tied Up Long Term", "Don't rock the boat", "If you can't beat them, join them", "Yield to the powerful", etc. - Japanese Mythology & Proverbs)
Artist:	Kyosai, Kawanabe, 'Gyosai' (Japan, 1831 - 1889)
Date:	1862-1866 (Magobei edition)
Publisher:	Okura Magobei (Okuraya)
Medium:	Original Japanese Woodcut
Signature:	Signed Kyosai
Source:	One Hundred Pictures by Kyosai (Kyosai Hyaku-zu)
Note:	Kawanabe Kyosai (Gyosai): During the 1840's and 1850's the famous warrior and legend woodcuts of Kuniyoshi began to play a new and vital role in the formation of Japanese art. For perhaps the first time, strong emotional and individualistic characteristics were seen. In the following Meiji era (1868 - 1912) it was left to Kuniyoshi's two most important students to carry on and develop these themes, eventually dominating the art of their era. Yoshitoshi, Tsukioka (Japan, 1839 - 1892) became the master of dramatic often violent images. By the time Yoshitoshi entered Kuniyoshi's workshop in 1850, Kawanabe Kyosai -- the most bizarre and eccentric of all Japanese artists -- had already left to foster a second career as a great Kano school painter. Kyosai's paintings, drawings and woodcuts were exhibited at the Vienna International Exposition in 1873 and at the Paris Exposition of 1883. Furthermore the British architect and artist, Josiah Conder (1852-1920), became a pupil of Kyosai (also spelt, Gyosai) in the 1880's and in 1911 published his important book, "Paintings and Studies by Kawanabe Kyosai".
	As early as 1852, Kyosai (Gyosai) became notorious for both his art and his rather dissolute lifestyle, particularly his abiding love for sake. Famous both as a great painter and printmaker, most of Kyosai's woodcuts were published in smaller sized albums. Albums of note include, such works as the Kyosai Gadan (Kyosai's Treatise on Painting), woodcuts in the traditional Japanese and Chinese paintings styles, four volumes published in two parts by Iwamoto Shun (1887), Ehon Taka Kagami (Picture Book Mirror of Hawks), published by Nakamura Sasuke in five volumes in yellow wrappers (1875), Kyosai Gafu Shohen (Kyosai's Picture-Album) published in one volume by Kinkado (1880), Kyosai Donga Shohen (Sketches by Kyosai) published by Inada Genkichi (1881), Kyosai Manga Shohen (Kyosai's Rambling Drawings), published by Makino Kichibei (1881), and one of his most popular series entitled, Kyosai Hyakuzu, also spelt, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), (1862-1866), which dealt with Japanese folklore, legends and proverbs ('kotowaza). Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) is a fine original example of his mythological imagery.
	One Hundred Pictures by Kyosai (Kyosai Hyaku-zu): The original woodcuts from the set of "100 Pictures by Kyosai" were first published by Wakasaya Yoichi (aka Jakurindo Yoichi) between (1862-1866), and issued as single-sheet prints in packages of ten. The complete series was later re-published in album form by Okura Magobei (Okuraya), (1881 - 1886). As Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs), was originally bound in an album, it most likely hails from the Okura Magobei edition. Influenced somewhat by the Shijo style, it is in these small and wonderful works that Kyosai's unique talents come to the fore. Most of the images in the Kyosai Hyaku-zu draw upon Japanese mythology, folklore and proverbs (in Japanese 'proverb' means 'kotowaza'). Many of the woodcuts from this series depict unexplained manifestations and beastly creatures while others seem to represent the pastimes and foibles of villagers and peasants. Sometimes, Kyosai combines all of these elements into a single woodcut. In total, the Kyosai Hyaku-zu contained over two hundred original woodcuts, all emphasizing strange, sinister or humorous aspects of life. Nagai Mono Ni wa makarero ("Resistance is futile", "You Can't Help Getting Tied Up Long Term", "Don't rock the boat", "If you can't beat them, join them", "Yield to the powerful") is a fine original example of the Mythological art created by the Japanese artist, Kawanabe Kyosai.
	Nagai Mono Ni wa makarero ("Resistance is futile", "You Can't Help Getting Tied Up Long Term", "Don't rock the boat", "If you can't beat them, join them", "Yield to the powerful", etc.): This original Japanese woodcut seems born from one of Kawanabe Kyosai's most bizarre nightmares and is a fine example of Japanese mythology and its demons. The proverb included in this woodcut reads; "Nagai Mono Ni wa makarero", which, in Japanese culture, implies a peaceful unity or a structured conformity, even under the most demanding or unexplained circumstances. It is believed an individual must do whatever it takes for the greater good of the country, organization or group. Loosely translated into the English language, the phrase has numerous interpretations, however, they are all somewhat similar. A few such examples include; "You Can't Help Getting Tied Up Long Term", "Let us be rolled up with anything long", "Don't get wrapped up in anything lengthy", "Don't go against the grain", "Don't rock the boat", "Yield to the powerful", "Let the longer one roll up the shorter one.", "If you can't beat them, join them", "Go with the wind", "Go with the punches", and the list goes on and on. However, to make it short, "Nagai Mono Ni wa makarero" basically means, "Resistance is futile". This last interpretation is very fitting, as this double headed creature has wrapped itself around its powerless victim and is most likely about to devour him. The scene is dominated by a ghastly demon, known in Japanese mythology as a changeling or a shapeshifter (Yokai that have the ability to transform into anything or anyone). The creature appears to be a menacing, red-tongued octopus with two heads. Both the octopus head and the monstrous human head are emerging from the red kimono. Above, a pair of dogs have knocked over the table of a man who tries to defend himself from the attack. One dog is apparently barking at the octopus whose tentacles reach out to the entire area of the image. This scene surely belongs to the surreal world of dreams and unconscious emotions. (The Los Angeles County Museum of art (LACMA), contains an impression similar to this original woodcut in their collection collections, Accession Number, M.84.31.527. The Museum of Fine Arts, Boston contains an impression of this original Kyosai woodcut in their permanent collection, Access Number:11,37023. Catalogue Raisonne: Oikawa, Clark & Forrer, Comic Genius: Kawanabe Kyosai/Kyosai giga Kyoga ten, 1896, #122-2.
	A note on the Yokai & the Oni from Japanese legends: Supernatural apparitions commonly known in Japan as Yokai, sometimes spelled (Youkai), have been around in Japanese legends for centuries. Stories of the exploits of those worshiped as gods, and the misdeeds of the threatening, dark forces behind the noxious and sinister nature of those thought to be demons have been passed down through legends and folklore, eventually making their way into popular culture. Other words that have a similar meaning as Yokai may include, 'ayakashi, 'mononoke', or mamono', and a common English translation for Yokai is 'monster', but in reality, its meaning encompasses a vast array of mythological phenomenon. According to various superstitions and legends, it is believed yokai have an innate connection to the moon, some youkai are recognized as beneficial, and said to have the power to bestow good fortune and health; while others are presumed evil, dangerous, or just untrustworthy, and capable of frightening, intimidating, or even murdering their victims. Although they are very different in nature and appearance, most Yokai have certain characteristics in common, such as their arrogant attitude towards humans, their mischievous, and impish disposition, mystic powers, and the ability to create pandemonium. Today, Yokai are most often described as unexplained, but powerful apparitions with bewitching, or grotesque features. One of the most common powers attributed to the Yokai is the ability to alter their appearance, transforming or metamorphosing into anything or anyone, a clever trick that could lead to disconcerting or frightful experiences for humans. In Japanese folklore beings that posses this power are known as shape shifters, and changelings (obake, and bakemono).
	It is believed many indigenous Japanese animals posses magical powers, hence there are numerous Yokai that descend from the animal kingdom. These animal spirits are also given unique names to represent the morphed creatures. As mentioned earlier, Yokai come in a variety of shapes, sizes, and develop diverse characteristics; the following includes a brief description or the mythical names attributed to a selection of yokai appearing in Japanese legends. The raccoon like dog spirit is called (Tanuki), and is most often defined by its large, sometimes enormous sacks (Kinbukuro or Kintama). The wise old fox spirit, known as (Kitsune) can grow up to nine tails. The badger called (Mujina), is a shy mountain creature that has a preference for tormenting the wicked. Like the Tanuki and the Kitsune, it is an obake, and is known to take human form, however, of particular notoriety is the Mujina that appears as a human without facial features. The latter three creatures bear so many similarities, they are often confused. Slithering snake like creatures include the one known as old snake-bone woman (Jakotsu Babga), or the giant snake and cobra demons (Hebi), which are sometimes depicted with human heads and may appear as a misty ghost-like humanoid. In Japanese lore, most dragons are water deities, two wingless serpents come to mind, the mild mannered dragon called (Ryu or Ryuu) and the man eating dragon called (Mizuchi), both are very similar in appearance. Demon felines are also featured prominently, like most cats they lead charmed lives, however, these creatures are very powerful and like the fox and the raccoon, are shape shifters (obake). Three such Yukai include the cat that becomes a yokai, called a changing cat or (Bakeneko), the fierce man eating, double or fork tailed cat called a (Nekomata), and the demon cat that steals corpses (Kasha). The Kappa, also known as Kawataro, Komahiki, Kawako are amphibian river imps that dwell in the watery world of rivers, lakes, springs, swamps and wells. Some believe the Kappa to be a deity created to help humans, while others insist they are man eating monsters. They are described as reptilian in nature, part turtle, part human, some have duck like features, some are hairy, and others look like frogs wearing turtle shells. One distinctive feature all Kappa share is the dent or bowl in their head filled with water which is said to be their source of power. There is a dog spirit called (Inugami), and like the common dog, it remains loyal to its master, but can become malevolent, if it is not properly cared for. The youkai also lay claim to the bird species; one of the most common is the crow or raven called a (Tengu), traditionally portrayed with both humanized and bird-like characteristics. The Tengu with the raptor-like, anthropomorphized features, half man, half crow, or raven is called (Karasu-Tengu), and the lesser known bird-like creatures with extremely long noses and red faces are called (Hanadaka-Tengo). Another creature of note is the giant earth spider, the unearthly monster depicted in the famous tale of Minamoto no Raiko (Tsuchigumo). This original Kawanabe Kyosai woodcut published in the Kyosai Hyaku-zu is a fine original example of Japanese mythology which surely belongs to the surreal world of dreams and unconscious emotions.
	Japanese folklore is also comprised of legendary phenomena that does not belong to the animal kingdom, but is equally feared by the human residents of Japan. Such ghoulish and sinister demons could make your skin crawl at the blink of an eye. The (Nukekubi) is a woman whose heads and souls detach from their bodies, the (Hone-onna), is a female skeleton who lures men into her cavern then sucks the life out of them, (Amanozako) is a hideous goddess with a ferocious temper, the (Nuppeppo), are unrecognizable blobs of mostly flesh, no other description is needed. And then we have the (Tsukumogami), ordinary inanimate household items which come to life when they reach one hundred years of age, and after their transformation, unique names were often given to each object, umbrellas (Karakasa), sake jars (Kameosa), tea kettles (Morinji-no-kama), etc., the list seems endless.
	The Oni are icons of Japanese folklore that belong to the group of Yokai most often represented as (Demons, Fiends, Ogres, Goblins, or manifestations of Evil Spirits). It is believed that the term Oni was originally used to describe most apparitions, demons and or supernatural creatures as there was no clear definition for this phenomenon. And, according to legend, Oni are the human spirits or the souls of those who were so malignant they ended up in Buddhist hell as Oni, the hideous servants of the ruler and master of the netherworld. Today, the term Oni generally refers to a specific category of male demons which are commonly represented as red horned creatures but can be blue, green, yellow, brown, or black. They say it is the red and blue Oni who torment the dead. Some of these unsightly creatures often have a protruding horn, or two on their head, and with one, or more eyes on their face. Oni are considered to be bearers of disease, disasters and can conjure up terrible curses with their magical powers. Most often than not, they are considered to be dim-witted, spiteful, cruel and very fond of vulgar humor. The Oni, like many other Yokai are also Shape Shifters (obake), as such, they have the power to morph at will, placing their victims at risk of endless mischief. Most believe they are wicked, and, or bad omens, however, there are those who believe that Oni can be a windfall, and can bring prosperity, good health or both. Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) is a fine, original example of the 19th century art created by the Japanese artist, Kawanabe Kyosai.
Size:	6 3/4 X 4 1/2 Koban (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
Condition:	Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Okura Magobei in the Kyosai Hyakuzu, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), between 1881 - 1886. A finely printed impression and in excellent condition throughout. Altogether, Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) is a splendid example of the famous art of Kawanabe Kyosai (Gyosai).
Subject:	Kawanabe Kyosai, Gyosai, Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs), Okura Magobei in the Kyosai Hyakuzu, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), original woodcut, Yokai, Oni, Japanese folklore & legends.
Price:	Sold - The price is no longer available.
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Kawanabe Kyosai 'Gyosai' (1831 - 1889)
#	Image	Title and Artist	Medium	Date	Subject	Notes	-
01.-		A Gathering of Demons (Haykki Yagyo, 'Night Parade of 100 Demons') by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	1865	Yokai, Oni (Demons Ogres & Goblins)	Published by Daikoku-Ya Kinnosuke	Sold
02.-		A Hero Battling a Dragon (Yokai, Japanese Serpents, Mizuchi or Ryu) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Mizuchi, & Ryu (Serpents, Animal Spirits & Demons)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)	Sold
03.-		Jigoku no Kyujitsu (Holiday in Hell), Legends of Yokai, Oni and other Spirits by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Oni (Apparitions, Demons Ogres & Goblins)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)	Sold
04.-		Jigoku de Hotoke, A Buddha in Hell (Japanese Proverbs & Folklore, Yokai, Oni, & other Supernatural Beings) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Oni (Demons Ogres & Goblins)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
05.-		Kaeru no ko wa kaeru to naru (The Child of a Frog Becomes a Frog), Kaeru no tsura e mizu (Water on a Frog's Skin), Japanese Legends, Proverbs and Folklore by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Kaeru (Frogs and Toads, Lucky amulets and Good Omens)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
06.-		Ljin Jiyu (Foreign Children at Play, Children's Games) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Ljin Jiyu (Foreign Children in Japan)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
07.-		Master Artists at Work, Japanese Legends of Oni (Demons Ogres & Goblins) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Oni (Demons Ogres & Goblins)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
08.-		Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, (Apparitions, Animal Spirits & Demons)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)	Sold
09.-		Oni no inu ma ni sentaku (Doing the Laundry While the Demon is Away - Japanese Folklore & Proverbs) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Oni (Demons Ogres & Goblins)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)	Sold
10.-		Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Tanuki (The Raccoon-Dog, Animal Spirits & Demons)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
11.-		Setsubun, Mame-maki, Oni wa Soto; Fuku wa Uchi (Bean-Throwing Spring Festival, Get Out Demons; Come in Good Fortune) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Oni, Setsubun (Festivals, Demons Ogres & Goblins)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
12.-		Tengu, Mischievous & Supernatural Crow like, Humanoid Yokai (Japanese Mythology, & Proverbs) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Tengu (Crows, Animal Spirits & Demons)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)
13.-		The Spectral Cat (Japanese Folklore, Yokai, Bakeneko) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokai, Bakeneko (Cats, Animal Spirits & Demons)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)	Sold
14.-		The Style of Painting of Kano Koi by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	1887	The Style of Painting of Kano Koi depicts the effects of joy and laughter	Published by Iwamoto Shun for the Kyosai Gadan (Kyosai's Account of Painting)
15.-		Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) by Kawanabe Kyosai 'Gyosai'	Original Japanese Woodcut	c. 1881 - 1886	Yokaii (Watonai & Daruma Dolls)	Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai)

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