Chaim Koppelman

Death and the Butcher

Chaim Koppelman's original aquatint, Death and the Butcher, represents one of his largest and most compelling works of graphic art. Such great masters as Holbein have used the theme of the Dance of Death to great effect. While drawing upon this tradition Koppelman has here, quite literally, illuminated other elements of life and death. On Death and the Butcher, he wrote, "As a graphic artist, loves I've had are the drama of forms emerging out of darkness into bright light, suggestively evoking mystery, the unseen, half seen, and the more fully illuminated."

This original aquatint is printed upon pure rag paper with the 'Arches France' watermark and with full margins as published in an edition of only twenty-five impressions in New York in 1957. It is signed and titled by Koppelman in pencil under the lower plate mark. The Cochran Collection, LaGrange Art Museum, Georgia includes an impression of Death and the Butcher in its permanent collection.

Death and the Butcher

View other original works of art by Chaim Koppelman.

Chaim Koppelman (Brooklyn, New York, 1920 - 2009)
#	Image	Title & Artist	Medium	Date	Info	-
01-		Critical Still Life by the American artist, Chaim Koppelman	Original Lithograph	1976	Signed by Chaim Koppelman and numbered '4/25' in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).
02.-		Death and the Butcher by the American artist, Chaim Koppelman	Original Aquatint	1957	Signed and titled by Chaim Koppelman, edition of 25 impressions.
03.-		Git Li'l Doggie by the American artist, Chaim Koppelman	Original Lithograph	1976	Signed by the artist in pencil by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).
04.-		Homage a Degas by the American artist, Chaim Koppelman	Original Etching and Aquatint	1969	Signed, titled & numbered in pencil by Chaim Koppelman, edition 53/250.	Sold
05.-		Napoleon and Me by the American artist, Chaim Koppelman	Original Lithograph	1970	Signed by Chaim Koppelman in pencil beneath the image.	Sold
06.-		Napoleons on Alligators by the American artist, Chaim Koppelman	Original Etching	1963	Signed by Chaim Koppelman in pencil beneath the lower plate-mark,edition of fifty impressions.	Sold
07.-		Not There by the American artist, Chaim Koppelman	Original Lithograph	1976	Signed by Chaim Koppelman in pencil along the lower right margin. Edition of twenty five impressions (Plus 5 Artist Proofs).
08.-		On Meeting Beauty II by the American artist, Chaim Koppelman	Original Aquatint	1958	Signed, titled and annotated 'A.P.' by Chaim Koppelman, edition of 200 (Artist Proof Impression).	Sold
09.-		Once We Were Two Smoothies by the American artist, Chaim Koppelman	Original Lithograph	1976	Signed, titled and numbered, '14/25' by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).
10.-		Over Brooklyn by the American artist, Chaim Koppelman	Original Lithograph	1976	Signed, titled and numbered, '3/25' by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).
11.-		Over Soho by the American artist, Chaim Koppelman	Original Lithograph	c. 1970	Signed, titled and numbered '1/30' by Chaim Koppelman in pencil beneath the image.	Sold
12.-		Retrospect by the American artist, Chaim Koppelman	Original Etching	1959	Signed & titled in pencil by Chaim Koppelman, edition of 250 impressions.	Sold
13.-		Shadows by the American artist, Chaim Koppelman	Original Etching	1957	Signed, dated, titled & inscriibed 'Ed 25' in pencil by Chaim Koppelman, edition of 25 impressions.	Sold
14.-		Voyage by the American artist, Chaim Koppelman	Original Etching	1955	Signed, titled and annotated, "Artist Proof" in pencil by Chaim Koppelman, edition of 30 impressions.

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Title:	Death and the Butcher
Artist:	Koppelman, Chaim (Brooklyn, New York, 1920 - 2009)
Date:	1957
Medium:	Original Aquatint
Edition:	Limited Edition of Twenty-Five Impressions.
Note:	Chaim Koppelman: More realist than abstractionist and more surrealist than realist, Chaim Koppelman’s etchings, aquatints and lithographs have both enchanted and haunted our imaginations since the end of the Second World War. Koppelman first studied at Brooklyn College and the Educational Alliance (1938) before moving on to the American Artists School of New York (1939) and the New School for Social Research, under Amedee Ozenfant. During the Second World War, Koppelman served with the American Air Force in Europe (1942-45). He used this time to further his artistic education, first at the Art College of Western England, Bristol, (1944) and then at the Ecole Regionale de Beaux-Arts in Reims (1945). As well, he studied the philosophy of Aesthetic Realism in New York with its founder, Eli Siegel, from 1940 to 1978, and continued his studies in this philosophy with the Chairman of Education, Elllen Reiss, until 2009.
	Koppelman’s first one man show was held at the Outline Gallery in Pittsburgh in 1943. Since that time his art has been exhibited at the Museum of Modern Art, New York, the Boston Museum of Fine Arts, the Los Angeles County Museum, Yale University, the Chicago Art Institute, and as far from home as Mexico City, London and Moscow. Chaim Koppelman was a full member of the Society of American Graphic Artists (past President), the Boston Printmakers and the Society for Aesthetic Realism. His etchings and aquatints are now included in the collections of the Victoria and Albert Museum, London, the Museum of Fine Arts, Caracas, the Boston Museum of Fine Arts, the Joseph Hirschhorn Collection, Washington, Library of Congress, Yale University Art Gallery, and the Metropolitan Museum, the Museum of Modern Art, Guggenheim Museum and Whitney Museum, New York City. Also, the Cochran Collection, LaGrange Art Museum, Georgia includes an impression of Death and the Butcher in its permanent collection.
	Koppelman’s art has long defied easy definition. It is both spiritual and psychological and most often explores our collective dream world. What can be said is that few artists since Goya and William Blake have delineated our state of being with such brilliant imagery as Chaim Koppelman. Like Goya, however, extraordinary circumstances led Koppelman’s art to also speak out in social protest. During the 1960’s, he produced some of the most moving images of the horrors of the War in Vietnam. He stated, “For the first time in my life as an artist I felt I had to engage a social theme.” *
	In 2000 a large retrospective exhibition of Koppelman’s art was held at the Beatrice Conde Gallery, New York, and in 2011 the Museo Napleonico in Rome, Italy, held a solo exhibition of his art entitled, Napoleon Entering New York; Chaim Koppelman and the Emperor; Works, 1957 - 2007. During his distinguished career Chaim Koppelman received such awards and honors as the Tiffany Grant for printmaking (1957 & 1959), the NY Artists Equity Award (1992) and the Lifetime Achievement Award from the Society of American Graphic Artists (2004).
	Death and the Butcher, represents one of Koppelman's largest and most compelling works of graphic art. Such great masters as Holbein have used the theme of the Dance of Death to great effect. While drawing upon this tradition Koppelman has here, quite literally, illuminated other elements of life and death. On Death and the Butcher, the artist wrote, "As a graphic artist, loves I've had are the drama of forms emerging out of darkness into bright light, suggestively evoking mystery, the unseen, half seen, and the more fully illuminated." Exhibition: Legends of the Printmaking Workshop: Will Barnet, Bob Blackburn, Chaim Koppelman & Tom Laidman, April 2-- August 27 2011, LaGrange Art Museum, LaGrange, GA.
Reference:	* Ralph E. Shikes, The Indignant Eye: The Artist as Social Critic, Boston, Beacon Press, 1969, p. 369.
Size:	17 3/4 X 24 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $650.00 US
Condition:	Printed upon pure rag paper with the 'Arches France' watermark and with full, deckled margins as published in an edition of twenty-five impressions in New York in 1957. Signed and titled by the artist in pencil under the lower plate mark. Containing a small crease in the upper left margin well away from the image, else in excellent condition throughout. Death and the Butcher represents a striking, original example of the famous art of Chaim Koppelman.
Subject:	Chaim Koppelman, Death and the Butcher, original aquatint, Dance of Death, forms emerging out of darkness into bright light, The Cochran Collection, LaGrange Art Museum, Georgia.
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