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Chaim Koppelman

Chaim Koppelman - Critical Still Life

Critical Still Life

Chaim Koppelman's original lithograph, Critical Still Life dates from 1976. It was printed in an edition of twenty five numbered impressions, plus five artist's proofs at the Blackburn Printmaking Workshop in New York City. A complex work of art, Critical Still Life juxtaposes the still life fruit in the foreground with fragments of words and images in the background. Lovers side by side, an elderly couple at their meal, an old woman perhaps dying in her bed are just several moments caught and reflected within a 'critical still life'. Critical Still Life is printed upon pure rag paper with the 'Arches' watermark and with full, deckled margins as published in New York in 1976. This original lithograph is signed by the artist and numbered '4/25' in pencil along the lower margin. It is a compelling, original example of the famous art created by the American artist, Chaim Koppelman.
 
Title: Critical Still Life
Artist: Koppelman, Chaim (Brooklyn, New York, 1920 - 2009)
Date: 1976
Medium: Original Lithograph
Printer: Kenneth Sofer and Annette Bergh, Blackburn Printmaking Workshop, New York
Edition: Limited Edition of Twenty-Five Impressions (Plus 5 Artist Proofs).
Note: Chaim Koppelman: More realist than abstractionist and more surrealist than realist, Chaim Koppelman’s etchings, aquatints and lithographs have both enchanted and haunted our imaginations since the end of the Second World War. Koppelman first studied at Brooklyn College and the Educational Alliance (1938) before moving on to the American Artists School of New York (1939) and the New School for Social Research, under Amedee Ozenfant. During the Second World War, Koppelman served with the American Air Force in Europe (1942-45). He used this time to further his artistic education, first at the Art College of Western England, Bristol, (1944) and then at the Ecole Regionale de Beaux-Arts in Reims (1945). As well, he studied the philosophy of Aesthetic Realism in New York with its founder, Eli Siegel, from 1940 to 1978, and continued his studies in this philosophy with the Chairman of Education, Elllen Reiss, until 2009.
  Koppelman's first one man show was held at the Outline Gallery in Pittsburgh in 1943. Since that time his art has been exhibited at the Museum of Modern Art, New York, the Boston Museum of Fine Arts, the Los Angeles County Museum, Yale University, the Chicago Art Institute, the LaGrange Art Museum, LaGrange, GA and as far from home as Mexico City, London and Moscow. Chaim Koppelman was a full member of the Society of American Graphic Artists (past President), the Boston Printmakers and the Society for Aesthetic Realism. His etchings, lithographs and aquatints are now included in the collections of the Victoria and Albert Museum, London, the Museum of Fine Arts, Caracas, the Boston Museum of Fine Arts, the Joseph Hirschhorn Collection, Washington, Library of Congress, Yale University Art Gallery, and the Metropolitan Museum, the Museum of Modern Art, Guggenheim Museum and Whitney Museum, New York City.
  Koppelman’s art has long defied easy definition. It is both spiritual and psychological and most often explores our collective dream world. What can be said is that few artists since Goya and William Blake have delineated our state of being with such brilliant imagery as Chaim Koppelman. Like Goya, however, extraordinary circumstances led Koppelman’s art to also speak out in social protest. During the 1960’s, he produced some of the most moving images of the horrors of the War in Vietnam. He stated, “For the first time in my life as an artist I felt I had to engage a social theme.” *
  In 2000 a large retrospective exhibition of Koppelman’s art was held at the Beatrice Conde Gallery, New York, and in 2011 the Museo Napleonico in Rome, Italy, held a solo exhibition of his art entitled, Napoleon Entering New York; Chaim Koppelman and the Emperor; Works, 1957 - 2007. During his distinguished career Chaim Koppelman received such awards and honors as the Tiffany Grant for printmaking (1957 & 1959), the NY Artists Equity Award (1992) and the Lifetime Achievement Award from the Society of American Graphic Artists (2004).
  Critical Still Life is one of a suite of five lithographs Chaim Koppelman created in 1976 with a grant from CAPS (Creative Artists Public Service, NYC). For this set, Koppelman stated; "I did five large lithos for a CAPS grand, "Closeness and Clash in Love and Domestic Life." *CK. Critical Still Life was printed in a small editions of twenty-five impressions, plus five artist's proofs at the Blackburn Printmaking Workshop, New York, by Kenneth Sofer and Annette Bergh. A complex work of art, this original lithograph juxtaposes the still life fruit in the foreground with fragments of words and images in the background. Lovers side by side, an elderly couple at their meal, an old woman perhaps dying in her bed are just several moments caught and reflected within a 'critical still life'.
Reference: * Ralph E. Shikes, The Indignant Eye: The Artist as Social Critic, Boston, Beacon Press, 1969, p. 369.
Size: 19 X 25 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $425.00 US
Condition: Printed upon pure rag paper with the 'Arches' watermark and with full, deckled margins as published in New York in 1976. Signed by the artist and numbered '4/25' in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Critical Still Life represents a compelling, original example of the famous art of Chaim Koppelman.
Subject: Chaim Koppelman, Critical Still Life, original lithograph, Blackburn Printmaking Workshop, CAPS (Creative Artists Public Service, NYC), New School for Social Research, Amedee Ozenfant.
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Original Lithograph by the American artist, Chaim Koppelman.

Critical Still Life Original Lithograph by the American artist Chaim Koppelman
Critical Still Life

View other original works of art by Chaim Koppelman.

Chaim Koppelman (Brooklyn, New York, 1920 - 2009)
# Image Title & Artist Medium Date Info -
01- Critical Still Life by the American artist Chaim Koppelman Critical Still Life by the American artist, Chaim Koppelman Original Lithograph 1976 Signed by Chaim Koppelman and numbered '4/25' in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).  
02.- Death and the Butcher by Chaim Koppelman Death and the Butcher by the American artist, Chaim Koppelman Original Aquatint 1957 Signed and titled by Chaim Koppelman, edition of 25 impressions.  
03.- Git Li'l Doggie by Chaim Koppelman Git Li'l Doggie by the American artist, Chaim Koppelman Original Lithograph 1976 Signed by the artist in pencil by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).  
04.- Homage a Degas by Chaim Koppelman Homage a Degas by the American artist, Chaim Koppelman Original Etching and Aquatint 1969 Signed, titled & numbered in pencil by Chaim Koppelman, edition 53/250. Sold
05.- Napoleon and Me by Chaim Koppelman Napoleon and Me by the American artist, Chaim Koppelman Original Lithograph 1970 Signed by Chaim Koppelman in pencil beneath the image. Sold
06.- Napoleons on Alligators by Chaim Koppelman Napoleons on Alligators by the American artist, Chaim Koppelman Original Etching 1963 Signed by Chaim Koppelman in pencil beneath the lower plate-mark,edition of fifty impressions. Sold
07.- Not There by the American artist Chaim Koppelman Not There by the American artist, Chaim Koppelman Original Lithograph 1976 Signed by Chaim Koppelman in pencil along the lower right margin. Edition of twenty five impressions (Plus 5 Artist Proofs).  
08.- On Meeting Beauty II by Chaim Koppelman On Meeting Beauty II by the American artist, Chaim Koppelman Original Aquatint 1958 Signed, titled and annotated 'A.P.' by Chaim Koppelman, edition of 200 (Artist Proof Impression). Sold
09.- Once We Were Two Smoothies by Chaim Koppelman Once We Were Two Smoothies by the American artist, Chaim Koppelman Original Lithograph 1976 Signed, titled and numbered, '14/25' by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).  
10.- Over Brooklyn by Chaim Koppelman Over Brooklyn by the American artist, Chaim Koppelman Original Lithograph 1976 Signed, titled and numbered, '3/25' by Chaim Koppelman in pencil along the lower margin. Edition of twenty five impressions (Plus 5 Artist Proofs).  
11.- Over Soho by Chaim Koppelman Over Soho by the American artist, Chaim Koppelman Original Lithograph c. 1970 Signed, titled and numbered '1/30' by Chaim Koppelman in pencil beneath the image. Sold
12.- Retrospect by Chaim Koppelman Retrospect by the American artist, Chaim Koppelman Original Etching 1959 Signed & titled in pencil by Chaim Koppelman, edition of 250 impressions. Sold
13.- Shadows by Chaim Koppelman Shadows by the American artist, Chaim Koppelman Original Etching 1957 Signed, dated, titled & inscriibed 'Ed 25' in pencil by Chaim Koppelman, edition of 25 impressions. Sold
14.- Voyage by Chaim Koppelman Voyage by the American artist, Chaim Koppelman Original Etching 1955 Signed, titled and annotated, "Artist Proof" in pencil by Chaim Koppelman, edition of 30 impressions.  

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