Julius Komjati

The Woodman

Julius Komjati proved to be a master of both figure studies and landscape in his etched art as can bee seen in this original etching entitled, "The Woodman". No matter what he chose to etch, his art was guided by his rare spirituality. One would have to go back to the art of Samuel Palmer to find such intense, spiritual expression in landscape.

"The Woodman" is printed upon laid paper and with full margins as published in London around 1930 by the British publisher, H. C. Dickens in the limited edition of seventy-five signed impressions. It is signed in pen by the Hungarian artist, Julius Komjati with his Royal Engravers, 'A.R.E.'.

The Woodman

View other original works of art by Julius Komjati.

Julius Komjati (Hungary, 1894 - 1958)
#	Image	Title & Artist	Date	Medium	Info
01.-		Old Man Reading the Bible by Julius Komjati	1928	Original Etching	Signed and dated in the plate and signed, titled and numbered '6/75' by Julius Komjati in pencil.
02.-		Pleasant and Lows by Julius Komjati	1931	Original Etching	Signed in the plate and signed, dated and dedicated by Julius Komjati in pen.
03.-		The Princess's Guard by Julius Komjati	1927	Original Etching and Drypoint Engraving	Signed and dated (1927) in the plate and signed, titled and numbered '31/75' by Julius Komjati in pencil.
04.-		The Woodman by Julius Komjati	c. 1930	Original Etching	Signed in pen by Komjati with his Royal Engravers, 'A.R.E.'. Edition of 75 Impressions.

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Title:	The Woodman
Artist:	Komjati, Julius (Hungary, 1894 - 1958)
Date:	c. 1930
Medium:	Original Etching
Note:	Julius Komjati: Although Julius Komjati lived most of his life in his native Hungary, the ten year period he worked and lived in London had a profound impact upon the course of British etching. Born in Hungary, Julius Komjati was the son of an inspector of forests. While still a student he was drafted for service during the First World War. In 1916 he was captured by the Romanians and was imprisoned for a period of sixteen months. He was one of two thousand survivors of an original sixteen thousand captives. Kenneth Guichard writes, "The terrible experiences he suffered found poignant expression in the etchings, some of which are not calculated to appeal to those in search of comfortable subjects. Such expression of intense spiritual emotion is rare enough in any school." *
	After the war, Julius Komjati produced a number of etchings and established a local reputation which induced the Hungarian government to grant him a scholarship to further his studies in England. Arriving in London in 1928, Julius Komjati studied briefly under Malcolm Osborne at South Kensington and began to publish his etchings with the publishing house of H. C. Dickens. In total, seventy-four Komjati etchings were published in London before his return to Hungary (c. 1938).
	Julius Komjati was one of the few foreign members elected to both the Society of Painter-Etchers and the Royal Engravers. In his etched art he proved to be a master of both figure studies and landscapes and was appreciated much more by his fellow artists than by the public. No matter what Julius Komjati chose to etch, his art was guided by his rare spirituality. As one can see in this miraculous etching, one would have to go back to the art of Samuel Palmer to find such intense, spiritual expression in landscape.
Edition:	Limited edition of seventy-five impressions.
Reference:	* (Kenneth M. Guichard, British Etchers: 1850-1940, London, Robin Garton, 1981, pp. 45 & 46.)
Size:	15 X 10 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Buy Now	Price: $795.00 US
Condition:	Printed upon laid paper and with full margins as published in London by H. C. Dickens in the limited edition of seventy-five signed impressions. Backed onto board by a previous owner but showing absolutely no sign of deterioration. Signed in pen by Komjati with his Royal Engravers, 'A.R.E.'. A finely printed impression and in excellent condition throughout. The Woodman represents a prime, original example of the art of Julius Komjati, one of the greatest etchers of the 1930's era.
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