Tsukioka Kogyo - A Waterfowl Study Mallard Ducks and Flowers

A Waterfowl Study (Mallard Ducks & Flowers)

Tsukioka Kogyo's original woodcut, A Waterfowl Study Mallard Ducks and Flowers is printed on late nineteenth century Japanese mulberry paper and with full margins as published in 1898 by Daikikuya. The scene depicts two birds resting in a pond with a flowering branch hanging just above them. This original woodcut represents a superb example of the late Meiji art created by the Japanese artist, Tsukioka Kogyo.

A Waterfowl Study Mallard Ducks and Flowers Original Woodcut by the Japanese artist Tsukioka Kogyo

A Waterfowl Study (Mallard Ducks & Flowers)

View other original Japanese woodcuts by Tsukioka Kogyo.

Tsukioka Kogyo (Japan, 1869 - 1927)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		A Waterfowl Study (Mallard Ducks & Flowers) by Tsukioka Kogyo	Original Woodcut	1898	Published by Daikikuya	Sold
02.-		Arashiyama: The God of Mt. Arashi, from the series Nogaku Zue (Scenes from the Noh Theatre) by Tsukioka Kogyo	Original Woodcut	1898	Published by Matsuki Heikichi	Sold
03.-		A Waterfowl Study (Mandarin Ducks under a Flowering Plum Branch) by Tsukioka Kogyo	Original Woodcut	1898	Published by Daikikuya	Sold

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Title:	A Waterfowl Study (Mallard Ducks & Flowers)
Artist:	Kogyo, Tsukioka (Japan, 1869 - 1927)
Date:	1898
Medium:	Original Japanese Woodcut
Publisher:	Daikikuya
Note:	Tsukioka Kogyo: Kogyo holds an important place in late Meiji art. The stepson of the great Yoshitoshi, Kogyo studied under this master in his youth. Later, he was a pupil of both Fuko and Gekko. Specializing in scenes from the Noh Theatre, history, contemporary life and bird and flower designs, Tsukioka Kogyo built a strong reputation for his brilliant use of colours and especially, his striking design concepts. No other Japanese artist of the woodcut had quite his mastery in the uses of space and line. This is clearly shown in this original woodcut.
	The woodcuts of the final decades of the Meiji era (1868 - 1912) are among the most distinctive and innovative in the history of Japanese art. The introduction of Western styles and influences (c. 1865) created a revolution in the woodblock print. Beginning with the art of Yoshitoshi, bold colour patterns and equally bold designs began to dominate the Japanese woodcut.
	A Waterfowl Study (Mallard Ducks & Flowers), like most of Kogyo’s designs, was published as a fine art print, and, although edition numbers were never listed at this time, it was probably published in less than an edition of two hundred impressions. Such subtle graduations of line and colour would not yield a larger edition.
Size:	9 1/2 X 10 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on late nineteenth century Japanese mulberry (rice) paper and with full margins as published in 1898. Backed on board by a previous collector. It is a beautifully printed early impression and in excellent condition throughout. This original woodcut represents a superb example of late Meiji design.
Price:	Sold - The price is no longer available.
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