Title: |
Mother and Child |
Artist: |
Klinghoffer, Clara (Austria, 1900 - London or New York, 1970) |
Date: |
c. 1955 |
Medium: |
Original Lithograph |
Note: |
"I consider Clara Klinghoffer an artist of great
talent, a painter of the first order. ... Her understanding of form places
her in the very first rank of draughtsmen in the world."-- Sir
Jacob Epstein |
|
Clara Klinghoffer: Although she was born
in Austria and spent most of her post World War Two years in the United
States, Clara Klinghoffer is considered an important English painter and
printmaker. Born in a poor family she moved to London's East End at a young
age. Showing a remarkable aptitude for art her parents managed to buy her
art supplies and enrolled her in a modest class in Aldgate. At the age of
fifteen she took a portfolio of her work to London's Central School of Arts
and Crafts. There her drawings fortunately came to the attention of the
influential teacher and scholar, Bernard Meninsky. It is reported that upon
first seeing her work Meninsky stated, "Good Lord, that child draws
like da Vinci." |
|
Clara Klinghoffer was then invited to study at the Slade
where she remained for two years. Her outstanding abilities continued
to draw recognition and in 1919 her mentors, which included Sir Jacob
Epstein, Walter Sickert, Alfred Wolmark and Meninsky, organized her first
solo exhibition of paintings and drawings at the Hampstead Gallery in
London. The exhibition was a huge success and Clara Klinghoffer, at age
of nineteen, found herself among the leaders of British women artists. |
|
During the 1920's and 1930's Clara Klinghoffer continued to exhibit
her fine portraits and figure studies both in England and in Europe. During
this time the National Portrait Gallery, London, acquired three of her
works and the Tate Gallery purchased a painting in 1933. In 1929 she married
a Dutch journalist and moved to Amsterdam. In 1939, the Nazi invasion
of Holland forced Clara Klinghoffer and her family to flee first to London and
finally to the United States. |
|
Following the end of World War Two (1945), Clara Klinghoffer
lived and worked in both London and New York. She began exhibiting her
art in the United States at this time. |
|
As an original printmaker Clara Klinghoffer first practiced
etching in the 1920's and 1930's. Her initial lithographs date from around
1950. Depicting mainly figure studies and nudes, a number of these lithographs
were commissioned by the Associated American Artists in New York in limited,
signed editions of 250. In all likelihood, Mother and Child was
published by the A.A.A. |
|
Since its creation in the mid 1930's, the Associated American
Artists commissioned original graphic art from such great masters as Grant
Wood, Thomas Hart Benton, Reginald Marsh and others. In the 1950's and
1960's, contributing artists included Jack Levine, Chaim Koppelman, Joseph
Margulies, Lawrence Beall Smith, James Kearns and, of course, Clara Klinghoffer. |
|
Mother and Child clearly displays the qualities
of Clara Klinghoffer's art. The ability to convey such warmth and strength with
such simplicity is simply a mark of genius. Another impression of Mother
and Child is included in the permanent collection of the Maier Museum
of Art, Lynchburg, Virginia. |
Edition: |
Limited Edition of two hundred and fifty impressions numbered 147/250. |
Size: |
10 3/4 X 8 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
Condition: |
Printed on smooth wove paper and with full margins as published
around 1955. Signed, titled and numbered, '147/250' by the artist in pencil
along the lower margin. A beautifully printed impression and in excellent condition throughout. Mother and Child represents a superb, original
example of the famous art of Clara Klinghoffer. |
Price: |
Sold - The price is no longer available. |
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