Frank Kleinholz - Carnival

Carnival

Frank Kleinholz's Carnival perhaps depicts a Coney Island scene. Along with the streets of New York and Brooklyn, Coney Island was a principal theme of Frank Kleinholz's art and he both painted and etched this famous amusement park on many occasions. This original etching and Drypoint engraving is signed, titled and numbered, '24/25' by Kleinholz in pencil. Carnival is a fine, original example of the graphic art created by the American artist, Frank Kleinholz

Carnival

View other original works of art by Frank Kleinholz.

Frank Kleinholz (Brooklyn, New York, 1901 - Miami, Florida, 1987)
#	Image	Title & Artist	Medium	Date	Notes
01-		Grove Street by Frank Kleinholz	Original Aquatint Engraving & Etching	1944	Signed and numbered, 22/28, by Frank Kleinholz in pencil, Catalogue #7, First and only state.
02.-		Carnival by Frank Kleinholz	Original Etching & Drypoint	1955	Signed, titled and numbered, '24/25' by Frank Kleinholz in pencil, Catalogue #54, First and only state
03.-		Two Trees - Three Children by Frank Kleinholz	Original Silk-Screen (Serigraph)	1964	Signed, titled, dated and annotated 'Artists Proof' by Frank Kleinholz in pencil, Catalogue #80, First and only state.

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Circus, Fairs, Carnivals & Celebrations	This directory contains a selection of original art concentrating upon depictions of the circus with its clowns, animal trainers, acrobats and jugglers, as well as, fairs, carnivals and other celebrations.
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Title:	Carnival
Artist:	Kleinholz, Frank (Brooklyn, New York, 1901 - Miami, Florida, 1987)
Date:	1955
Medium:	Original Etching & Drypoint
Note:	Frank Kleinholz: Born into a poor family, much of Frank Kleinholz's youth was spent selling newspapers and running errands for local businesses. At age 23 he graduated from Fordham Law School and was admitted to the bar. Kleinholz first turned to art after the age of thirty and studied painting under Sol Wilson and print making under Yasuo Kuniyoshi. His first group exhibition took place in 1941 at the Carnegie Institute and his first solo exhibition took place at the Associated American Artists, New York, in 1942. For the following forty years he gained a large national reputation with showings at the Brooklyn Museum, the Worcester Art Institute, the Chicago Art Institute and the prestigious National Academy of Design.
	In 1951, Frank Kleinholz assumed the position of Instructor of Fine Arts, Hofstra College. Two years later, however, McCarthyism was at its height and Kleinholz was blacklisted from various shows and forced to resign his post. After the dark days of McCarthyism ended Kleinholz again resumed his career and solo exhibitions of his paintings and graphics took place in New York, Chicago, Detroit, Los Angeles and San Francisco. The artist moved to Perrine, Florida, in 1967.
	Today the art of Frank Kleinholz is included in the following collections: the University of Wyoming Art Museum, The Newark Museum, the Brooklyn Museum of Art, the Whitney Museum of American Art, New York, the Lowe Art Museum, University of Miami and the Smithsonian Institute, Washington.
	As an original printmaker, Kleinholz's art changed considerably during his career. His first prints were mostly etchings and aquatints which reflected the influence of the Depression era and the World Wars. He was both an associate and friend of Reginald Marsh and Philip Evergood, and like these artists he often explored social themes within his art. His original prints were intensely personal in nature and tending towards either Realism or Expressionism. Such is the case with this original example. Most prints from this era were printed by the artist himself and published in small editions of less than thirty impressions.
	Later in his career Frank Kleinholz turned to lithography and silk-screening. His style moved more towards Social Realism and focused upon family relationships and the role of humanity within the urban environment. Both his early and later forms of art are held in equally high esteem.
Edition:	Limited Edition of twenty-five impressions, Numbered 25/25.
Raisonne:	Sylvan Cole, Jr., Kleinholz Graphics, Catalogue Raisonne, 1940-1975, Coral Gables, Florida, University of Miami Press, 1975.
	Catalogue #54, First and only state as published in the limited edition of twenty-five impressions plus five artist's proofs.
Size:	11 X 8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $325.00 US
Condition:	Printed upon fine, hand-made paper bearing the 'Rives' watermark and with wide margins as printed by the artist in 1955. Containing slight matte staining from a previous framing and a horizontal scratch mark along the lower margin, else a strong printing and in fine condition throughout. Signed, titled and numbered, '24/25' by the artist in pencil. Carnival is an exceptional example of the graphic art of Frank Kleinholz.
Subject:	Frank Kleinholz, Carnival, original etching, New York and Brooklyn art, the Brooklyn Museum of Art, the Whitney Museum of American Art, New York, the Lowe Art Museum, University of Miami and the Smithsonian Institute, Washington.
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