Title: |
Parcellation (Undiscovered Land) |
Artist: |
Klarwein, Abdul Mati 'Mati Klarwein' (Hamburg, Germany, 1932 - Majorca, Spain, 2002) |
Date: |
1978 |
Medium: |
Original Lithograph Printed in Color |
|
Mati Klarwein: One of the most remarkable
Surrealist artists of the twentieth century, Mati Klarwein never worked
conventionally with galleries, exhibitions or with arts societies. In fact,
from 1960 to 1980, he was more or less shunned by the conventional art establishment.
This did not prevent Mati Klarwein from accepting commissions for paintings from
such noteworthy individuals as Brigitte Bardot, Leonard Bernstein, Jackie
Kennedy, Richard Gere and Michael Douglas, nor did it prevent fellow artists
such as Andy Warhol proclaiming that Klarwein "was his favourite painter". |
|
Born in Germany in 1932 Klarwein fled the country (when Hitler
came to power) with his parents at age two. They settled in Palestine, now
Israel. Mati Klarwein stated, "I grew up in three different cultures, the
Jewish, Islamic and the Christian. These circumstances and my family's stern
resistance against being part of any kind of orthodoxy has made me the outsider
I am today and always have been. That is also why I took the name Abdul.
" * (C. Lindstrom and P. Holmlund, "The Manic Landscape: Mati
Klarwein", ) |
|
In the early 1950's Mati Klarwein moved to Paris to study
art under Fernand Leger. Leger's style, however, made little impression
upon him and he began looking elsewhere for sources of inspiration, most
notably in the paintings of Flemish and Italian masters and in the contemporary
paintings and prints of Salvador Dali. During the following years, Klarwein
traveled and worked throughout the world, including visits to Tibet, India,
Bali, North Africa, Turkey, Cuba and the United States. |
|
The year 1964 marked a pivotal point in Mati Klarwein's career.
In New York, he was at work on a series of paintings to adorn the walls
of the Aleph Sanctuary. One painting entitled Crucifixion caused
an immediate tempest of controversy. Combining Christ's Crucifixion with
a Bosch-like setting of 'earthly delights', Mati Klarwein faced charges of blasphemy
and was actually attacked by an axe wielding fundamentalist. |
|
Yet others admired these paintings, including the musician,
Carlos Santana. In 1970, Santana used one of the paintings for the cover
art of the album, Abraxas. The vivid and intricate imagery found in Mati Klarwein's
art also attracted Miles Davis, who commissioned the artist to design the
covers for such classic albums as Bitches Brew and Live-Evil.
Since that time, such musicians as Jerry Garcia, Eric Dolphy, Mark Egan
and Earth, Wind and Fire have also requested Klarwein's album art. |
|
In recent years the art establishment has caught up with the
rest of the world and recognized the unique genius of Mati Klarwein's art. In
1996 the Royal Museum of Stockholm hosted a large retrospective of the artist's
paintings and prints. |
|
In the late 1970's, Mati Klarwein experimented with the medium
of fine art lithography. Like his paintings, the lithographs are dominated
by almost hallucinatory, dream-like images. About ten such lithographs were
created by him. Published in 1978, Parcellation originates from this period.
This original lithograph depicts a maze within a landscape where one
is quite unsure what is land, water or reflected surface. To add to our
uncertainty Mati Klarwein has painted a blue streak in watercolour in the upper
left corner. It is oddly sperm-like in structure. Are we witnessing the
birth of a new land? This impression is inscribed "Solo Press Impression" in pencil by Mati Klarwein. |
|
Books by Mati Klarwein include, Milk n’ Honey: Words n’ Pictures, Harmony,
New York, 1973, God Jokes: The Art of Mati Klarwein, Harmony, New York, 1976, Inscapes: Real-Estate Paintings,
Harmony, New York, 1983 and Mati & the Music: 52 Record Covers 1955-2005, with text by Serge Bramly, RM Verlag SL,
2012 and others. Some good books dealing with the artist's work and psychedelic art include, Mati Klarwein is Dreaming Light
by Ricardo Cortes, 2012, Collected Works 1959-1975, Raymond Martin Press, Germany 1988, and Electrical Banana - Masters of Psychedelic
Art, with forward by Paul McCartney, text by Norman Hathaway and Dan Nadel, Damiani, 2012. |
Edition: |
Solo Press Impression. |
Size: |
24 1/2 X 24 1/2 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Condition: |
Parcellation is printed upon sturdy wove paper and with full margins as published
in New York in 1978. Signed, dated and inscribed "Solo Press Impression"
by Klarwein along the lower left margin. It is a fine impression and in
excellent condition throughout. Undiscovered Land is an original
example of the art of Mati Klarwein, one of the most important surrealist
artists of modern times. |
Price: |
Sold - The price is no longer available. |
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