Title: |
Figure Study |
Artist: |
Keller, Henry George 'Henry Keller' (Cleveland, 1869 - San Diego, 1949) |
Date: |
c. 1920 |
Medium: |
Original Drawing |
Note: |
Henry George Keller 'Henry Keller': A very influential modernist
American painter of the early twentieth century, Henry George Keller first studied
art at the unlikely institution of the Western Reserve School of Design
for Women, in 1887. Unable to find a teaching position in Cleveland he
worked for eight years at the Morgan lithograph Company designing circus
posters. In 1899, Henry Keller resumed his artistic education in Germany and
studied at the art academies of Munich and Dusseldorf. His art received
a silver medal at the 1902 Munich Kunstakademie exhibition. He returned
to Cleveland in 1903 to begin teaching as an instructor of watercolor
at the Cleveland School of Art. Henry George Keller also created his own informal school
at his family home in Berlin Heights, Ohio, during the summers of 1903
through to 1914. As a teacher of watercolor and drawing techniques, Henry Keller's
influence was vast. Some of his most important pupils from this period
include Charles Burchfield, Paul Travis and Frank Wilcox. |
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Beginning around 1910, Henry Keller championed the cause
of modern art, both in his drawings and paintings and through his lectures
and writings. In 1913 he exhibited two of his paintings at the now famous
New York Armory Show, which introduced modern art to America. During the
following years, Henry Keller's art was included in major exhibitions at such
institutions as the Whitney Museum of American Art, New York, the Pennsylvania
Academy of Fine Arts, the Art Institute of Chicago and at the Cleveland
Museum of Art. |
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In his watercolors and other drawings, Henry George Keller was a
tireless experimenter. Working quickly with sure and spontaneous strokes
he was inspired by the avant-garde art of Mattise, Cezanne and others
as well as the rhythmic lines of Chinese brush painting. One author writes, |
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"Henry Keller's approach to watercolor was significantly
influenced by his admiration for the economical brushwork, simplified
forms, and rhythmic movement he observed in Chinese scroll paintings. ...
In 1936 Charles Burchfield, who after studying with Henry Keller made watercolor
his principal medium, commented:
'Some of his [Henry Keller's] best work has been done
in transparent watercolor. In many of them he shows the influence
of the Chinese, whom he has always admired and studied, not in any
imitative manner, but in the fundamental sense that he has learned to say a
great deal with economy of means and little apparent effort'" *
This is the genesis of the art of Henry George Keller. In this
amazing pen and ink drawing which is so simple and yet so true in its
construction, one can surely agree that Keller had "learned to say a great
deal with economy of means and little apparent effort".
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In May of 1920 the Art Institute of Chicago launched an
exhibition entitled, "Wash Drawings by Henry George Keller". "Figure Study"
was possibly included in this exhibition. On the verso, Henry Keller has made
notations to "tip the drawing onto black board", no doubt for exhibiting
purposes. (As the board was both brittle and acidic I have removed the
drawing from it.) |
Reference: |
* W. H. Robinson & David Steinberg, "Transformations in
Cleveland Art: 1796-1946", The Cleveland Museum of Art, Ohio University
Press, 1996, p. 127. |
Size: |
12 1/2 X 7 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
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Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Buy Now |
Price: $1,650.00 US |
Condition: |
Drawn upon toned wove paper and with full margins. Signed
with Henry Keller's distinctive signature along the lower right margin. Containing
one very small tear (restored) along the upper edge of the paper, else
in excellent condition throughout with unfaded tones and lines. "Figure
Study" represents a superb example of the influential art of Henry
George Keller. |
Subject: |
Henry George Keller, Henry Keller, Figure Study, original drawing, Cleveland
Artists, his most important pupils from this period include Charles Burchfield,
Paul Travis and Frank Wilcox, modern art, modernist American painter. |
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