Title: |
Beach Scene II |
Artist: |
Jones, Joseph John 'Joe Jones' (St. Louis, 1909 - Morristown, New Jersey, 1963) |
Date: |
1962 |
Medium: |
Original Color Silk-Screen (Serigraph) |
Publisher: |
Associated American Artists, New York |
Edition: |
Limited edition of one hundred and ten impressions, numbered
'87/110'. |
Note: |
Joseph John Jones 'Joe Jones': A major twentieth century painter
and printmaker, Joe Jones was almost entirely self-taught. He began exhibiting
his paintings and prints around St. Louis in the late 1920's. He also organized
and taught art classes for children of unemployed workers in 1934. At about
this time Jones became a member of the Communist party and a leading political
activist throughout the decade of the Depression. His views were greatly
criticized by mid-western conservatives and thus Jones left St. Louis for
New York in 1935. |
|
Many of Joe Jones' paintings and prints from this era (including
five large murals) were commissioned by the government supported Works
Progress Administration. Also, in 1937, he was awarded the prestigious
Guggenheim Foundation Fellowship and his art was included in important
exhibitions at the Carnegie Institute. In World War Two, Joe Jones worked as
a war artist for Life Magazine. |
|
During his career, Joe Jones's art underwent significant
changes. His early paintings and prints (many depicting laborers and farm
workers) were at the forefront of both Social Realism and American Regionalism.
Until the end of the Second World War the large majority of Joe Jones's prints
were in the medium of lithography. Joe Jones made his first experiments in
the newly invented art of the color silk-screen in 1945. After that date
he devoted much of his talents to this method. The possibility within the
silk-screen of creating large prints with full ranges of colors and tonal
values contributed to a transformation of Jones's art. |
|
Moving more towards a lyrical, almost calligraphic form of
abstractionism, Joe Jones brilliantly explored the relationships of line, form
and color within space. His silk-screens from the post war era, such as
this original example entitled, "Beach Scene II" are now seen as masterworks of their time. |
|
Prominent galleries that today include the art of Joe Jones
in their collections are the Smithsonian Institute, the White House, the
San Diego Museum of Art, the Denver Art Museum, the Saint Louis Art Museum,
the Carnegie Museum of Art, the Butler Institute of American Art and the
Whitney Museum of American Art, New York. The 'Butler Institute of American Art Museum' lists an
impression of "Beach Scene II" in their collection, Accession No. 962-P-124. |
Provenance: |
During the 1950's, most of Jones's silk-screens were commissioned
by the Associated American Artists of New York. Each was published in editions
of 100 impressions along with 15 Artist Proofs. This particular impression
was originally in the archives of the Associated American Artists and It was also
published by them. |
|
The Associated American
Artists of New York was founded in the mid 1930's. They
commissioned original graphic art from such great masters as
Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings
and lithographs of no less stature during the 1960's as contributing
artists included Joe Jones, Jack Levine, Chaim Koppelman, Joseph Margulies, James
Kearns, Irwin D. Hoffman and Sidney Chafetz. |
Size: |
8 X 31 3/4 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
|
UnMatted |
Condition: |
Printed upon fine laid paper and with full margins as published
in New York in 1962. Signed, titled and numbered, '87/110'
by the artist in pencil along the lower margin. Containing slight creasing
in the outer margins (far removed from the actual image), else a vibrantly
printed impression and in very good condition throughout. Altogether this
original silk-screen, entitled Beach Scene II, represents a fine
example of the famous American art of Joe Jones. |
Price: |
Sold - The price is no longer available. |
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