William Brassey Hole and Hugh Cameron

Original Etching by the Scottish artists, William Brasse designed by Hugh Cameron.

The New Arrival

View other original works of art by William B. Hole.

William Brassey Hole (Salisbury, 1846 - Edinburgh, 1917)
#	Image	Title & Artist	Medium	Date	Note	-
01.-		Leith Docks by William Brassey Hole	Original Etching	1880	Signed and dated in the plate along the lower margin as published by Macmillan and Co., London for Etching and Etchers editied by Philip Gilbert Hamerton
02.-		The End of the 'Forty Five' Rebellion by William Brassey Hole	Original Etching	1882	Signed in the plate by the artist to the lower right and bearing title and the full publisher's address along the lower margin as published for.The Art Journal, London by London, J.S. Virtue & Co. Limited.	Sold
03.-		The New Arrival by William Brassey Hole after a design by Hugh Cameron	Original Etching	1902	Bearing the full publisher's address, the painter's and etcher's names and the title in the margin as published by H. Virtue & Co. Ltd. for The Art Journal.

View other original works of art published by "J.S. Virtue & Co., London

J.S. Virtue & Co., London
#	Image	Title & Artist	Artist Info	Medium	Date	Publisher	Note	-

01.-		An Old English Mill by Myles Birket Foster	Myles Birket Foster (North Shields, 1825 - Weybridge, 1899)	Original Etching	1881	London, J.S. Virtue & Co. Limited	Bearing the title, "Giorgione at Asolo" and the text, "An Original Etching by Charles Holroyd R.E." under the etching, as published by London, J.S. Virtue & Co. Limited for The Art Journal.	Sold
02.-		An Old German Mill by Axel Haig	Axel Hermann Haig 'Axel Haig' ( Sweden, 1835 - Surrey, England, 1921)	Original Etching	1881	London, J.S. Virtue & Co. Limited	Dated and signed by Axel Haig in the plate with his characteristic monogramme and also contains the title and the artist's name under the etching as published by London, J.S. Virtue & Co. Limited for The Art Journal.	Sold
03.-		By the Loch-Side by John MacWhirter	John MacWhirter (Edinburgh, 1839 - London, 1911)	Original Etching	1882	London, J.S. Virtue & Co. Limited	Bearing the title and the text, "Drawn and Etched by J. Mac Whirter, A.R.A." under the etching, as published by J.S. Virtue & Co. Limited, London in 1882 for The Art Journal.	Sold
04.-		Charity by Alphonse Legros	Alphonse Legros (Dijon, 1837 - London, 1911)	Original Etching	1881	London, J.S. Virtue & Co. Limited	Signed in the plate by Alphonse Legros and titled by the publisher in the lower margin and also contains the title and the artist's name under the etching as published by London, J.S. Virtue & Co. Limited for The Art Journal.
05.-		Giorgione at Asolo by Sir Charles Holroyd	Sir Charles Holroyd (Leeds, 1861 - London, 1917)	Original Etching	1902	London, H. Virtue & Co. Ltd.	Bearing the publisher's information printed above the etching and the title and artist's name name "Giorgione at Asolo. An Original Etching by Sir Charles Holroyd" as published by H. Virtue & Co. Ltd. for The Art Journal.
06.-		Linlithgow Palace by Axel Hermann Haig	Axel Hermann Haig 'Axel Haig' (Sweden, 1835 - Surrey, England, 1921)	Original Etching	1902	London, H. Virtue & Co. Ltd.	Dated and signed by Axel Haig in the plate with his characteristic monogramme and also contains the title and the artist's name under the etching as published for The Art Journal.
07.-		Old Cheyne Walk by Arthur Severn	Arthur Severn (London, 1842 - 1931)	Original Etching	1882	London, J.S. Virtue & Co. Limited	Signed in the plate by Arthur Severn to the lower right and also bears the full publisher's address, "London, J.S. Virtue & Co. Limited" title, and the artist's name along the lower margin under the etching as published for The Art Journal.
08.-	-	On The Medway by Richard Chattock	Richard Samuel Chattock (Solihull, England, 1825 - 1906)	Original Etching	1881	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London for the portfolio entitled, "Fifty Choice Examples of Modern Etching", in London around 1890.	Sold
09.-		Saint Mary-Le-Strand, London by Alfred Louis Brunet Debaines	Alfred Louis Brunet-Debaines 'Alfred Brunet-Debaines' (Havre, France, 1845 - ?)	Original Etching	1882	London, J.S. Virtue & Co. Limited	Signed by Alfred Brunet-Debaines in the plate and also contains the title and the artist's name under the etching as published by J.S. Virtue & Co. Limited, London in 1882 for The Art Journal.
10.-	-	The 21st Royal Scots Fusiliers by Edward Matthew Hale	Edward Matthew Hale (Hastings, 1852 - Goldalming, 1929)	Original Lithograph	1889	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London in 1889 for Her Majesty's Army.	Sold
11.-	-	The 23rd Royal Welsh Fusiliers by Edward Matthew Hale	Edward Matthew Hale (Hastings, 1852 - Goldalming, 1929)	Original Lithograph	1889	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London in 1889 for Her Majesty's Army.	Sold
12.-		The Babes in The Wood by Hubert von Herkomer	Sir Hubert von Herkomer (Bavaria, 1849 - Hertfordshire, 1914)	Original Etching & Drypoint Engraving	1881	London, J.S. Virtue & Co. Limited	Signed by the artist in the plate with Hubert Von Herkomer's characteristic 'H H' monogramme and bears the artist's name and the title under the etching, as published by London, J.S. Virtue & Co. Limited for The Art Journal.	Sold
13.-		The End of the 'Forty Five' Rebellion by William Brassey Hole	William Brassey Hole (Salisbury, 1846 - Edinburgh, 1917)	Original Etching	1882	London, J.S. Virtue & Co. Limited	Signed in the plate by William Brassey Hole to the lower right and bearing the full publisher's address and title along the lower margin under the etching as published by J.S. Virtue & Co. Limited, London in 1882 for The Art Journal.	Sold
14.-		The Ferryman's Daughter by Charles Courtry and Louis Adan	Charles Courtry (Paris, 1846 - 1897) & Louis Emile Adan (Paris, 1839 - 1937)	Original Etching	c. 1890	J. S. Virtue & Co., London	Published published by J. S. Virtue & Co., London for the portfolio entitled, Fifty Choice Examples of Modern Etching in London around 1890.	Sold
15.-		The Honourable Artillery Company by Edward Matthew Hale	Edward Matthew Hale (Hastings, 1852 - Goldalming, 1929)	Original Lithograph	1889	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London in 1889 for Her Majesty's Army.	Sold
16.-		The Houses of Parliament, Westminster by Alfred Louis Brunet Debaines	Alfred Louis Brunet-Debaines 'Alfred Brunet-Debaines'	Original Etching	1902	London, H. Virtue & Co. Ltd.	Signed by Alfred Brunet-Debaines in the plate and also contains the title and the artist's name under the etching as published by H. Virtue & Co. Ltd. for The Art Journal.
17.-		The Mussel Gatherers by Colin Hunter	Colin Hunter (Glasgow, 1841 - London, 1904)	Original Etching	c. 1890	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London for the portfolio entitled, "Fifty Choice Examples of Modern Etching", in London around 1890 in an edition of five hundred impressions.	Sold
18.-		The New Arrival by William Brassey Hole	William Brassey Hole (Salisbury, 1846 - Edinburgh, 1917)	Original Etching	1902	London, H. Virtue & Co. Ltd.	Bearing the words, "The Art Journal, H. Virtue & Co. Ltd." printed above the etching as well as containing the title, William Brassey Hole's & Hugh Cameron's names printed in the lower margin as published by H. Virtue & Co. Ltd. for The Art Journal.
19.-		The Queen's Own Royal Regiment (Staffordshire Yeomanry) by Edward Matthew Hale	Edward Matthew Hale (Hastings, 1852 - Goldalming, 1929)	Original Lithograph	1889	J. S. Virtue & Co., London	Published by J. S. Virtue & Co., London in 1889 for Her Majesty's Army.
20.-		The Round Tower, Windsor Castle by Axel Haig	Axel Hermann Haig 'Axel Haig' (Sweden, 1835 - Surrey, England, 1921)	Original Etching	1887	London, J. S. Virtue & Co. Limited	Dated and signed by Axel Haig in the plate with his characteristic monogramme and also contains the title and the artist's name under the etching as published by London, J. S.. Virtue & Co. Limited for The Art Journal.	Sold
21.-		Westminster Abbey by Axel Haig	Axel Hermann Haig 'Axel Haig' (Sweden, 1835 - Surrey, England, 1921)	Original Etching	1902	London, H. Virtue & Co. Ltd.	Dated and signed by Axel Haig in the plate with his characteristic monogramme and also contains the title and the artist's name under the etching as published by H. Virtue & Co. Ltd. for The Art Journal.	Sold

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Title:	The New Arrival
Etcher:	Hole, William Brassey (Salisbury, 1846 - Edinburgh, 1917)
Artist:	Cameron, Hugh (Edinburgh, 1835 - 1918)
Date:	1902
Medium:	Original Etching
Publisher:	London, H. Virtue & Co. Ltd.
Source:	The Art Journal, London
Note:	William Brassey Hole: A Scottish landscape etcher and painter, William Brassey Hole studied at the Royal Academy Schools, London. He began exhibiting his art there at the Royal Academy in 1873. Around 1875 the artist moved to Edinburgh and shortly thereafter became a member of both the Royal Scottish Academy (R.S.A) and the Royal Scottish Watercolour Society. William Brassey Hole was also a full member of the Royal Society of Painters and Etchers (R. E).
	As an etcher, William Hole was equally adept at landscape studies, historical depictions, architectural views, genre scenes and portraits, both after his own designs and those of his fellow Scottish artists. He was a frequent contributor to The Art Journal and The Portfolio, two important journals which concentrated upon the art of etching. He also illustrated a number of fine books with his original plates.
	Hugh Cameron: A genre and portrait painter, Hugh Cameron studied art in Edinburgh, under Scott Lauder. He lived and worked in London from 1876 to 1888 and then returned to Edinburgh. Hugh Cameron was a full member of the Royal Scottish Academy (1869) and exhibited at the Royal Academy, London, from 1871 to 1892. Several of his finest works are included in the collection of the National Gallery of Scotland.
	During his career, Hugh Cameron became best known for his genre scenes, particularly scenes of Scottish life. "The New Arrival" is typical of his fine art in this area.
Source:	The Art Journal, London
	The Art Journal: "The New Arrival" was published by H. Virtue & Co. Ltd. for The Art Journal in 1902 and is based upon a design by Hugh Cameron. "The Art Journal" was an important late nineteenth and early twentieth century British annual dedicated to the visual arts. Such leading artists as Axel Haig, J. M. W. Whistler, Seymour Haden, William Brassey Hole, Herbert Von Herkomer, Alfred Brunet-Debaines, John MacWhirter, Birket Foster and others contributed original etched.plates to The Art Journal, London over several decades.
Size:	11 1/4 X 7 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted With 100% Archival Materials
Buy Now	Price: $285.00 US
Condition:	Printed upon thick wove paper and with full, large margins as published by H. Virtue & Co. Ltd. for The Art Journal in 1902. Bearing the words, "The Art Journal, H. Virtue & Co. Ltd." printed above the etching as well as containing the words "Painted by Hugh Cameron R.S.A" and "Etched by William Hole R.S.A., R.E." and the title "The New Arrival" printed in the lower margin. A finely printed impression and in very good condition throughout. Altogether, "The New Arrival" represents a prime, original example of the Scottish art of William Brassey Hole and Hugh Cameron.
Subject:	William Brassey Hole, William Hole, Hugh Cameron, The New Arrival, original Etching, The Art Journal, Scottish artists, Royal Scottish Academy, Scottish etching.
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William Brassey Hole & Hugh Cameron

The New Arrival