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Katsushika Hokusai's original Japanese woodcut, Suberi (Sliding Down) appeared as the sixth woodcut in the initial volume of Fugaku hyakkei Fugaku hyakkei (One Hundred Views of Mt. Fuji). For Fujiko pilgrims the most important of all journeys was that to the summit of Mount Fuji. Often the climb up the mountain was slow and arduous. But if one chose the 'shortcuts' the descent was anything but that! This view of the descent shows, as the title indicates, a "sliding down" through the soft volcanic sand that accumulates here and there on the face of the mountain. This was a common mode of quick descent on the Yoshida trail and remained so for many years until twelve people lost their lives there in 1980. The 'sand-run' is now closed to the public. Twisting this way and that way, Suberi most delightfully captures the pilgrims in a perilous state of free fall. With their broad oval hats and gyrating forms they cling for dear life to their staffs which now becomes their only method of balance and steering. Wonderfully abstract in these components, Hokusai brilliantly indicates the motion of wild descent by the masses of stones and pebbles falling with the pilgrims. Like all the woodcuts in the One Hundred Views, Hokusai's Suberi teaches us a new way of seeing. Suberi (Sliding Down) is an original Japanese woodcut by Katsushika Hokusai, published and printed by Tohekido. It hails from Fugaku hyakkei Fugaku hyakkei (One Hundred Views of Mt. Fuji), Catalogue # 6. Third edition as issued in Nagoya, c. 1847. This is a striking, original example of the famous landscape art created by the Japanese artist, Katsushika Hokusai. |
Title: | Suberi 'Fugaku hyakkei' (Sliding Down 'One Hundred Views of Mount Fuji') |
Artist: | Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849) |
Date: | 1834 - 1835 (Tohekido, Edition, c. 1847) |
Medium: | Original Japanese Woodcut Printed in Black Tones |
Publisher: | Tohekido, Nagoya |
Printer: | Tohekido |
Note: | Katsushika Hokusai: The most influential Japanese master of landscapes and figure studies, Katsushika Hokusai created many masterpieces throughout his long and productive life. Studying under Shunsho, Hokusai's earliest art was devoted to competent actor prints and figure studies in the style of his master. Then, in the first decade of the nineteenth century, Hokusai's tireless studies led him to examine both Western art and Chinese paintings and prints. He thus broke from the standard 'Ukiyo-e' style to forge a path for his own unique genius. This would lead him to some of the greatest artistic examinations of the relationship between man and nature in the history of art, such as, Thirty-Six Views of Mt. Fuji (1831) and Fugaku hyakkei (One Hundred Views of Mount Fuji) (1834-1835). |
In many ways, Hokusai's two series of Fuji woodcuts stand as the culmination of both his life and art. After all, such recognizable masterpieces as "The Great Wave" originates from these sets. Mount Fuji, however, represented much more to both the Japanese people and to Katsushika Hokusai. It stood as a primary symbol in all Japanese religions and came to signify for Hokusai the complex workings of immortality. In this vein the artist did not embark upon his greatest woodcuts until after age seventy and was firmly convinced that even finer art would be crafted by him at the ripe age of one hundred. Thus Hokusai did not sign the woodcuts from the Fugaku hyakkei (One Hundred Views of Mt. Fuji) with his name, but with the appellation, 'Old Man Mad About Drawing'. | |
One Hundred Views of Mt. Fuji: Katsushika Hokusai was firmly convinced that Fugaku hyakkei (One Hundred Views of Mt. Fuji) constituted his best collection of art. Most scholars today agree. Each of the one hundred woodcuts is unified by the presence of Mt. Fuji, either in detail, in the background or in a reflected surface, such as water, mirrors and even within the shiny surface of a teacup. Each is further united in its most penetrating examination of life and nature. It is not an exaggeration to state that the One Hundred Views stands as one of the greatest achievements of world art. | |
The publishing history of the One Hundred Views of Mt. Fuji is well documented. The entire set consists of three volumes. Volumes 1 and 2 were first published in Edo in 1834 & 1835. Known as the 'falcon tail' edition the blocks were again reprinted in a second edition before the famine of 1837. Both volumes were then re-issued by Tohekido in Nagoya at the time of the first publication of Volume 3 in the late 1840's. This is the third edition and this original woodcut entitled, Suberi (Sliding Down) hails from that issue. Finally in the 1850's a different edition was introduced by Tohekido in which completely new colour blocks were designed, one in gray and one in salmon pink. | |
Suberi (Sliding Down) appeared as the sixth woodcut in the initial volume for Hokusai's One Hundred Views of Mount Fuji. It captures the pilgrims in a perilous state of free fall. With their broad oval hats and gyrating forms they cling for dear life to their staffs which now becomes their only method of balance and steering. Wonderfully abstract in these components, Hokusai brilliantly indicates the motion of wild descent by the masses of stones and pebbles falling with the pilgrims. | |
Raisonne: | Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988. |
Catalogue # 6. Third Edition as issued in Nagoya, c. 1847. | |
Source: | Fugaku hyakkei (One Hundred Views of Mount Fuji) 'Later Impression # 01-05' |
Size: | (7 1/2 X 5 1/2) Small Chuban (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Framed and Matted with 100% Archival Materials | |
View Larger Framed Image: | |
Condition: | Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido around 1847. One slight flaw exists in the paper in the garment of the upper pilgrim, else a fine tonal impression and bearing all the strong lines of an early printing. Suberi (Sliding Down) represents a superb, original impression of the art of Hokusai, Japan's greatest master of the woodcut. |
Price: | Sold - The price is no longer available. |
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Original Woodcut by the Japanese artist, Katsushika Hokusai
Suberi 'Fugaku hyakkei' (Sliding Down 'One Hundred Views of Mount Fuji') |
View other original Japanese woodcuts by Hokusai.
Katsushika Hokusai (Tokyo (Edo), Japan, 1760 - 1849) | |||||||
# | Image | Title & Artist | Medium | Date | Publisher | Source | - |
01.- | A Hero with a Prisoner (Portraits of Suikoden Heroes) by Katsushika Hokusai | Original Japanese Woodcut | 1829 | Hanabusaya Heikichi | Chugi Suikoden Ehon (Portraits of Suikoden Heroes) | ||
02.- | Gekka no Fuji (Fuji under the Moon) by Katsushika Hokusai | Original Japanese Woodcut (Diptych) | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
03.- | Haichu No Fuji (Fuji in a Wine Cup) by Katsushika Hokusai | Original Japanese Woodcut | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
04.- | Konya'cho no Fuji (Fuji of the Dyers' Quarter) by Katsushika Hokusai | Original Japanese Woodcut | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
05.- | Shashin no Fuji (Drawing Fuji from Life) by Katsushika Hokusai | Original Japanese Woodcut | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | Sold | |
06.- | Sochu No Fuji (Fuji in a Window) by Katsushika Hokusai | Original Japanese Woodcut | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
07.- | Suberi (Sliding Down) by Katsushika Hokusai | Original Japanese Woodcut | 1834 & 1835 (Tohekido Edition, c. 1847) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | Sold | |
08.- | Surprise Attack (Portraits of Suikoden Heroes) by Katsushika Hokusai | Original Japanese Woodcut (Diptych) | 1829 | Hanabusaya Heikichi | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
09.- | Two Heroes (Portraits of Suikoden Heroes) by Katsushika Hokusai | Original Japanese Woodcut | 1829 | Hanabusaya Heikichi | Chugi Suikoden Ehon (Portraits of Suikoden Heroes) | Sold | |
10.- | Uneri Fuji (Fuji on the Swell) by Katsushika Hokusai | Original Japanese Woodcut (Diptych) | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) | ||
11.- | Yuki no ashita no Fuji (Fuji the Day after Snow) by Katsushika Hokusai | Original Japanese Woodcut (Diptych) | 1834 & 1835 (Tohekido Edition: 1852) | Tohekido | Fugaku hyakkei (One Hundred Views of Mount Fuji) |
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