Katsushika Hokusai

Sochu No Fuji 'Fugaku hyakkei' (Fuji in a Window 'One Hundred Views of Mount Fuji')

Katsushika Hokusai's original Japanese woodcut, Sochu No Fuji (Fuji in a Window), belongs to the Tohekido edition of, Fugaku hyakkei (One Hundred Views of Mt. Fuji) published in 1852. Seated at his desk an old man stretches his arms up to form an arch which relates to the shape of Fuji seen in the background. Western viewers (beginning with the English novelist, Charles Dickens) have long misinterpreted this gesture as representing joy or ecstasy. In fact, the old man is yawning. Probably a poet, he has just completed his day's work, This is seen by the row of returning geese, which is a conventional symbol for the end of the day. At rest he will turn to his pipe, which lies to his side. Here Hokusai has brilliantly captured a moment in time and forever allied man to his natural surroundings.

This original Hokusai woodcut, entitled Sochu No Fuji (Fuji in a Window) oiginates from the series entitled, Fugaku hyakkei (One Hundred Views of Mt. Fuji). This impression is printed upon nineteenth century Japanese mulberry paper and with full margins as published in the Tohekido edition, 1852, Catalogue #60. It is a striking, original example of the famous art created by the Japanese artist, Katsushika Hokusai.

Sochu No Fuji Fuji in a Window Original Woodcut by the Japanese artist Katsushika Hokusai Fugaku hyakkei One Hundred Views of Mount Fuji

Sochu No Fuji 'Fugaku hyakkei' (Fuji in a Window 'One Hundred Views of Mount Fuji')

View other original Japanese woodcuts by Hokusai.

Katsushika Hokusai (Tokyo (Edo), Japan, 1760 - 1849)
#	Image	Title & Artist	Medium	Date	Publisher	Source	-
01.-		A Hero with a Prisoner (Portraits of Suikoden Heroes) by Katsushika Hokusai	Original Japanese Woodcut	1829	Hanabusaya Heikichi	Chugi Suikoden Ehon (Portraits of Suikoden Heroes)
02.-		Gekka no Fuji (Fuji under the Moon) by Katsushika Hokusai	Original Japanese Woodcut (Diptych)	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)
03.-		Haichu No Fuji (Fuji in a Wine Cup) by Katsushika Hokusai	Original Japanese Woodcut	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)
04.-		Konya'cho no Fuji (Fuji of the Dyers' Quarter) by Katsushika Hokusai	Original Japanese Woodcut	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)
05.-		Shashin no Fuji (Drawing Fuji from Life) by Katsushika Hokusai	Original Japanese Woodcut	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)	Sold
06.-		Sochu No Fuji (Fuji in a Window) by Katsushika Hokusai	Original Japanese Woodcut	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)
07.-		Suberi (Sliding Down) by Katsushika Hokusai	Original Japanese Woodcut	1834 & 1835 (Tohekido Edition, c. 1847)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)	Sold
08.-		Surprise Attack (Portraits of Suikoden Heroes) by Katsushika Hokusai	Original Japanese Woodcut (Diptych)	1829	Hanabusaya Heikichi	Fugaku hyakkei (One Hundred Views of Mount Fuji)
09.-		Two Heroes (Portraits of Suikoden Heroes) by Katsushika Hokusai	Original Japanese Woodcut	1829	Hanabusaya Heikichi	Chugi Suikoden Ehon (Portraits of Suikoden Heroes)	Sold
10.-		Uneri Fuji (Fuji on the Swell) by Katsushika Hokusai	Original Japanese Woodcut (Diptych)	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)
11.-		Yuki no ashita no Fuji (Fuji the Day after Snow) by Katsushika Hokusai	Original Japanese Woodcut (Diptych)	1834 & 1835 (Tohekido Edition: 1852)	Tohekido	Fugaku hyakkei (One Hundred Views of Mount Fuji)

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Title:	Sochu No Fuji 'Fugaku hyakkei' (Fuji in a Window 'One Hundred Views of Mount Fuji')
Artist:	Hokusai, Katsushika (Tokyo (Edo), Japan, 1760 - 1849)
Date:	1834 & 1835 (Tohekido Edition: 1852)
Medium:	Original Japanese Woodcut
Publisher:	Tohekido
Note:	Katsushika Hokusai: The most influential Japanese master of landscapes and figure studies, Katsushika Hokusai created many masterpieces throughout his long and productive life. Studying under Shunsho, Hokusai's earliest art was devoted to competent actor prints and figure studies in the style of his master. Then, in the first decade of the nineteenth century, Hokusai's tireless studies led him to examine both Western art and Chinese paintings and prints. He thus broke from the standard 'Ukiyo-e' style to forge a path for his own unique genius. This would lead him to some of the greatest artistic examinations of the relationship between man and nature in the history of art, such as, Thirty-Six Views of Mt. Fuji (1831) and Fugaku hyakkei (One Hundred Views of Mount Fuji) (1834-1835).
	In many ways, Hokusai's two series of Fuji woodcuts stand as the culmination of both his life and art. After all, such recognizable masterpieces as "The Great Wave" originates from these sets. Mount Fuji, however, represented much more to both the Japanese people and to Katsushika Hokusai. It stood as a primary symbol in all Japanese religions and came to signify for Hokusai the complex workings of immortality. In this vein the artist did not embark upon his greatest woodcuts until after age seventy and was firmly convinced that even finer art would be crafted by him at the ripe age of one hundred. Thus Hokusai did not sign the woodcuts from the One Hundred Views of Mt. Fuji with his name, but with the appellation, 'Old Man Mad About Drawing'.
	Katsushika Hokusai was firmly convinced that Fugaku hyakkei (One Hundred Views of Mt. Fuji) constituted his best collection of art. Most scholars today agree. Each of the one hundred woodcuts is unified by the presence of Mt. Fuji, either in detail, in the background or in a reflected surface, such as water, mirrors and even within the shiny surface of a teacup. Each is further united in its most penetrating examination of life and nature. It is not an exaggeration to state that the One Hundred Views stands as one of the greatest achievements of world art. Sochu No Fuji (Fuji in a Window) is a fine, original example of the woodcuts Hokusai created for this set.
	The publishing history of the Fugaku hyakkei (One Hundred Views of Mount Fuji) is well documented. The entire set consists of three volumes. Volumes 1 and 2 were first published in Edo in 1834 & 1835. Known as the 'falcon tail' edition the blocks were again reprinted in a second edition before the famine of 1837. Both volumes were then re-issued by Tohekido in Nagoya at the time of the first publication of Volume 3 in the late 1840's. Then, around 1852, a more complex edition was introduced by Tohekido in which completely new color blocks were designed and cut to be printed with Hokusai's original key blocks; one in gray and one in salmon pink. This original woodcut entitled Sochu No Fuji (Fuji in a Window) hails from this edition, the only edition, in fact, that contains the extra color printing. All woodcuts from editions of the One Hundred Views are very scarce and in great demand.
	Hokusai's Sochu No Fuji (Fuji in a Window) depicts an old man seated at his desk. He stretches his arms up to form an arch which relates to the shape of Fuji seen in the background. Western viewers (beginning with the English novelist, Charles Dickens) have long misinterpreted this gesture as representing joy or ecstasy. In fact, the old man is yawning. Probably a poet, he has just completed his day's work, This is seen by the row of returning geese, which is a conventional symbol for the end of the day. At rest he will turn to his pipe, which lies to his side. Here Hokusai has brilliantly captured a moment in time and forever allied man to his natural surroundings.
Raisonne:	Henry Smith, Hokusai: One Hundred Views of Mt. Fuji,Braziller, New York, 1988.
Edition:	Catalogue #60. Fourth Edition as Issued by Tohikedo in 1852.
Source:	Fugaku hyakkei (One Hundred Views of Mount Fuji)
Size:	7 X 5 Small Chuban (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View Framed Image:

Buy Now	Price: $950.00 US
Condition:	Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Tohekido Iin 1852. A superb, richly printed impression and in excellent condition throughout. Sochu No Fuji ("Fuji in a Window" ) represents a brilliant, original example of the famous landscape art of Katsushika Hokusai.
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