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William Hogarth's The Sleepy Congregation is one of his most delightful comments upon the church. An old, nearsighted preacher delivers his sermon from his pulpit on high. The hourglass beside him has emptied, illustrating that his sermon has been going on far too long. From the standpoint of all those slumbering before him it is ironic that his subject from the Bible is, "Come unto me all ye that Labour and are Heavy Laden and I will give you Rest." The Sleepy Congregation is an original engraving and etching printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. This is a fine, original example of the satirical art both designed and engraved by the British artist, William Hogarth. The Sleepy Congregation; Paulson Catalogue #140, Fourth and Final State. |
Title: | The Sleepy Congregation |
Artist: | Hogarth, William (London, 1697 - 1764) |
Date: | 1736 (Heath Edition 1822) |
Medium: | Original Line Engraving and Etching |
Publisher: | William Heath, London |
Note: | William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. |
Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps. | |
The Sleepy Congregation: William Hogarth's original engraving and etching entitled, The Sleepy Congregation is one of his most delightful comments upon the church. An old, nearsighted preacher delivers his sermon from his pulpit on high. The hourglass beside him has emptied, illustrating that his sermon has been going on far too long. From the standpoint of all those slumbering before him it is ironic that his subject from the Bible is, "Come unto me all ye that Labour and are Heavy Laden and I will give you Rest." Below the preacher sits the clerk whose attention is fixed on nothing resembling the sacred. The sleeping, attractive girl of his glare has fallen asleep reading the only passage of the Bible that interests her; "Of Matrimony." The majority of the men asleep in the pews are snoring. The only members of the congregation that are awake are two aged women whose conical hats give them the appearance of witches. About twenty-five years later William Hogarth again returned to the them of a religious congregation in his engraving, Credulity, Superstition and Fanaticism. Where the satire in The Sleepy Congregation is both gentle and humourous, the imagery in the later engraving focuses upon the destructiveness and even madness of religious worship and zeal. It is much less dangerous to be bored and sleepy than to be consumed by fire and brimstone. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. Catalogue #140, Fourth and Final State. |
Source: | Heath Edition, London |
Size: | 10 3/4 X 8 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon early nineteenth century wove paper and with large margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. |
This original impression of The Sleepy Congregation contains some faint foxing and water staining in the outer margins, well away from the actual engraving. Else, a finely printed impression and in excellent condition throughout. Quite simply, this engraving represents one of William Hogarth's most famous works of original art. | |
Price: | Sold - The price is no longer available. |
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Original Engraving and Etching by the British Satirical Artist, William Hogarth
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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