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William Hogarth etched Simon Lord Lovat's portrait at an inn in St. Albans on his way to trail and eventual execution. Knowing what awaits him, Lovat is busy at work upon his memoirs. Hogarth has here created the almost archetypal portrait of a psychopath. Both his devious face and gestures show no trace of remorse. It is almost as if Lovat is saying, 'For almost eighty years I've thoroughly enjoyed murdering and plundering. Do with me what you will.' This is truly a masterpiece of character examination. Simon Lord Lovat was both designed and etched by William Hogarth. This original etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Simon Lord Lovat; Paulson Catalogue #166, Third and Final State. |
Title: | Simon Lord Lovat |
Artist: | Hogarth, William (London, 1697 - 1764) |
Date: | 1746 (Heath Edition: 1822) |
Medium: | Original Etching |
Publisher: | William Heath, London |
Note: | William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings and etchings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet William Hogarth's art stretched beyond his time and his masterful graphic art is as relevant to our society as they were to his. |
Training first as an engraver, William Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in William Hogarth's footsteps. | |
Simon Lord Lovat: William Hogarth etched Simon Lord Lovat's portrait at an inn in St. Albans on his way to trail and eventual execution. Knowing what awaits him, Lovat is busy at work upon his memoirs. Hogarth has here created the almost archetypal portrait of a psychopath. Both his devious face and gestures show no trace of remorse. It is almost as if Lovat is saying, 'For almost eighty years I've thoroughly enjoyed murdering and plundering. Do with me what you will.' This is truly a masterpiece of character examination. Simon Lord Lovat ranks as one of the most intriguing portrait studies of any time. Simon Fraser, Lord Lovat (1667-1747) was truly a rogue's rogue. As a young man he had fought for King William and Mary but betrayed their cause and was outlawed for high treason in 1698. Several years later he secured his cousin's wealth and estate by brutally abducting and marrying his widow, for which he was again outlawed in 1701. During the following decades Lord Lovat participated in various revolutions and wars and was engaged in spying, espionage and counter-espionage. Many times, in fact, it was doubtful whose side he was on. After the defeat at the battle of Culloden he fled to an island in Loch Morar where he was discovered hiding in a hollow tree. Lovat was taken to London, tried, found guilty and sentenced to death in the Spring of 1747. He was the last man in England to be beheaded. It is reported that the crowds for his execution were so enormous that large scaffolds were constructed for the spectator's view. One such scaffold holding 400 people collapsed and instantly killed 20 onlookers. On being informed of this Lord Lovat smiled and said, "The more the mischief, the better the sport." He is also known to have tipped his executioner. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. Paulson #166, Third and Final State. |
Source: | Heath Edition, London |
Size: | 13 3/16 X 8 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon early nineteenth century wove paper and with full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. |
Containing very faint foxing and smudging along the outer margins (well away from the actual engraving), else a finely printed impression and in very good condition throughout. Simon Lord Lovat represents a superb, original example of the famous engraved art of William Hogarth. | |
Price: | Sold - The price is no longer available. |
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Original Etching by the British Satirical Artist, William Hogarth
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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