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William Hogarth's original etching and engraving, Pit Ticket: The Cockpit depicts a cross-section of men from all classes and professions enthusiastically waging their money on the 'Royal Sport'. The symbolically blind nobleman in the centre of the composition impassively accepts their bets. Pit Ticket: The Cockpit was both designed and engraved by William Hogarth. This original engraving and etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Pit Ticket: The Cockpit; Paulson Catalogue # 206 First and Only State |
Title: | Pit Ticket: The Cockpit |
Artist: | Hogarth, William (London, 1697 - 1764) |
Date: | 1759 (Heath Edition 1822) |
Medium: | Original Engraving & Etching |
Publisher: | William Heath, London |
Note: | William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from Morning, Noon, Evening, Night, Marriage a la Mode, The Four Stages of Cruelty, Gin Lane and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. |
Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Rake's Progress (1731), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps. | |
Pit Ticket: The Cockpit: William Hogarth's original etching and engraving entitled, Pit Ticket: The Cockpit depicts a cross-section of men from all classes and professions enthusiastically waging their money on the 'Royal Sport'. The symbolically blind nobleman in the centre of the composition impassively accepts the bets of seven frantic men, most of them of common stock. So intensely involved in their waging are these individuals that they fail to notice a young boy stealing a promissory note. To the right of this cluster we have a man cracking his knuckles, another examining his brushed coat and a Quaker sneezing at his snuff. the Chimney-sweep to the right has already stolen the snuff from the Quaker. Below this a carpenter has fallen on a fat nobleman, who has crushed the man directly in front of him, who in turn has caused a third to be dashed against the arena. On the left side of the centre, a happy little fellow writes ou7t the bets. Beside him, a trainer is ready with another contesting cock in a bag. Beside him, a toothless man laughs hysterically, and, in contrast, the next man points vehemently to his coin. Behind this group, an old and very deaf man cannot decipher the shouts of his companion. Over his shoulder a man sneezes violently at the accidentally dropped snuff of a Frenchman. This Frenchman stands outside the pit, as if looking down disdainfully at the mad scene below him. Along this railing stands a bored looking individual who lights his pipe. Only his dog take an active interest in the main event. In the foreground two men wager a bet by knocking the butts of their whips together. To the right, a drunken man is about to have his purse stolen, as the end of the cane draws very near. The man with the emblem of the gallows on his back is none other than the public hangman. Although present for his own amusement he may one day hang one of the many scoundrels depicted here. One can just detect the feet of the rival trainers at opposite ends of the arena. The shadow in the centre is that of a man who has been suspended above the crowd for not paying his debts. Unaffected by this experience, he attempts to barter or bet with his watch. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. Catalogue # 206 First and Only State. |
Source: | Heath Edition, London |
Size: | 11 11/16 X 14 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Buy Now | Price: $565.00 US |
Condition: | Pit Ticket: The Cockpit is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. This original impression contains some slight foxing in the margins. Else, it is a finely printed impression and in excellent condition throughout. |
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Original Engraving and Etching by the British Satirical Artist, William Hogarth
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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