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The Idle Prentice Returned from the Sea, and in a Garret with a Common Prostitute (William Hogarth's Industry and Idleness: Plate 7) |
The Industrious Prentice Grown Rich, And Sheriff of London (William Hogarth's Industry and Idleness: Plate 8) |
This Scene stands as a direct comparison to William Hogarth's preceding engraving. Idle has now returned from the sea and has also found 'love', but in the mercenary arms of a common prostitute. The set of pistols on the floor indicates that he has again changed professions and has become a highwayman. This original engraving entitled The Idle Prentice Returned from the Sea, and in a Garret with a Common Prostitute was both designed and engraved by William Hogarth and published by William Heath in 1822. Industry and Idleness: Plate 7; Paulson #174, Second and Final State. |
In Hogarth's eighth plate, the industrious prentice, Goodchild has grown rich. He assumes a major political post as the Sheriff of London. He is seen in the background, with his wife, presiding over the lavish banquet. In the foreground officials gorge on their food and drink. This original engraving entitled The Industrious Prentice grown Rich, And Sheriff of London. was both designed and engraved by William Hogarth and published by William Heath in 1822. Industry and Idleness: Plate 8; Paulson #175, Second and Final State. |
Title: | Industry and Idleness: "The Idle Prentice Returned from the Sea: Plate 7" Industry and Idleness: "The Industrious Prentice is Sheriff: Plate 8" (Complete Set of Twelve Engravings) |
Artist: | Hogarth, William (London, 1697 - 1764) |
Date: | 1747 (Heath Edition 1822) |
Medium: | Original Etching & Line Engraving |
Publisher: | William Heath, London |
Note: | William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day, Industry and Idleness and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. |
Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps. | |
Industry and Idleness: Plate 7; Paulson #174, Second and Final State. | |
The Idle Prentice Returned from the Sea, and in a Garret with a Common Prostitute stands as a direct comparison to William Hogarth's preceding engraving. Idle too has found 'love', but in the mercenary arms of a prostitute. The set of pistols on the floor indicates that he has again changed professions and has become a highwayman. The door to the shabby room is thoroughly locked and barricaded, indicating perhaps that he is on 'the run'. Idle is suddenly awakened by a cat chasing a rat down the chimney; his hair is on end and his face is ridden with fear. Oblivious, his companion admires the spoils of her night's work. This is the third plate in which a cat has appeared. William Hogarth appears to be symbolizing aspects of Idle's character with this animal. Cats are alternately shiftless, irresponsible, violent, pleasure-seeking and untrustworthy -- all characteristics which fit the Idle Apprentice. |
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Industry and Idleness: Plate 8; Paulson #175, Second and Final State. | |
In The Industrious Prentice Grown Rich, And Sheriff of London, Goodchild now assumes a major political post. He is seen in the background, with his wife, presiding over the lavish banquet. In the foreground officials gorge on their food and drink. Hogarth never missed an opportunity to describe the sin of gluttony in full detail. In its primary theme Industry and Idleness, is William Hogarth's most direct moral statement in series form. Its primary purpose is to illustrate the benefits of sincere and honest work and the ruinous path awaiting those who follow the opposite course. To this end Hogarth portrays the progress of two apprentices, Francis Goodchild and Thomas Idle. Their chosen paths and the consequences are chronicled in the twelve plates. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. |
Edition: | Plate 7; Paulson #174, Second and Final State. |
Edition: | Plate 8; Paulson #175, Second and Final State. |
Source: | Heath Edition, London (Industry and Idleness, Set of Twelve) |
Size: | 10 1/2 X 13 3/4 x 2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Price: | Sold (Complete set of twelve Engravings) |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. |
These original impressions from the complete set of Industry and Idleness contain very faint foxing in the outer margins. There is no foxing within the actual image. Water staining is also apparent in the outer margins, but well away from the actual engravings. Else, These large and important Hogarth engravings are in good condition throughout. | |
Price: | Sold - The price is no longer available. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Two Original Etchings & Engravings by the British artist, William Hogarth
View the Complete Set of Twelve Original Engravings for Industry and Idleness by William Hogarth
# 15.- Industry and Idleness by William Hogarth: (Complete Set of Twelve Engravings) | ||||||
# | Image | Title & Artist | Medium | Date | Info | - |
01-02. | Industry and Idleness, Plate 1: The Fellow Prentices at their Looms & Plate 2: The Industrious Prentice Performing the Duty of a Christian by William Hogarth | Two Original Etchings & Engravings | 1747 (Heath Edition 1822) | Plate 1; Paulson #168, Second and Final State. & Plate 2; Paulson #169, Second and Final State. | Sold | |
03-04. | Industry and Idleness, Plate 3: The Idle Prentice at Play in the Church Yard, During Divine Service & Plate 4: The Industrious Prentice a Favourite, and Entrusted by his Master by William Hogarth | Two Original Etchings & Engravings | 1747 (Heath Edition 1822) | Plate 3; Paulson #170, Second and Final State & Plate 4; Paulson #171, Second and Final State. | Sold | |
05-06 | Industry and Idleness, Plate 5: The Idle Prentice Turn'd Away, and Sent to Sea & Plate 6: The Industrious Prentice out of Time, and Married to his Master's Daughter by William Hogarth | Two Original Etchings & Engravings | 1747 (Heath Edition 1822) | Plate 5; Paulson #172, Third and Final State & Plate 6; Paulson #173, Fourth and Final State. | Sold | |
07-08. | Industry and Idleness, Plate 7: The Idle Prentice Returned from the Sea, and in a Garret & Plate 8: The Industrious Prentice grown Rich, And Sheriff of London by William Hogarth | Two Original Etchings & Engravings | 1747 (Heath Edition 1822) | Plate 7; Paulson #174, Second and Final State & Plate 8; Paulson #175, Second and Final State. | Sold | |
09-10. | Industry and Idleness, Plate 9: The Idle Prentice Betray'd and Taken in a Night Cellar with his Accomplice & Plate 10: The Industrious Prentice Alderman of London, the Idle One Brought before him & Impeached by William Hogarth | Two Original Etchings & Engravings | 1747 (Heath Edition 1822) | Plate 9; Paulson #176, Fourth and Final State. & Plate 10; Paulson #177, Second and final State. | Sold | |
11.- | Industry and Idleness, Plate 11: The Idle Prentice Executed at Tyburn | An Original Etching & Engraving | 1747 (Heath Edition 1822) | Plate 11; Paulson, Catalogue #178, Third and Final State. | Sold | |
12.- | Industry and Idleness, Plate 12: The Industrious Apprentice Lord Mayor of London by William Hogarth | An Original Engraving & Etching | 1747(Heath Edition 1822) | Plate 12; Paulson #179, Third and Final State. | Sold |
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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