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William Hogarth's "The Reward of Cruelty" Plate 4 from (The Four Stages of Cruelty), is one of his most famous and clearly unforgettable engravings. Convicted and executed, Tom Nero's body has been delivered to the Royal College of Surgeons for an anatomy lesson. With the corpse's head screwed to a grotesque crane the performing surgeons appear to be relishing their dissections as much as the boys enjoyed their tortures in "First Stage of Cruelty" Plate One. The doctor gouging the eye of Nero, in fact, draws a telling comparison to the boys torturing the bird in the premier engraving. As well, the dog eating Nero's heart in the foreground exacts revenge upon his boyish cruelty to animals. The Reward of Cruelty (The Conviction and execution of Tom Nero) was both designed and engraved by William Hogarth. This original engraving and etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. The Reward of Cruelty, Plate IV; Paulson Catalogue #190, Fourth and Final State from The Four Stages of Cruelty (Complete set of Four Original Engravings). |
Title: | The Reward of Cruelty: The Four Stages of Cruelty, Plate 4. The Conviction and execution of Tom Nero. (Complete set of Four Original Engravings) |
Artist: | Hogarth, William (London, 1697 - 1764) |
Date: | 1750-1951 (Heath Edition 1822) |
Medium: | Original Engraving & Etching |
Publisher: | William Heath, London |
Note: | The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. |
Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps. | |
The four engravings which comprise The Four Stages of Cruelty were created by William Hogarth to achieve the same effects on the same audience as Gin Lane and Beer Street. | |
"The Reward of Cruelty" Plate 4 from (The Four Stages of Cruelty), is one of William Hogarth's most famous and clearly unforgettable engravings. Convicted and executed, Tom Nero's body has been delivered to the Royal College of Surgeons for an anatomy lesson. With the corpse's head screwed to a grotesque crane the performing surgeons appear to be relishing their dissections as much as the boys enjoyed their tortures in Plate One. The doctor gouging the eye of Nero, in fact, draws a telling comparison to the boys torturing the bird in the premier engraving. As well, the dog eating Nero's heart in the foreground exacts revenge upon his boyish cruelty to animals. The entire scene is presided over by a very expressionless, chief physician. He sits in an elaborate chair in which a hand taking the pulse of a patient is carved. Such a caring image provides a direct contrast to the activity below. Doctors in the foreground read, joke or talk together. Those in the background pay no attention to the anatomy lesson whatsoever. Hogarth's attitude to the practice of eighteenth century medicine was anything but flattering. In 1736 he created his most telling commentary upon doctors which he entitled, The Company of Undertakers. Not without justification, Hogarth described instances throughout his art where doctors -- particularly of the 'quack' variety -- did much more harm than good. Here in The Reward of Cruelty we see medical practitioners performing gougings, scrapings, and other acts akin to Jack the Ripper without purpose. As there is no benefit the examination is as senseless and thus as cruel as the previous incidents. 'Cruelty' comes in many forms, including those at professional and official functions. The four engravings which comprise The Four Stages of Cruelty were created by Hogarth to achieve the same effects on the same audience as Gin Lane and Beer Street. He wrote,
The Four Stages of Cruelty thus graphically illustrates the escalating affects of violent behavior from childhood to adulthood in the person of one character named Tom Nero. |
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Raisonne: | Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. |
Plate 4; Paulson #190, Fourth and Final State. | |
Reference: | * Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, plates 77 - 80. (The quotation appears opposite plate 77.) |
Source: | Heath Edition, London (The Four Stages of Cruelty, Set of four) |
Size: | 15 1/4 X 12 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. |
This original impressions of Plate 4 (The Reward of Cruelty) from the complete set of The Four Stages of Cruelty contains slight foxing in the outer margins. There is no foxing within the actual image. Water staining is also apparent in the upper left margin, but not affecting the actual engraving. Else, this large and important Hogarth engraving is in good condition throughout. | |
Price: | Sold - The price is no longer available. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Engraving and Etching by the British Satirical Artist, William Hogarth
View Other Original Engravinga for the Four Stages of Cruelty (Complete Set of Four) by William Hogarth
# 11.- The Four Stages of Cruelty (Complete Set of Four) | ||||||
Image | Title & Artist | Medium | Date | Notes | - | |
01.- | Plate 1 'First Stage of Cruelty' The cruelty of animals by unsupervised boys by William Hogarth | Original Engraving & Etching | 1750-1951 (Heath Edition 1822) | Paulson, Catalogue #187, Second and Final State. | Sold | |
02.- | Plate 2 'Second Stage of Cruelty' Tom Nero has reached adulthood and continues his childhood behaviour, mercilessly beating animals by William Hogarth | Original Engraving | 1735 (Heath Edition 1822) | Paulson, Catalogue #188, Second and Final State. | Sold | |
03.- | Plate 3 'Cruelty in Perfection' Now a thief, Nero has been caught in the act of violent murder by William Hogarth. | Original Engraving | 1735 (Heath Edition 1822) | Paulson, Catalogue #189, Second and Final State. | Sold | |
04.- | Plate 4 'The Reward of Cruelty' Convicted and executed, Tom Nero's body has been delivered to the Royal College of Surgeons by William Hogarth. | Original Engraving | 1735 (Heath Edition 1822) | Paulson, Catalogue #190, Second and Final State | Sold |
View other original Works of Art by William Hogarth
William Hogarth (London, 1697 - 1764) | ||||
# | Title & Artist | Medium | Date | - |
01.- | An Election Entertainment by William Hogarth | Complete Set of Four Original Engravings | 1755 - 1758 (Heath Ed) | Sold |
02.- | Analysis of Beauty by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1753 (Heath Ed) | Sold |
03.- | A Midnight Modern Conversation by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
04.- | A Rake's Progress by William Hogarth | Complete Set of Eight Original Engravings | 1735 (Heath Ed) | Sold |
05.- | A Chorus of Singers by William Hogarth | Original Engraving & Etching | 1732 (Heath Ed) | Sold |
06.- | Battle of the Pictures by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
07.- | Boys Peeping at Nature by William Hogarth | Original Engraving & Etching | 1730 (Heath Ed) | Available |
08.- | Characters & Caricaturas by William Hogarth | Original Engraving & Etching | 1743 (Heath Ed) | Sold |
09.- | Credulity, Superstition and Fanaticism by William Hogarth | Original Engraving & Etching | 1762 (Heath Ed) | Sold |
10.- | Four Times of The Day by William Hogarth | Complete Set of Four Original Engravings | 1738 (Heath Ed) | Sold |
11.- | Four Stages of Cruelty by William Hogarth | Complete Set of Four Original Engravings | 1750-1751 (Heath Ed) | Sold |
12.- | Frontispiece to Taylor's Perspective by William Woollett & William Hogarth | Original Line Engraving | 1761 (Heath Ed) | Sold |
13.- | Gin Lane by William Hogarth | Original Engraving & Etching | 1750-1751 (Heath Ed) | Sold |
14.- | Illustrations for Samuel Butler's 'Hudibras' by William Hogarth | Complete Set of Twelve Original Engravings | 1725 (Heath Ed) | Available |
15.- | Industry and Idleness by William Hogarth | Complete Set of Twelve Original Engravings | 1747 (Heath Ed) | Sold |
16.- | John Wilkes Esquire by William Hogarth | Original Etching | 1763 (Heath Ed) | Sold |
17.- | Marriage a la Mode by William Hogarth | Complete Set of Six Original Engravings | 1745 (Heath Ed) | Sold |
18.- | Martin Folkes Esqr. by William Hogarth | Original Etching & Engraving | 1742 (Heath Ed) | Available |
19.- | Moses Brought to Pharaoh's Daughter by William Hogarth | Original Engraving & Etching | 1752 (Heath Ed) | Available |
20.- | Pit Ticket: The Cockpit by William Hogarth | Original Engraving & Etching | 1759 (Heath Ed) | Available |
21.- | Satire on False Perspective by Luke Sullivan & William Hogarth | Original Etching & Engraving | 1754 (Heath Ed) | Sold |
22.- | Scholars at a Lecture by William Hogarth | Original Line Engraving & Etching | 1736 (Heath Ed) | Sold |
23.- | Shrimps! by Francesco Bartolozzi & William Hogarth | Original Stipple Engraving | 1782 | Sold |
24.- | Simon Lord Lovat by William Hogarth | Original Etching | 1746 (Heath Ed) | Sold |
25.- | Southwark Fair by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
26.- | Taste in High Life by Samuel Phillips & William Hogarth | Original Stipple Engraving | 1808 (John Boydell Ed.) | Sold |
27.- | The Company of Undertakers by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
28.- | The Distrest Poet by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
29.- | The Five Orders of Perriwigs by William Hogarth | Original Engraving & Etching | 1761 (Heath Ed) | Sold |
30.- | The Invasion: France, Plate I by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
31.- | The Invasion: England, Plate II by William Hogarth | Complete Set of Two Original Engravings (England & France) | 1756 (Heath Ed) | Sold |
32.- | The Laughing Audience by William Hogarth | Original Engraving & Etching | 1733 (Heath Ed) | Sold |
33.- | The Politician by John Keyse Sherwin & William Hogarth | Original Engraving & Etching | 1775 (Heath Ed) | Sold |
34.- | The Sleepy Congregation by William Hogarth | Original Engraving & Etching | 1736 (Heath Ed) | Sold |
35.- | The Times by William Hogarth | Complete Set of Two Original Engravings (Plate I & II) | 1762 (Heath Ed) | Sold |
36.- | Time Smoking a Picture by William Hogarth | Original Engraving | 1761 (Heath Ed) | Sold |
37.- | William Hogarth Painting of the Comic Muse by William Hogarth | Original Engraving | 1764 (Heath Ed) | Sold |
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