William Hogarth

Analysis of Beauty: Plate 1 (Complete Set of Two Engravings)

William Hogarth's Analysis of Beauty Plate 1: The opening engraving for Analysis of Beauty has as its central scene a courtyard filled with some of the most famous works of classical sculpture. It is believed to have been inspired by a passage in Socrates' analysis of beauty based upon art objects in the yard of a friend. In Hogarth's 'yard' the great sculpture is intermingled with various, often comic, contemporary art objects. In the centre (#13) is the Medicean Venus. To the right (#19), a statue of Julius Caesar is being hoisted by a pulley. Beside him stands the famous Apollo Belvedere (#12). To the extreme right a contemporary judge presides with his foot on a cherub (#16). A second cherub, with a gallows in his hand, wipes tears from his eyes with the judge's robe.

Behind Venus is of course the Laocoon (#9). Below Venus lie statues of a sphinx (#21) and the drunken Silenus (#107). In the foreground (#54) is Michaelangelo's torso. To the left (#6) is a statue of Antonius who is accompanied by a contemporary dancing master (#7). Above them is the Farnese Hercules (#3). Another Hercules is seen in the bust (#4) to the extreme left.

Complimenting these classical masterpieces is a modern shoe and stocking (#68), illustrations of fashionable foibles and grimaces (#20, 17 and 18), and Albrecht Durer's illustrations of anatomy (#55).

The key to all these objects of art and to the many images around the borders is found in the upper central image (#26) of a serpentine line winding around a cone. For Hogarth the winding line formed the essential element of the beautiful in art. All objects delineated in this masterful engraving (both serious and absurd) illustrate Hogarth's theory of his aesthetic.

The set of two Analysis of Beauty engravings take us to the heart of William Hogarth's aesthetics. They were created by the artist as accompanying illustrations to his analytical book of the same name, first published in 1753. Proving to be very popular, however, they were also sold separately from the book.

Analysis of Beauty: Plate 1 was both designed and engraved by William Hogarth. This original engraving is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Analysis of Beauty: Plate 1; Paulson Catalogue #195, Third and Final State. (Complete Set of Two Engravings).

William Hogarth (London, 1697 - 1764)
#	Title & Artist	Medium	Date	-
01.-	An Election Entertainment by William Hogarth	Complete Set of Four Original Engravings	1755 - 1758 (Heath Ed)	Sold
02.-	Analysis of Beauty by William Hogarth	Complete Set of Two Original Engravings (Plate I & II)	1753 (Heath Ed)	Sold
03.-	A Midnight Modern Conversation by William Hogarth	Original Engraving & Etching	1732 (Heath Ed)	Sold
04.-	A Rake's Progress by William Hogarth	Complete Set of Eight Original Engravings	1735 (Heath Ed)	Sold
05.-	A Chorus of Singers by William Hogarth	Original Engraving & Etching	1732 (Heath Ed)	Sold
06.-	Battle of the Pictures by William Hogarth	Original Engraving & Etching	1743 (Heath Ed)	Sold
07.-	Boys Peeping at Nature by William Hogarth	Original Engraving & Etching	1730 (Heath Ed)	Available
08.-	Characters & Caricaturas by William Hogarth	Original Engraving & Etching	1743 (Heath Ed)	Sold
09.-	Credulity, Superstition and Fanaticism by William Hogarth	Original Engraving & Etching	1762 (Heath Ed)	Sold
10.-	Four Times of The Day by William Hogarth	Complete Set of Four Original Engravings	1738 (Heath Ed)	Sold
11.-	Four Stages of Cruelty by William Hogarth	Complete Set of Four Original Engravings	1750-1751 (Heath Ed)	Sold
12.-	Frontispiece to Taylor's Perspective by William Woollett & William Hogarth	Original Line Engraving	1761 (Heath Ed)	Sold
13.-	Gin Lane by William Hogarth	Original Engraving & Etching	1750-1751 (Heath Ed)	Sold
14.-	Illustrations for Samuel Butler's 'Hudibras' by William Hogarth	Complete Set of Twelve Original Engravings	1725 (Heath Ed)	Available
15.-	Industry and Idleness by William Hogarth	Complete Set of Twelve Original Engravings	1747 (Heath Ed)	Sold
16.-	John Wilkes Esquire by William Hogarth	Original Etching	1763 (Heath Ed)	Sold
17.-	Marriage a la Mode by William Hogarth	Complete Set of Six Original Engravings	1745 (Heath Ed)	Sold
18.-	Martin Folkes Esqr. by William Hogarth	Original Etching & Engraving	1742 (Heath Ed)	Available
19.-	Moses Brought to Pharaoh's Daughter by William Hogarth	Original Engraving & Etching	1752 (Heath Ed)	Available
20.-	Pit Ticket: The Cockpit by William Hogarth	Original Engraving & Etching	1759 (Heath Ed)	Available
21.-	Satire on False Perspective by Luke Sullivan & William Hogarth	Original Etching & Engraving	1754 (Heath Ed)	Sold
22.-	Scholars at a Lecture by William Hogarth	Original Line Engraving & Etching	1736 (Heath Ed)	Sold
23.-	Shrimps! by Francesco Bartolozzi & William Hogarth	Original Stipple Engraving	1782	Sold
24.-	Simon Lord Lovat by William Hogarth	Original Etching	1746 (Heath Ed)	Sold
25.-	Southwark Fair by William Hogarth	Original Engraving & Etching	1733 (Heath Ed)	Sold
26.-	Taste in High Life by Samuel Phillips & William Hogarth	Original Stipple Engraving	1808 (John Boydell Ed.)	Sold
27.-	The Company of Undertakers by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
28.-	The Distrest Poet by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
29.-	The Five Orders of Perriwigs by William Hogarth	Original Engraving & Etching	1761 (Heath Ed)	Sold
30.-	The Invasion: France, Plate I by William Hogarth	Complete Set of Two Original Engravings (England & France)	1756 (Heath Ed)	Sold
31.-	The Invasion: England, Plate II by William Hogarth	Complete Set of Two Original Engravings (England & France)	1756 (Heath Ed)	Sold
32.-	The Laughing Audience by William Hogarth	Original Engraving & Etching	1733 (Heath Ed)	Sold
33.-	The Politician by John Keyse Sherwin & William Hogarth	Original Engraving & Etching	1775 (Heath Ed)	Sold
34.-	The Sleepy Congregation by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
35.-	The Times by William Hogarth	Complete Set of Two Original Engravings (Plate I & II)	1762 (Heath Ed)	Sold
36.-	Time Smoking a Picture by William Hogarth	Original Engraving	1761 (Heath Ed)	Sold
37.-	William Hogarth Painting of the Comic Muse by William Hogarth	Original Engraving	1764 (Heath Ed)	Sold

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Title:	Analysis of Beauty: Plate 1 (Complete Set of Two Engravings)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1753 (Heath Edition 1822)
Medium:	Original Engraving
Publisher:	William Heath, London
Note:	William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his.
	Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps.
	The opening engraving for Analysis of Beauty has as its central scene a courtyard filled with some of the most famous works of classical sculpture. It is believed to have been inspired by a passage in Socrates' analysis of beauty based upon art objects in the yard of a friend. In Hogarth's 'yard' the great sculpture is intermingled with various, often comic, contemporary art objects.
	The set of two Analysis of Beauty engravings take us to the heart of William Hogarth's aesthetics. They were created by the artist as accompanying illustrations to his analytical book of the same name, first published in 1753. Proving to be very popular, however, they were also sold separately from the book.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Plate 1; Paulson Catalogue #195, Third and Final State.
Reference:	Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, plates 84 & 85.
Source:	Heath Edition, London (Analysis of Beauty)
Size:	16 1/2 X 21 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	These original impressions from the complete set of Analysis of Beauty contain very faint foxing and tears in the outer margins. There is no foxing within the actual platemarks. Water staining is also apparent in the lower left corners of the margins, well away from the actual engravings. Else, both of these large and important Hogarth engravings are in good condition throughout.
Price:	Sold - The price is no longer available.
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Analysis of Beauty (Complete Set of Two, Plates I & II ) by William Hogarth
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Analysis of Beauty by William Hogarth (Plate I)	Original Engraving	1753 (Heath Ed)	Paulson, Catalogue #195, Third and Final State.	Sold
02.-		Analysis of Beauty by William Hogarth (Plate II)	Original Engraving	1753 (Heath Ed)	Paulson, Catalogue #196, Third and Final State.	Sold