Utagawa Hiroshige I

Hara (No. 14) Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)

This original Utagawa Hiroshige I woodcut, Hara hails from the "Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)". It is printed upon early 19th century Japanese mulberry paper and with full margins as published by Sanoki in 1840. Hiroshige's first series of views of the "fifty-three Stations of the Tokaido" was published in 1834. The chuban sized woodcuts of "Tokaido Gojusan tsugi no Uchi" are also well known as the "Kyoka Tokaido (Tokaido with Poem)", because each woodcut includes a Kyoka poem. They showcase the Utagawa Hiroshige I landscape art at its best. "Hara" is the fourteenth station on the Tokaido Road. It, along with the thirteenth station, is important because of its proximity to Fuji, Japan's greatest mountain and religious icon. With its brilliant portrayal of Mt. Fuji, this original Tokaido Road woodcut represents a prime example of the famous landscape art of Utagawa Hiroshige I.

Hara (No. 14) Tokaido Gojusan tsugi no uchi (The Fifty-Three Stations of the Tokaido Road), also known as the Kyoka Tokaido (Tokaido with Poem)

View other original Japanese woodcuts by Utagawa Hiroshige I.

Utagawa Hiroshige I (Japan, 1797 - 1858)
#	Image	Title & Artist	Medium	Date	Publisher, Series, Signatures & Seals	Raisonne & Reference	-
01.-		A Cuckoo Flying over Ship's Masts (Hobashira to hototogisu) by Utagawa Hiroshige I	Original Woodcut	c. 1835	Publisher: Jakurindo, Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. Catalogue #89. (Illustrated opposite page.)	Sold
02.-		Biwa-Hoshi On The Tokaido Road Near Maisaka (Series: The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada I and by Utagawa Hiroshige I	Original Woodcut	c. 1854 - 1857	Publisher: Maruya Kishuro, Series: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue # 31 of the series and deals with the station of Maisaka	Sold
03.-		Hara (Series: The Fifty-Three Stations of the Tokaido Road) by Utagawa Hiroshige I	Original Woodcut	1840	Publisher: Sanoki, Series: Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #14	Sold
04.-		Namazu (Series: The Fifty-Three Stations of the Tokaido Road) by Utagawa Hiroshige I	Original Woodcut	1840	Publisher: Sanoki, Series: Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #13	Sold
05.-		Narumi (Series: The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada I and by Utagawa Hiroshige I	Original Woodcut	c. 1854 - 1857	Publisher: Maruya Kishuro, Series: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #41	Sold
06.-		Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan) by Utagawa Hiroshige I	Original Woodcut	c. 1835	Publisher: Jakurindo, Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. Catalogue #90	Sold
07.-		Woman Fulling Cloth (Series of Figure Sketches) by Utagawa Hiroshige I	Original Woodcut	c. 1820 - 1825	Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	In 1820 Hiroshige designed a series of eight woodcuts, each of which dealt with a visual comparison of women with scenery.	Sold

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Title:	Hara (No. 14) Tokaido Gojusan tsugi no uchi (The Fifty-Three Stations of the Tokaido Road), also known as the Kyoka Tokaido (Tokaido with Poem)
Artist:	Hiroshige I, Utagawa (Japan, 1797 - 1858)
Date:	1840
Medium:	Original Japanese Woodcut
Publisher:	Sanoki
Source:	Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)
Note:	Utagawa Hiroshige I: Undoubtedly, the two greatest masters of Japanese landscape art are Hiroshige and Hokusai. Hiroshige --perhaps the most lyrical landscape artist of any time -- was born into a low ranking Samurai family in the capital city of Edo. He became a pupil of Toyohiro at the age of fifteen and also studied the art of the Utagawa School. He started his career as a book illustrator and then turned to portrayals of beautiful women. It wasn't until seeing Hokusai's Thirty-Six Views of Mount Fuji that Hiroshige turned almost exclusively to his famous landscape art.
	As Hokusai's art is forever linked with the landscape of Mt. Fuji, Hiroshige's art will always be best remembered for his scenes along the Tokaido Road. This was the 490 kilometer route that joined the two great capitals of Kyoto and Edo (Tokyo), and formed a sacred pilgrimage of fifty-three stages or places for all who traveled it.
	Utagawa Hiroshige's first series of views of the fifty-three Stations of the Tokaido was published in 1834. During the following years this great artist produced many amazing woodcuts of views in and around Edo, Osaka, Ohmi and Kyoto. Yet, almost until his death, he kept returning to the spiritual landscape scenes of the Tokaido Road, and created a number of famous series of the fifty-three stations in both chuban and oban sizes.
	The chuban sized woodcuts of the Tokaido Gojusan-tsugi no Uchi, also spelt (Tokaido Gojusantsugi no uchi) are also well known as the Kyoka Tokaido, because each woodcut includes a Kyoka poem. Published in 1840, they showcase the Utagawa Hiroshige I landscape art at its best. Hara is the fourteenth station on the Tokaido Road. It, along with the thirteenth station, is important because of its proximity to Fuji, Japan’s greatest mountain and religious icon. In Hara, Hiroshige creates monumental landscape view dominated by subtle tones of greys , blues and salmon tones. Pilgrims journey along the road in the foreground; three houses with a grouping of tall trees are also present. Behind them are rice fields and foothills. Beyond that stands Fuji, dwarfing everything in its presence. Partly enshrouded by dragon-like clouds, Hiroshige focuses our eye on the majesty of Fuji by making rise above the top of the upper margin. As in most of Utagawa Hiroshige’s classic landscape art, so much is suggested with so little.
Raisonne:	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925), pp. 145 - 148. Catalogue #14
Size:	Chuban (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Condition:	Printed upon early nineteenth century Japanese mulberry (rice) paper and with full margins as published by Sanoki in 1840 for the series: Tokaido Gojusan tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road). Strengthened with an extra sheet of mulberry backing by a previous owner. Containing small silk worm holes and some creasing and rubbing, else this original woodcut of Hara is a very good impression bearing all the vibrant colours, woodgrain and fine lines of a very early printing. With its brilliant portrayal of Mt. Fuji, this original Tokaido Road woodcut represents a prime example of the famous landscape art of Utagawa Hiroshige I.
Price:	Sold - The price is no longer available.
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