George Hawkins and Canaletto Giovanni Antonio Canal - Sea View with Buildings In His Majesty's Collection

Original Aquatint and Etching by the British artist, George Hawkins designed by Canaletto (Giovanni Antonio Canal).

Sea View with Buildings In His Majesty's Collection Original Aquatint and Etching by the British artist George Hawkings designed by Canaletto Giovanni Antonio Canal published by John Chamberlaine for the Original Designs of the Most Celebrated Masters of the Bolognese Roman Florentine and Venetian Schools

Sea View with Buildings, 'In His Majesty's Collection' (Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools), published by John Chamberlaine.

View Other Original Works of Art by George Hawkins.

George Hawkins (London, active, 1800 -1825)
#	Image	Title & Artist	Medium	Date	Engraver	Designer	Notes
01-		Ruins of a Temple and Arches (An Architectural View) by George Hawkins designed by Canaletto (Giovanni Antonio Canal)	Original Aquatint and Etching	1811	George Hawkins	Giovanni Antonio Canal (Canaletto)	John Chamberlaine, London, inscribed, "Canaletti delt., G. Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard", and the plate number "PL. LXIV."
02.-		Sea View with Buildings (A Landscape View) by George Hawkins designed by Canaletto (Giovanni Antonio Canal)	Original Aquatint and Etching	1811	George Hawkins	Giovanni Antonio Canal (Canaletto)	John Chamberlaine, London, inscribed, "Canaletti delt., Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard", and the plate number "PL. LVIII."

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
#	Image	Title & Artist	Engraver Info	Medium	Date	-
01.-		Annibale Carracci's (Head of a Man) by Georg Sigmund Facius	Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814)	Original Soft Ground Etching & Stipple Engraving	1807
02.-		Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Soft Ground Etching in Sepia	1796
03.-		Annibale Carracci's (King David) by Peltro William Tomkins	Peltro William Tomkins (London, 1760 - 1840)	Original Etching and Aquatint	1807
04.-		Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Soft Ground Etching	1796
05.-		Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Stipple Engraving in Sepia	1807
06.-		Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti	Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810)	Original Color Aquatint Engraving & Etching	1807
07.-		Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti	Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810)	Original Aquatint Engraving & Etching	1807
08.-		Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Aquatint and Etching	1811
09.-		Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins	George Hawkins (London, active, 1800 -1825)	Original Aquatint and Etching	1811
10.-		Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins	George Hawkins (London, active, 1800 -1825)	Original Aquatint and Etching	1811
11.-		Claude Lorrain's (Forest Scene) by Peltro William Tomkins	Peltro William Tomkins (London, 1760 - 1840)	Original Etching and Aquatint	1807
12.-		Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Etching and Aquatint	1807
13.-		Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins	Peltro William Tomkins (London, 1760 - 1840)	Original Etching and Aquatint	1807
14.-		Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Etching & Aquatint with Hand Coloring	1809
15.-		Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis	George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856)	Original Etching & Aquatint	1807
16.-		Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Etching with Hand Coloring	1809	Sold
17.-		Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871)	Original Etching and Aquatint	1807
18.-		Leonardo da Vinci's (A Lawyer) by Robert Shipster	Robert Shipster 'Robert Shepster' (British, 1775 - 1823)	Original Stipple Engraving	1806	Sold
19.-		Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins	Peltro William Tomkins (London, 1760 - 1840)	Original Stipple Engraving in Sepia	1811	Sold
20.-		Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Stipple Engraving in Sepia	1806	Sold
21.-		Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1806	Sold
22.-		Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1796	Sold
23.-		Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini	Benedetto Pastorini (Italy, c. 1746 - 1838)	Original Stipple Engraving	1806
24.-		Leonardo da Vinci's (Large Head of a Man)	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Stipple Engraving	1796	Sold
25.-		Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Stipple Engraving in Sepia	1795	Sold
26.-		Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini	Benedetto Pastorini (Italy, c. 1746 - 1838)	Original Stipple Engraving	1806
27.-		Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1796	Sold
28.-		Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1795	Sold
29.-		Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins	Peltro William Tomkins (London, 1760 - 1840)	Original Stipple Engraving	1803	Sold
30.-		Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1797
31.-		Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins)	Peltro William Tomkins (London, 1760 - 1840)	Original Aquatint Engraving in Sepia	1806	Sold
32.-		Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi	Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815)	Original Etching	1797
33.-		Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Soft Ground Etching	1811	Sold
34.-		Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Aquatint Engraving	c. 1809
35.-		Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Aquatint Engraving	1809
36.-		Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Soft Ground Etching	1809
37.-		Raphael's (Leda and the Swan) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Etching	1809	Sold
38.-		Raphael's (Sibyl) by Frederick Christian Lewis	Frederick Christian Lewis (London, 1779 - 1856)	Original Soft Ground Etching	1809	Sold

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Title:	Sea View with Buildings, 'In His Majesty's Collection'
Engraver:	Hawkins, George (London, active, 1800 -1825)
Designer:	Canaletto (Canaletti) 'Giovanni Antonio Canal' (Venice, 1697 - 1768)
Date:	1811
Medium:	Original Aquatint and Etching
Publisher:	John Chamberlaine, London
Note:	George Hawkins: An architectural and landscape aquatint engraver, George Hawkins engraved views both after his contemporaries and after the old masters. He was also the father and first instructor of George Hawkins II (1809-1852), who became very well known for his lithographic views during the 1840's and early 1850's.
	Sea View with Buildings, 'In His Majesty's Collection' is a beautiful example of George Hawkins's art. In order to render the effects of Canaletto's drawing he has extensively employed aquatint and both hard and soft ground etching. The full tonal values of both light and shade are thus finely executed.
	Canaletto 'Giovanni Antonio Canal': By the mid eighteenth century Canaletto (1697-1768) had established himself as Italy's greatest view-painter and etcher. The prime subject for both his paintings and etchings was, of course, Venice, and through his innovative art it became Europe's most famous city.
	In his topographical etchings and paintings, Canaletto set the standard. One scholar writes, "Even in its more mechanical phases his work is much more than a mere factual record; and by his unobtrusive skill in design, and his power of suffusing his work with light and air, he may justly be regarded as one of the precursors of 19th-century landscape painting." * With its brilliant use of light and shade, water and architectural elements, these words clearly apply to Sea View with Buildings, 'In His Majesty's Collection'.
	Sea View with Buildings, 'In His Majesty's Collection' (A Landscape View): An original etching and aquatint, "Sea View with Buildings" is based upon a drawing by the great Italian Master, Canaletto 'Giovanni Antonio Canal', housed in England's Royal Collection. In order to render the effects of Canaletto's drawing, George Hawkins has extensively employed aquatint and both hard and soft ground etching. The full tonal values of both light and shade are thus finely executed. It was as created by George Hawkins in 1811 for John Chamberlaine's important set of original engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", bearing the text, "Canaletti delt., Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard" in the lower margin and the plate number "PL. LVIII." in the upper left corner. "Sea View with Buildings" is a fine, original example of the architectural and landscape art of, George Hawkins and the mid eighteenth century art of Canaletto 'Canaletti'.
	John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
	In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
	The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
Size:	11 3/4 X 14 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $595.00 US
Condition:	Printed upon early 19th century wove paper and with full margins created by George Hawkins in 1811 for John Chamberlaine's set of original engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", bearing the text, "Canaletti delt., Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard" in the lower margin and the plate number "PL. LVIII." in the upper left corner. A beautifully printed impression with full, unfaded tonal values and in excellent condition throughout. Sea View with Buildings, 'In His Majesty's Collection' represents a superb, original example of the early nineteenth century aquatint art of George Hawkins.
Subject:	George Hawkins, Canaletto, "Ruins of a Temple and Arches", John Chamberlaine, the Royal Collection, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", landscape view, original aquatint and etching, early nineteenth century aquatint art, architectural elements, light and shade, British Prints, tonal values.
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George Hawkins & Canaletto, Giovanni Antonio Canal

Sea View with Buildings, 'In His Majesty's Collection'