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George Hawkins & Canaletto, Giovanni Antonio Canal

George Hawkins and Canaletto Giovanni Antonio Canal - Ruins of a Temple and Arches In His Majesty's Collection

Ruins of a Temple and Arches, 'In His Majesty's Collection'

George Hawkins's original etching and aquatint, "Ruins of a Temple and Arches, 'In His Majesty's Collection'" owes its geneses to an eighteenth century drawing by the Italian master, Canaletto 'Giovanni Antonio Canal', housed in the Royal Collection. It is printed upon early 19th century wove paper and with full margins as created by George Hawkins in 1811 for John Chamberlaine's set of original engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", bearing the text, "Canaletti delt., G. Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard" in the upper margin, and the plate number "PL. LXIV." in the upper left corner. Printed in striking shades of blue, green and grey, this striking architectural view depicts ancient, Roman ruins, and here we can also see a man at rest with a canine companion in the foreground. "Ruins of a Temple and Arches, 'In His Majesty's Collection'" is a fine, original example of the landscape and architectural art created by the nineteenth century British artist, George Hawkins and the mid eighteenth century drawings of Canaletto (Canaletti).
 
Title: Ruins of a Temple and Arches, 'In His Majesty's Collection'
Engraver: Hawkins, George (London, active, 1800 -1825)
Designer: Canaletto (Canaletti) 'Giovanni Antonio Canal' (Venice, 1697 - 1768)
Date: 1811
Medium: Original Aquatint and Etching
Publisher: John Chamberlaine, London
Note: George Hawkins: An architectural and landscape aquatint engraver, George Hawkins engraved views both after his contemporaries and after the old masters. He was also the father and first instructor of George Hawkins II (1809-1852), who became very well known for his lithographic views during the 1840’s and early 1850’s.
  "Ruins of a Temple and Arches" is a striking example of George Hawkins art. In order to portray Canaletto’s wash drawing he has extensively employed layers of aquatint in blues and greys. Light, shade and texture are thus finely rendered.
  Canaletto 'Giovanni Antonio Canal': By the mid eighteenth century Canaletto (1697-1768) had established himself as Italy’s greatest view-painter and etcher. The prime subject for both his paintings and etchings was, of course, Venice, and through his innovative art it became Europe’s most famous city.
  In his topographical etchings and paintings Canaletto set the standard. One scholar writes, “Even in its more mechanical phases his work is much more than a mere factual record; and by his unobtrusive skill in design, and his power of suffusing his work with light and air, he may justly be regarded as one of the precursors of 19th-century landscape painting.” *
  Ruins of a Temple and Arches, 'In His Majesty's Collection' (An Architectural View): An original etching and aquatint entitled, "Ruins of a Temple and Arches, 'In His Majesty's Collection'" owes its geneses to an eighteenth century drawing by the Italian master, Canaletto 'Giovanni Antonio Canal', housed in the Royal Collection. It was created by George Hawkins in 1811 for John Chamberlaine's set of original engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", bearing the text, "Canaletti delt., G. Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard" in the upper margin, and the plate number "PL. LXIV." in the upper left corner. This architectural scene depicts ancient, Roman ruins, with a man at rest with a dog in the foreground. "Ruins of a Temple and Arches, 'In His Majesty's Collection'" is a fine, original example of the landscape and architectural of, George Hawkins and Canaletto (Canaletti).
  John Chamberlaine (British, c. 1745 - 1812): In February, 1791, John Chamberlaine was appointed Keeper of Drawings and Medals to the King. As curator to his Majesty's Collection, Chamberlaine's greatest achievement was to publish engravings and etchings based upon these famous old master acquisitions. Between March, 1792 and February, 1800, John Chamberlaine published eighty-four stipple engravings based upon Holbein's portrait drawings. All but four of these engravings were created by Francesco Bartolozzi, who held the title of, 'Historical Engraver to his Majesty'.
  In 1796, John Chamberlaine initiated another important set of engravings based upon drawings in the Royal Collection, entitled, "Imitations of Original Designs by Leonardo da Vinci". The engravers for this series were Francesco Bartolozzi and his followers. The following year, John Chamberlaine began his final set under the title of, Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection". In the following years this last set was expanded to include engravings based upon the designs of other old masters, such as, Raphael 'Raffaello Santi', Michelangelo di Lodovico Buonaroti, Claude Lorrain, Nicolas Poussin, Leonardo da Vinci, Giovanni Antonio Canal 'Canaletto' and other major artist. For this opus, John Chamberlaine commissioned such leading engravers as Francesco Bartolozzi (1727 - 1815), Luigi Schiavonetti (1765 - 1810), Frederick Christian Lewis (1779 - 1856), Peltro William Tomkins (1760 - 1840) and others to worked upon this project.
  The engravings for the 1796 "Imitations of Original Designs by Leonardo da Vinci" and the 1797 Engravings from the "Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", were both completed in 1812. At this point John Chamberlaine combined the two sets under the general title of "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools". Taking eighteen years to complete, the entire series consisted of sixty-six plates, with the exception of a few sets which contained additional plates (not listed in the index), and bearing the publication date of 1795 or 1796. In order to simulate varying drawing methods, the artists used a wide ranging array of printmaking techniques such as stippling, soft ground etching and aquatinting, often employing either separately printed color plates or hand-coloring. As a result, some of the most complex and technically accomplished etchings and engravings of the late eighteenth and early nineteenth centuries are found within this scarce and monumental collection.
Reference: Ian Chilvers & Harold Osborne, The Oxford Dictionary of Art, Oxford University Press, Oxford, 1997, p. 100.
Size: 11 3/4 X 14 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $595.00 US
Condition: Printed upon early 19th century wove paper and with full margins created by George Hawkins in 1811 for John Chamberlaine's set of original engravings based upon drawings in the Royal Collection entitled, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", bearing the text, "Canaletti delt., G. Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard" in the upper margin, and the plate number "PL. LXIV." in the upper left corner. A beautifully printed impression with bright tonal values and in excellent condition throughout. "Ruins of a Temple and Arches" represents a superb, original example of the early nineteenth century aquatint art of George Hawkins.
Subject: George Hawkins, G. Hawkins, Canaletto, Canaletti, "Ruins of a Temple and Arches", John Chamberlaine, the Royal Collection, "Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools", original aquatint and etching, early nineteenth century aquatint art, ancient Roman ruins, canine companion.
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Original Aquatint and Etching by the British artist, George Hawkins designed by Canaletto (Giovanni Antonio Canal).

Ruins of a Temple and Arches In His Majesty's Collection Original Aquatint and Etching by the British artist George Hawkins designed by Canaletto Giovanni Antonio Canal published by John Chamberlaine for the Original Designs of the Most Celebrated Masters of the Bolognese Roman Florentine and Venetian Schools
Ruins of a Temple and Arches, 'In His Majesty's Collection' (Original Designs of the Most Celebrated Masters of the Bolognese, Roman Florentine and Venetian Schools), published by John Chamberlaine.

View Other Original Works of Art by George Hawkins.

George Hawkins (London, active, 1800 -1825)
# Image Title & Artist Medium Date Engraver Designer Notes
01- Canaletto's Ruins of a Temple and Arches by George Hawkins Ruins of a Temple and Arches (An Architectural View) by George Hawkins designed by Canaletto (Giovanni Antonio Canal) Original Aquatint and Etching 1811 George Hawkins Giovanni Antonio Canal (Canaletto) John Chamberlaine, London, inscribed, "Canaletti delt., G. Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard", and the plate number "PL. LXIV."
02.- Canaletto's Sea View with Buildings by George Hawkins Sea View with Buildings (A Landscape View) by George Hawkins designed by Canaletto (Giovanni Antonio Canal) Original Aquatint and Etching 1811 George Hawkins Giovanni Antonio Canal (Canaletto) John Chamberlaine, London, inscribed, "Canaletti delt., Hawkins fc, In His Majesty's Collection, published April 17, 1811 by J. Chamberlaine, Scotland Yard", and the plate number "PL. LVIII."

View other original engravings published by John Chamberlaine.

British Publisher: John Chamberlaine
# Image Title & Artist Engraver Info Medium Date -
01.- Annibale Carracci's Head of a Man by George Sigmund Facius Annibale Carracci's (Head of a Man) by Georg Sigmund Facius Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814) Original Soft Ground Etching & Stipple Engraving 1807  
02.- Old Man's Head by Francesco Bartolozzi Annibale Carracci's (Old Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching in Sepia 1796  
03.- King David by P. W. Tomkins after Annibale Carracci Annibale Carracci's (King David) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
04.- Self Portrait of Annibale Carracci by Francesco Bartolozzi Annibale Carracci's (Self-Portrait) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Soft Ground Etching 1796  
05.- Young Man's Head by Francesco Bartolozzi Annibale Carracci's (Young Man's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1807  
06.- Annibale Carracci's Virgin and Child and St. Anne by Luigi Schiavonetti Annibale Carracci's (Virgin and Child and St. Anne) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Color Aquatint Engraving & Etching 1807  
07.- Annibale Carracci's Virgin and Dead Christ by Luigi Schiavonetti Annibale Carracci's (Virgin and Dead Christ) by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Aquatint Engraving & Etching 1807  
08.- Arches by F. C. Lewis after Canaletto Canaletto's 'Canaletti' (Arches) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint and Etching 1811  
09.- Canaletto's Ruins of a Temple and Arches by George Hawkins Canaletto's 'Canaletti' (Ruins of a Temple and Arches) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
10.- Canaletto's Sea View with Buildings by George Hawkins Canaletto's 'Canaletti' (Sea View with Buildings) by George Hawkins George Hawkins (London, active, 1800 -1825) Original Aquatint and Etching 1811  
11.- Forest Scene by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Forest Scene) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
12.- Grand Study of Trees by F. C. Lewis after Claude Lorrain Claude Lorrain's (Grand Study of Trees) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching and Aquatint 1807  
13.- Landscape with a River View by P. W. Tomkins after Claude Lorrain Claude Lorrain's (Landscape with a River View) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Etching and Aquatint 1807  
14.- Pharaoh by F. C. Lewis after Claude Lorrain Claude Lorrain's 'Pharaoh' (Moses and the Israelites) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching & Aquatint with Hand Coloring 1809  
15.- Polyphemus by the brothers F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's 'Polyphemus' (A One-Eyed Giant 'A Cyclops by the brothers, George Robert Lewis and Frederick Christian Lewis George Robert Lewis (London, 1782 - 1871) and Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856) Original Etching & Aquatint 1807  
16.- Temple of Apollo by F. C. Lewis after Claude Lorrain Claude Lorrain's (Temple of Apollo) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching with Hand Coloring 1809 Sold
17.- The Landing of Aeneas The hero of Virgil's Aeneid by F. C. Lewis and G. R. Lewis after Claude Lorrain Claude Lorrain's (The Landing of Aeneas) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856), and George Robert Lewis, (London, 1782 - 1871) Original Etching and Aquatint 1807  
18.- A Lawyer Original Stipple Engraving by Robert Shipster designed by Leonardo da Vinci Leonardo da Vinci's (A Lawyer) by Robert Shipster Robert Shipster 'Robert Shepster' (British, 1775 - 1823) Original Stipple Engraving 1806 Sold
19.- An Allegorical Composition by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (An Allegorical Composition) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving in Sepia 1811 Sold
20.- Country Girl's Head by Francesco Bartolozzi Leonardo da Vinci's (Country Girl's Head) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1806 Sold
21.- Dante Five Grotesque Heads by Francesco Bartolozzi Leonardo da Vinci's ('Dante' Five Grotesque Heads) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1806 Sold
22.- Design for a Cannon Foundry by Francesco Bartolozzi Leonardo da Vinci's (Design for a Cannon Foundry by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
23.- Four Profiles Grotesque Heads by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Four Profiles) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
24.- Large Head of a Man by Francesco Bartolozzi Leonardo da Vinci's (Large Head of a Man) Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving 1796 Sold
25.- Self Portrait of Leonardo da Vinci by Francesco Bartolozzi Leonardo da Vinci's (Self Portrait of Leonardo) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple Engraving in Sepia 1795 Sold
26.- Study of an Old Woman Grotesque Head by Benedetto Pastorini designed by Leonardo da Vinci Leonardo da Vinci's (Study of an Old Woman) by Benedetto Pastorini Benedetto Pastorini (Italy, c. 1746 - 1838) Original Stipple Engraving 1806  
27.- The Muscular System by Francesco Bartolozzi Leonardo da Vinci's (The Muscular System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1796 Sold
28.- The Skeletal System by Francesco Bartolozzi Leonardo da Vinci's (The Skeletal System) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1795 Sold
29.- Woman's Head by P. W. Tomkins after Leonardo da Vinci Leonardo da Vinci's (Woman's Head) by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving 1803 Sold
30.- Abraham Entertaining Three Angels by Francesco Bartolozzi Ludovico Carracci's (Abraham Entertaining Three Angels) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
31.- Apotheosis of St. Francis by P. W. Tomkins after Ludovico Carracci Ludovico Carracci's (Apotheosis of St. Francis by Peltro William Tomkins) Peltro William Tomkins (London, 1760 - 1840) Original Aquatint Engraving in Sepia 1806 Sold
32.- Jacob's Vision by Francesco Bartolozzi Ludovico Carracci's (Jacob's Vision) by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Etching 1797  
33.- Virgin and Child and St. John by F. C. Lewis after Michelangelo Michelangelo's (Virgin and Child and St. John) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1811 Sold
34.- Bacchanalia A Dance before a Herm of Pan or Priapus by F. C. Lewis after Nocolas Poussin Nicolas Poussin's (Bacchanalia, 'A Dance before a Herm of Pan, or Priapus') by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving c. 1809  
35.- Treading the Wine Bags by F. C. Lewis after Nicolas Poussin Nicolas Poussin's (Treading the Wine Bags) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Aquatint Engraving 1809  
36.- Holy Family the Virgin with the Christ child St. Elizabeth and the infant St. John the Baptist by F. C. Lewis after Raffaelo Raphael's (Holy Family, the Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809  
37.- Leda and the Swan by F. C. Lewis after Raphael Raphael's (Leda and the Swan) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Etching 1809 Sold
38.- Sibyl by F. C. Lewis after Raphael Raphael's (Sibyl) by Frederick Christian Lewis Frederick Christian Lewis (London, 1779 - 1856) Original Soft Ground Etching 1809 Sold

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