James Duffield Harding (J. D. Harding)

Dijon (Sketches at Home and Abroad)

James Duffield Harding’s original lithograph, "Dijon" belongs to perhaps his greatest set of topographical views, Sketches at Home and Abroad, which was completed and published in 1836. In collaboration with the finest lithographic printer of the era, Charles Joseph Hullmandel (London, 1789-1850), the large prints from this set were among the first to utilize tint stones. Furthermore, as one sees within this fine depiction of this famous French city, Dijon, an extra application of China white has been applied throughout the composition, particularly on the fronts and sides of the buildings exposed to direct sunlight. On a warm, October day, the citizens, workers and merchants of Dijon are portrayed with brilliance. This James Harding lithograph is printed upon thick wove paper and with large, full margins as published in London in 1836 and is titled, dated and initialed in the stone to the lower left, "Dijon, Oct., 1834, J D H". The town of Digon is a historical and cultural center in the region of Burgundy, France situated southeast of Paris, northwest of Geneva and north of Lyon. This original lithograph is a striking example of the French landscape art created by the British artist, J. D. Harding.

Original Lithograph by the British artist, James Duffield Harding.

Dijon (Sketches at Home and Abroad)

View other original works by James Duffield Harding 'J. D. Harding'.

James Duffield Harding (London, 1798 - 1863)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Bergamo (Sketches at Home and Abroad)	Original Lithograph	1836	Titled and dated in the stone by J. D. Harding to the lower left, "Bergamo, Oct., 8, 1834," and initialed by the artist to the lower right. Published by Charles Tilt, London for Sketches at Home and Abroad.	Sold
02.-		Chateau de Finisso, Val d'Aoste 'Fenis Castle, Aosta Valley, Italy' (Sketches at Home and Abroad) by James Duffield Harding)	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower right, "Chateau de Fenis, Val d’ Aosta , Oct. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
03.-		Como from the Milan Road (Sketches at Home and Abroad)	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower right, "Como from the Milan Road, Sept. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
04.-		Dijon (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Dijon, Oct., 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
05.-		Frankfort 'Frankfurt am Main, Germany' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Frankfort, Aug. 1834, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.
06.-		Nauders, Tyrol 'Nauders 'Tirol, Austria' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Nauders, Tyrol, Sept. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
07.-		Penshurst, Kent by James Duffield Harding	Original Lithograph	1843	Bearing J. D. Harding's name and title printed under the image. Published by Chapman & Hall, London	Sold
08.-		Roslin Castle (Scotland Delineated) by James Duffield Harding	Original Lithograph	1852	Signed and titled in the stone by J. D. Harding in the lower right margin "Roslin Castle / H. D. Harding". Published for Scotland Delineated.	Sold
09.-		Roveredo 'Rovereto, Trentino-Alto Adige, Italy' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Roveredo, Sept. 21, 1834, J D H".. Published by Charles Tilt, London for Sketches at Home and Abroad.
10.-		The Old Castle and Bridge, Verona (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Frankfort, Aug. 1834, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.
11.-		Tynemouth, Northumberland 'King Edward's Bay, Lighthouse, Castle and Priory' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Tynemouth, Northumberland, July, 1827, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.

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Title:	Dijon (Sketches at Home and Abroad)
Artist:	Harding, James Duffield 'J. D. Harding' (Deptford, 1798 - London, 1863)
Date:	(Oct., 1834) 1836
Medium:	Original Lithograph
Publisher:	Charles Tilt, London
Printer:	Charles Hullmandel, London
Source:	Sketches at Home and Abroad
Edition:	Limited edition of one thousand impressions.
Note:	James Duffield Harding 'J. D. Harding': Among the first generation of England’s great artist-lithographers the name of James Duffield Harding ranks with the best, and, as an innovator and tireless experimenter in the then infant art of lithography, he is second to none. After receiving a handful of lessons in water-colour from Samuel Prout, Harding first distinguished himself in that field, becoming an Associate of the Society of Painters in Water-Colour in 1820 and a full Academician in the following year. His introduction to lithography began in 1820 when he met the lithographic artist and master printer, Charles Joseph Hullmandel. James Harding first contributed some original lithographs to Britannia Delineata and Voyages Pittoresques before launching out with accomplished sets of topographical views executed entirely by his own hand. These include, Sketches at Home and Abroad (1836), Park and Forest (1844) and Scotland Delineated (1852). This original lithograph entitled, "Dijon" hails from Harding's 1936 set, Sketches at Home and Abroad. The scene depicted a street scene of Digon situated in the region of Burgundy, France, southeast of Paris, northwest of Geneva and north of Lyon.
	Almost all of J. D. Harding’s lithographs were printed by the greatest lithographic technician of the day, Charles Joseph Hullmandel (London, 1789-1850). Hullmandel worked closely with England’s greatest lithographic artists, including Samuel Prout, Thomas Shotter Boys, Richard Lane, William Westall and others. In 1821 he collaborated with the fine French artist, Theodore Gericault (1791-1824), on the set, Various Subjects Drawn from Life and on Stone. Charles Hullmandel was the author of A Manual of Lithography (1820), and The Art of Drawing on Stone (1824). Among his influential innovations in the art of lithography are the ‘brush style’ (approximately 1831), the ‘stump style’ and ‘tinted style’ (approximately 1835) and the lithotint process (1841). The ‘stump’ and ‘tinted’ styles were first employed extensively to the lithographs found within Sketches at Home and Abroad (1836).
	James Duffield Harding was a full member of the Old Watercolour Society. He exhibited his art in London, from 1811 to 1864, and was an annual exhibitor at the Royal Academy, from 1811 to 1858. He was a lifetime teacher of both lithographic and watercolour techniques, always with an emphasis upon direct observation of nature. Among his most famous pupils was John Ruskin (1819-1900). Today the art of James Harding is included in such major collections as the Ashmolean Museum, Oxford, and the British Museum and the Victoria and Albert Museum, London.
	Sketches at Home and Abroad: Sketches at Home and Abroad was published as a set of imperial folio size and contained in total fifty-one original plates of single tint lithographs (including the title page), all drawn on the stone by James Harding. The views included scenes of Britain, France, Monaco, Italy and Germany. Michael Twyman writes, "The original drawings were made over a period from September 1824 to October 1835, but many date from 1834 when J. D. Harding made an extensive continental tour. It is not known when the drawings were put on stone, but presumably some time after October, 1835. They were printed by Hullmandel and published by Charles Tilt in an edition of 1,000 copies, after which the drawings were then effaced from the stones." *
	Sketches at Home and Abroad marks a milestone in the history of early lithography. Here, for the first time, tint-stones were extensively employed to create further tonal values. Furthermore, an extra stone was often used to provide accents of China white upon the actual images. Joseph Pennell comments, "In Sketches at Home and Abroad are some of Harding’s finest compositions, which helped to develop tint-work. They are admirable renderings on tinted paper, heightened by Chinese white, printed from a second stone or with the lights scraped or etched out in the tint." **
	The lithographs from this meticulously made set gained for James Duffield Harding a strong reputation, both in England and on the continent. In fact, for his work dealing with Sketches at Home and Abroad the artist was presented with a diamond ring from King Louis-Phillipe of France.
	Dijon, Burgundy, France: This J. D. Harding lithograph belongs to perhaps his greatest set of topographical views, Sketches at Home and Abroad, which was completed and published in 1836. In collaboration with the finest lithographic printer of the era, Charles Joseph Hullmandel (London, 1789-1850), the large prints from this set were among the first to utilize tint stones. Furthermore, as one sees within this fine depiction of Digon, an extra application of China white has been applied throughout the composition, particularly on the fronts and sides of the buildings exposed to direct sunlight. This particular lithograph is printed upon thick wove paper and with large, full margins as published in London in 1836. It is titled, dated and initialed in the stone to the lower left, "Dijon, Oct., 1834, J D H". The town of Digon is a historical and cultural center in the region of Burgundy, France. It is situated between the Suzon river and the Ouche river and lies southeast of Paris, northwest of Geneva and north of Lyon. This famous French city has a rich history that dates back to the Roman times. It was home to the Dukes of Burgundy, became the capital of the Kingdom of Burgundy and during the 14the century, it was considered one of the most important towns in medieval Europe. An architecturally rich city with numerous historical monuments, mediaeval turrets, stained-glass windows and gargoyles, Dijon is home to such famous structures as Dijon Cathedral, the Church of Notre Dame, the Cathedrale Saint-Benigne de Dijon, the Palais des Ducs et des Etats de Bourgogne (The Place of the Dukes of Burgundy), which houses the art museum, the Musee des Beaus-Arts, and town hall, the University of Burgundy and other important sites. In this 19th century view of Dijon, J. D. Harding depicts a city street scene on a warm, October day, with Digon's charming old buildings and to the far right, what appears to be the Tour Philippe le Bon (Philippe the Great Tower). As one can see from this fine composition, the citizens, workers, soldiers and merchants of Dijon with their coaches, wagons and horses are portrayed with brilliance. Altogether, Digon is a fine, original example of the French landscape art created by the British artist, James Duffield Harding.
Reference:	* M. Twyman, Lithography, 1800-1850, Oxford, Oxford University Press, 1970, p. 203.
	** Joseph Pennell, Lithography and Lithographers, New York, MacMillan, 1915, p. 114.
Size:	10 3/4 x 15 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $ 495.00 US
Condition:	Printed upon thick wove paper and with large, full margins as published in London in 1836. Titled, dated and initialed in the stone to the lower left, "Dijon, Oct., 1834, J D H". Containing very slight foxing, both within the image and margins, else in excellent condition throughout. Altogether, Dijon represents a brilliant, original example of the famous lithographic art of James Duffield Harding.
Subject	James Duffield Harding, J. D. Harding, James Harding, Dijon, views of Burgundy, extra application of China white, tint stones, Charles Joseph Hullmandel (London, 1789-1850). citizens, workers and merchants of Dijon, French landscape art, British artist. Suzon river, Ouche river, Paris, Geneva, Lyon, French city,Dukes of Burgundy, Dijon Cathedral, the Church of Notre Dame, the Cathedrale Saint-Benigne de Dijon, the Palais des Ducs et des Etats de Bourgogne, the Musee des Beaus-Arts, and town hall, the University of Burgundy, Philippe le Bon tower.
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