James Duffield Harding (J. D. Harding)

Como from the Milan Road (Sketches at Home and Abroad)

James Duffield Harding’s original nineteenth century lithograph, "Como from the Milan Road" was created for a series of lithographic landscapes entitled, Sketches at Home and Abroad. This impression is printed upon thick wove paper and with large, full margins as published in London in 1836. It is titled, dated and initialed in the stone to the lower right, “Como from the Milan Road, Sept. 1834, J D H”. In the forefront of this 19th century Italian landscape the British artist, James Harding depicts a quiet scene on a hilltop overlooking a panoramic view of the city of Como in Lombardy, Italy. In the central background of this large view, one can see the dome of Como Cathedral (Duomo di Como). During this time, Harding also created other views of Lombardy towns and cities, such as Bergamo and Bellano. Situated at the south-western end of Lake Como (Lago di Como), the city of Como borders Switzerland and is about twenty-five miles to the north of Milan. Altogether, this is a splendid, original example of the lithographic art created by one of England’s finest topographical artists, J. D. Harding.

Original Lithograph by the British artist, James Duffield Harding.

Como from the Milan Road (Sketches at Home and Abroad)

View other original works by James Duffield Harding 'J. D. Harding'.

James Duffield Harding (London, 1798 - 1863)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Bergamo (Sketches at Home and Abroad)	Original Lithograph	1836	Titled and dated in the stone by J. D. Harding to the lower left, "Bergamo, Oct., 8, 1834," and initialed by the artist to the lower right. Published by Charles Tilt, London for Sketches at Home and Abroad.	Sold
02.-		Chateau de Finisso, Val d'Aoste 'Fenis Castle, Aosta Valley, Italy' (Sketches at Home and Abroad) by James Duffield Harding)	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower right, "Chateau de Fenis, Val d’ Aosta , Oct. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
03.-		Como from the Milan Road (Sketches at Home and Abroad)	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower right, "Como from the Milan Road, Sept. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
04.-		Dijon (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Dijon, Oct., 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
05.-		Frankfort 'Frankfurt am Main, Germany' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Frankfort, Aug. 1834, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.
06.-		Nauders, Tyrol 'Nauders 'Tirol, Austria' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Nauders, Tyrol, Sept. 1834, J D H". Published by Charles Tilt, London for Sketches at Home and Abroad.
07.-		Penshurst, Kent by James Duffield Harding	Original Lithograph	1843	Bearing J. D. Harding's name and title printed under the image. Published by Chapman & Hall, London	Sold
08.-		Roslin Castle (Scotland Delineated) by James Duffield Harding	Original Lithograph	1852	Signed and titled in the stone by J. D. Harding in the lower right margin "Roslin Castle / H. D. Harding". Published for Scotland Delineated.	Sold
09.-		Roveredo 'Rovereto, Trentino-Alto Adige, Italy' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Roveredo, Sept. 21, 1834, J D H".. Published by Charles Tilt, London for Sketches at Home and Abroad.
10.-		The Old Castle and Bridge, Verona (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Frankfort, Aug. 1834, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.
11.-		Tynemouth, Northumberland 'King Edward's Bay, Lighthouse, Castle and Priory' (Sketches at Home and Abroad) by James Duffield Harding	Original Lithograph	1836	Titled, dated and initialed in the stone by J. D. Harding to the lower left, "Tynemouth, Northumberland, July, 1827, J. D. H.". Published by Charles Tilt, London for Sketches at Home and Abroad.

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Title:	Como from the Milan Road (A View of the city of Como, Lombardy, Italy From the Milan Road)
Artist:	Harding, James Duffield 'J. D. Harding' (Deptford, 1798 - London, 1863)
Date:	(Oct., 1834) 1836
Medium:	Original Lithograph
Publisher:	Charles Tilt, London
Printer:	Charles Hullmandel, London
Source:	Sketches at Home and Abroad
Edition:	Limited edition of one thousand impressions.
Note:	James Duffield Harding 'J. D. Harding': Among the first generation of England’s great artist-lithographers the name of James Duffield Harding ranks with the best, and, as an innovator and tireless experimenter in the then infant art of lithography, he is second to none. After receiving a handful of lessons in water-colour from Samuel Prout, Harding first distinguished himself in that field, becoming an Associate of the Society of Painters in Water-Colour in 1820 and a full Academician in the following year. His introduction to lithography began in 1820 when he met the lithographic artist and master printer, Charles Joseph Hullmandel. James Harding first contributed some original lithographs to Britannia Delineata and Voyages Pittoresques before launching out with accomplished sets of topographical views executed entirely by his own hand. These include, Sketches at Home and Abroad (1836), Park and Forest (1844) and Scotland Delineated (1852). This original lithograph entitled, "Como from the Milan Road" hails from Harding's 1936 set, Sketches at Home and Abroad. The scene depicts a view of the city of Como, Lombardy, Italy from the Milan Road.
	Almost all of J. D. Harding’s lithographs were printed by the greatest lithographic technician of the day, Charles Joseph Hullmandel (London, 1789-1850). Hullmandel worked closely with England’s greatest lithographic artists, including Samuel Prout, Thomas Shotter Boys, Richard Lane, William Westall and others. In 1821 he collaborated with the fine French artist, Theodore Gericault (1791-1824), on the set, Various Subjects Drawn from Life and on Stone. Charles Hullmandel was the author of A Manual of Lithography (1820), and The Art of Drawing on Stone (1824). Among his influential innovations in the art of lithography are the ‘brush style’ (approximately 1831), the ‘stump style’ and ‘tinted style’ (approximately 1835) and the lithotint process (1841). The ‘stump’ and ‘tinted’ styles were first employed extensively to the lithographs found within Sketches at Home and Abroad (1836).
	James Duffield Harding was a full member of the Old Watercolour Society. He exhibited his art in London, from 1811 to 1864, and was an annual exhibitor at the Royal Academy, from 1811 to 1858. He was a lifetime teacher of both lithographic and watercolour techniques, always with an emphasis upon direct observation of nature. Among his most famous pupils was John Ruskin (1819-1900). Today the art of James Harding is included in such major collections as the Ashmolean Museum, Oxford, and the British Museum and the Victoria and Albert Museum, London.
	Sketches at Home and Abroad: Sketches at Home and Abroad was published as a set of imperial folio size and contained in total fifty-one original plates of single tint lithographs (including the title page), all drawn on the stone by James Harding, such is the case with this original lithograph entitled, "Como from the Milan Road ". The views included scenes of Britain, France, Monaco, Italy and Germany. Michael Twyman writes, "The original drawings were made over a period from September 1824 to October 1835, but many date from 1834 when J. D. Harding made an extensive continental tour. It is not known when the drawings were put on stone, but presumably some time after October, 1835. They were printed by Hullmandel and published by Charles Tilt in an edition of 1,000 copies, after which the drawings were then effaced from the stones." *
	Sketches at Home and Abroad marks a milestone in the history of early lithography. Here, for the first time, tint-stones were extensively employed to create further tonal values. Furthermore, an extra stone was often used to provide accents of China white upon the actual images. Joseph Pennell comments, "In Sketches at Home and Abroad are some of Harding’s finest compositions, which helped to develop tint-work. They are admirable renderings on tinted paper, heightened by Chinese white, printed from a second stone or with the lights scraped or etched out in the tint." **
	The lithographs from this meticulously made set gained for James Duffield Harding a strong reputation, both in England and on the continent. In fact, for his work dealing with Sketches at Home and Abroad the artist was presented with a diamond ring from King Louis-Phillipe of France.
	Como, Lombardy, Italy: An early, original nineteenth century lithograph, "Como from the Milan Road", was created by one of England’s finest topographical artists, James Duffield Harding for a series of lithographic landscapes entitled, Sketches at Home and Abroad. This impression is printed upon thick wove paper and with large, full margins as published in London in 1836. It is titled, dated and initialed in the stone to the lower right, "Como from the Milan Road, Sept. 1834, J D H". In the forefront of this 19th century Italian landscape James Harding depicts a quiet scene on a hilltop with travelers reposing on two Milan road lookout points overlooking a panoramic view of the city of Como in Lombardy, Italy. In the central background of this large view one can see the dome of the Como Cathedral (Duomo di Como). During this time, J. D. Harding created other views of Lombardy towns and cities, such as Bergamo and Bellano. Altogether, this is a splendid, original example of the lithographic art created by the British artist, J. D. Harding. The Libreria Antiquarius includes an impression of Como from the Milan Road in its permanent collection, Catalogo: Antiquarius 2015.
	Situated at the south-western end of Lake Como (Lago di Como), the city of Como borders Switzerland and is about twenty-five miles to the north of Milan. The city of Como, and surrounding area contains numerous historical, architectural, and cultural sites of interest. A few include the Roman Catholic Diocese of Como Cathedral (depicted in this lithograph). Como Cathedral is one of the most important structures in the region, and believed to be one of the last Gothic cathedrals in Italy. Other religious sites of note are the Basilica of Sant’Abbondio, the Chiesa di S.Agostino (Sant’Agostino Church), the Basilica of San Fedele, etc. Como is also host to such famous structures as the city walls (12th century city walls that encircle the narrow streets of the old town), the castle and military fortress, Castello Baradello, the Broletto (a medieval marble town hall), the Teatro Sociale, the historic & stately Villa Olmo, and such monuments as the Fontana monumentale, the monumento ai caduti, and the Statua di Garibaldi etc. Como also accommodates several important museums; the Tempio Voltiano (Volta Temple museum), is dedicated to the famous scientist and inventor of the electric battery, Alessandro Volta. As Como was an important town in the silk trade, the Silk Museum (Museo Didattico della Seta), dating from the 1900’s provides an insight into the history and production of silk. Other museums in Como include the Civico Museo Archeologico (Civic Archeological Museum) and the Pinacoteca Civica (Civic Art Gallery) and others. And of course, mention should be made of Lake Como, one of the most popular resorts with spectacular scenery surrounded by mountains and hills.
Reference:	* M. Twyman, Lithography, 1800-1850, Oxford, Oxford University Press, 1970, p. 203.
	** Joseph Pennell, Lithography and Lithographers, New York, MacMillan, 1915, p. 114.
Size:	10 1/2 x 14 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $ 495.00 US
Condition:	Printed upon thick wove paper and with large, full margins as published in London in 1836. Titled, dated and initialed in the stone to the lower right, "Como from the Milan Road, Sept. 1834, J D H". Containing some slight foxing, both within the image and margins else in good condition throughout. Altogether, "Como from the Milan Road" stands as a beautiful, original example of the famous lithographic art of James Duffield Harding.
Subject	James Duffield Harding, J. D. Harding, James Harding, "Como from the Milan Road", original lithograph, topographical artists of the nineteenth century, Como Cathedral (Duomo di Como), views of Lombardy, Charles Joseph Hullmandel (London, 1789-1850) Italian landscape views, British artists, Basilica of Sant’Abbondio, the Chiesa di S.Agostino (Sant’Agostino Church), the Basilica of San Fedele, castle and military fortress, Castello Baradello, the Broletto (a medieval marble town hall), Teatro Sociale, Villa Olmo, Fontana monumentale, monumento ai caduti, Statua di Garibaldi, Tempio Voltiano (Volta Temple museum), Alessandro Volta, Silk Museum (Museo Didattico della Seta), Civiico Museo Archeologico (Civic Archeological Museum), Pinacoteca Civica (Civic Art Gallery).
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