Title: |
Christmas Night |
Publisher: |
Hallen & Weiner, NY |
Date: |
c. 1885 |
Medium: |
Original Chromolithograph |
Note: |
Hallen & Weiner: The publishing firm of Hallen & Weiner,
New York is known to have been active during the late 19th century and early 20th century.
They produced chromolithographic prints dealing with Victorian genre, such as landscape views, seascapes,
still life images of flowers and fruit, children, animal and bird depictions as well as images
dealing with various important holidays, religious and political subjects.
The lithographs were mostly based upon popular paintings and watercolors.
Other important American publishing companies that published original
chromolithographs from that period include, Sarony, Major & Knapp, New York,
the American Lithographic Company, New York
John Winsch, New York
True & Company, Augusta, Maine,
Opeyfuss & Sachs, New York,
H. Hallett & Co., Portland, Maine,
Frank Leslie's, Illustrated Newspaper, New York,
A. Hoen & Company, Richmond, Virginia, the
Calvert Lithographic Company in
Detroit, Michigan and others. |
|
Chromolithography: This term includes
all types of lithography printed in colour. By using a series of carefully
registered stones, a chromolithograph requires an individual printing
for every colour required. Some of the more complicated examples ran to
more than thirty printings. |
|
During the nineteenth century, chromolithography
was used for everything from advertising to fine art. The most famous
examples are the large art nouveau posters of Lautrec, Grasset, Berthon
and others. Christmas Night is truly unique work of Americana art. |
|
The revolutionary art of colour printmaking
from lithographic stones began in Europe during the mid 1830's. The Germans,
in particular, excelled in the new art form and many accomplished printers
and publishers of that nationality moved to the United States at this
time. The first American chromolithograph was created in 1840. During
the following fifty years many of these original colour prints were made
to adorn the walls of American parlours. Large and profitable businesses
sprang up in almost every major city and by 1880 it had become the dominant
form of artistic printmaking. The cheaper and more practical advances
of photomechanical methods, however, sounded the death knell for the chromolithograph
by the turn of the century. Yet, not even our most sophisticated means
of reproducing images can equal the vibrant, oil-based colours of the
chromolithograph. |
|
Today these chromolithographs have become very
scarce, particularly the large images. A major share of the blame falls
upon the ruinous methods of nineteenth century framers as they most often
used the most acidic and damaging materials at hand. The result is that
the majority of these important works of art have quite literally rotted
away in their frames. Even surviving examples usually contain discolouration,
time staining, chipping or creasing. |
Reference: |
P. C. Marzio, The Democratic Art: Pictures
for a 19th Century America, Boston, David R. Godine, 1979 |
Size: |
13 X 17 3/4 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Condition: |
Printed on sturdy nineteenth century wove paper and with
full margins as published in New York by Hallen and Weiner. Contains slight
traces of water staining along the lower margins, else a beautiful, unfaded
printing and in fine condition throughout. Altogether Christmas Night
is a splendid example of 19th century chromolithographic art. |
Price: |
Sold - The price is no longer available. |
Important Information: |
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