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William Gropper's, "Unfinished Symphony IV" is one of many fine lithographs created in 1967 when he was a primary artist in residence at the prestigious Tamarind Workshop. During this period he published sets of color lithographs under such titles as The Shtetl (8 lithographs), Sunset Strip (5 lithographs) and Unfinished Symphony (9 lithographs). This particular original lithograph was the fourth from the last named set and was printed in an edition of only twenty signed impressions and four Trial Proofs. The Museum of Modern Art, New York, includes an impression of this print in its permanent collection. |
Title: | Unfinished Symphony IV |
Artist: | Gropper, William (New York City, 1897 - 1977) |
Date: | 8-Jan-67 |
Medium: | Original Lithograph |
Publisher: | Tamarind Workshop, Los Angeles |
Printer: | Maurice Sanchez |
Note: | William Gropper: One of America's greatest twentieth century social and satirical artists, William Gropper studied painting and printmaking under George Bellows at the Ferrer School in San Francisco (1913-14), at the National Academy of Design (1914) and at the New York School of Fine Art (1915-18). He was first employed as a staff artist for The New York Tribune (1919-21) and later for the New York World (1925-27). During this time William Gropper also contributed many drawings to Leftist publications such as 'The New Masses' and 'The Liberator'. By the mid 1920's William Gropper had established himself as a major satirical artist and lithography, silkscreening and etching became one of his most potent weapons for launching his attacks against big business and big politics. |
In the following decades William Gropper achieved a fine reputation around the world. In 1958, for example, he received the Young Israel Prize. Today, many international institutions include examples of his paintings and prints in their collections. The Museum of Modern Art in New York lists over thirty of William Gropper's etchings and lithographs in its permanent collection. | |
"Unfinished Symphony IV" was the fourth lithograph from the set of nine original lithographs entitled, Unfinished Symphony and was printed in an edition of only twenty signed impressions and four Trial Proofs. The Museum of Modern Art, New York, includes an impression of this print in its permanent collection. | |
Edition: | Signed and Annotated "Trial Proof", Limited edition of twenty impressions and four trial proofs |
Size: | 16 1/2 X 12 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon 'Arches' watermarked paper and with full, deckled margins as published in 1967. Bearing the Tamarind Workshop blindstamps in the lower right margin and signed and annotated "Trial Proof" by William Gropper in pencil along the lower margin. A beautifully printed impression and in excellent condition throughout. Unfinished Symphony IV represents both a scarce and important example of the famous satirical art of William Gropper. |
Price: | Sold - The price is no longer available. |
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Original Lithograph by the American artist, William Gropper
#6.- Unfinished Symphony IV |
View other original works of art by William Gropper
William Gropper (New York City, 1897 - 1977) | ||||||
# | Image | Title & Artist | Medium | Date | Info | - |
01.- | Business Meeting by William Gropper | Original Lithograph | c. 1960 | Signed in pencil by William Gropper and numbered '164/175' along the lower margin. | Sold | |
02.- | Despair by William Gropper | Original Lithograph | c. 1940 | Signed in the stone and in pencil by William Gropper along the lower right margin. | ||
03.- | Farmer by William Gropper | Original Etching & Aquatint | 1968 | Signed and numbered, '62/100' by William Gropper in pencil along the lower plate-mark. | Sold | |
04.- | The Budget by William Gropper | Original Lithograph | c. 1960 - 1970 | Signed in pencil by William Gropper and numbered '143/200' along the lower margin. | ||
05.- | Top Man by William Gropper | Original Lithograph | c. 1970 | Signed in pencil by William Gropper and numbered '1/30' along the lower margin. | ||
06.- | Unfinished Symphony IV by William Gropper | Original Lithograph | 8-Jan-67 | Signed and annotated "Trial Proof" by William Gropper in pencil along the lower margin. | Sold | |
07.- | Uprooted by William Gropper | Original Etching | 1965 | Signed and annotated "Artist Proof" by William Gropper in pencil along the lower margin. |
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Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
Century: | |
Fine 20th Century Artist Index | The '20th Century artist' directory contains a listing of original works of art created by watercolor artists, painters, illustrators and graphic artists from around the world. These original works date from 1900 to the present day. |
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American Artist Index | The 'American Artist' directory contains a listing of original works of art created by artists from the United States of America, and or art with an American theme. These artworks date from the 17th century to the 20th century. |
Subject: | |
Satire & Social Commentary Index | This directory contains a selection of original works of art with a focus on social issues and satirical art as portrayed by artists throughout the world in history and today. The selected works vary drastically in style. Here, you will find an assortment of rather humorous, more often hilarious depictions of people and animals in typical and unusual circumstances. And on a more serious note, there is also a selection of works portraying social criticism, a number of them based upon man’s destructive actions carried out upon humanity itself. |
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