Title: |
1. Flemish Interior (Interieur Flamand) - 2. Nude (Nu) |
Artist: |
Gromaire, Marcel (Noyelles-sur-Sambre, 1892 - Paris, 1971) |
Date: |
1952 |
Medium: |
Two Original Lithographs |
Publisher: |
Verve, Paris |
Printer: |
Fernand Mourlot, Paris |
Note: |
Marcel Gromaire: A major French painter, printmaker and
designer Marcel Gromaire first received training for a legal career. Beginning
around 1910 he frequented the studio of Henri Matisse and received some
lessons in printmaking from Felix Vallotton, at the Academie Ranson. Gromaire's
first works of art to be exhibited were at the Salon des Independants
in 1911. During the First World War (1914-1918) he served in the French
Army and was wounded at the Somme. After the war, Marcel Gromaire was a frequent
exhibitor at both the Salon d'Automne and at the Salon des Independants.
His first one man show took place in Paris in 1921. |
|
Original etching and lithography assumed great importance
in Marcel Gromaire's art after 1922. He stated, "The craft of the print maker
is fascinating, but only if the prints are original, that is entirely
from the artist's hand." * Scholars saw elements of both Cubism and Expressionism
in his art, but Marcel Gromaire vehemently resisted such easy classification.
Art, he wrote, "is for me a way of living, of perceiving life. I am seeking
to give man his place in nature." ** |
|
A master of figure studies, nudes and still lifes, Marcel
Gromaire's talents also included book illustration and major commissions
for tapestry designs. In 1952 he was awarded the Carnegie International
Prize for Art. |
|
Flemish Interior and Nude were commissioned
by the Paris publication, Verve, and were bound into their 1952
double number volume. Both sides of the sturdy, wove paper were used for
printing and therefore the black and white lithograph (Nude) appears
on the verso of the colour lithograph (Flemish Interior). The paper
has thus been matted on both sides in order to make the two lithographs
accessible. Both these original lithographs clearly showcase Gromaire's
talents as a major twentieth century printmaker. |
|
Verve: From 1937 to 1960 Verve was a leader for promoting
modern movements in art. Printed and published in Paris, this periodical
contained major articles on and by leading contemporary artists. More
importantly, each issue contained at least one original print created
specifically for the publication. |
|
Some of the most sought after original lithographs of the
twentieth century appeared in 1952 double number (#27 & 28) of Verve.
These included Marc Chagall's complete Visions de Paris set, Henri
Matisse's, The Sadness of the King, Leger's, The Outing,
Andre Masson's, Le Torrent, Miro's, The Dog Barking at the Moon
and original lithographs in both colours and black and white by Georges
Braque, Henri Laurens, Alberto Giacometti, Francisco Bores and Marcel
Gromaire. Original works of art printed by Verve never appeared
in pencil signed and limited editions, but most were published in numbers
of two thousand five hundred or less. |
Reference: |
* & ** Jean Adhemar, Twentieth Century Graphics,
London, Elek Books, 1971, pp. 100 & 101. |
Edition: |
Limited edition of one hundred and forty impressions, numbered
53/140. |
Size: |
12 3/4 X 9 7/8 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Buy Now |
Price: $495.00 US |
Note: |
Image is Not Presently Available, Please Contact Us |
Condition: |
Printed upon thick, wove paper and with full margins as
published in Paris for Verve in 1952. Both lithographs are signed
and dated in the stone by the artist and are in excellent condition throughout.
Flemish Interior and Nude represent striking, original examples
of the famous graphic art of Marcel Gromaire. |
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