Title: |
Eastern Memory |
Artist: |
Greenwood, Marion (Brooklyn, 1909 - Woodstock, New
York, 1970) |
Date: |
c. 1950 |
Medium: |
Original Lithograph |
Publisher: |
Associated American Artists, New York |
Note: |
Marion Greenwood is arguably one of America's
greatest twentieth century women artists. She left high school at the age
of fifteen to study painting and printmaking at the Art Students League
of New York, under John Sloan and George Bridgman (1924-1928). She then
completed her education at the Academie Colarossi, in Paris. Greenwood also
took lessons in lithography from Emil
Ganso (1929-1930). |
|
At the age of twenty-two, Marion Greenwood traveled to the Southwest
to paint Navajo Indians. A year later she was living and working in Mexico,
where her murals brought her work to the attention of the Mexican President
and of Mexico's most famous artist, Orozco. Marion Greenwood's work in Mexico made
her reputation in the United States, and when she returned to America in
1936 the government frequently commissioned her for public murals. |
|
Marion Greenwood was a Professor of Art at the University
of Tennessee (1954-1955) and at Syracuse University (1965). She was elected
a full member of the prestigious National Academy of Design in 1959. Today
her paintings and lithographs are included in the following collections;
the Pennsylvania Academy of the Fine Arts, Woodstock Artists Association,
Georgia Museum of Art, The University of Arizona Museum of Art, Brigham
Young University, Yale University Art Gallery and the Smithsonian American
Art Museum. |
|
During the Second World War, Marion Greenwood worked for and exhibited
her art with the Associated American Artists of New York. The Associated
American Artists was created in the mid 1930's and commissioned original
graphic art from such great American masters as Grant Wood, Thomas Hart
Benton, Reginald Marsh and many others. All lithographs and etchings published
by the A.A.A. were produced in editions ranging from 125 to 250 impressions.
During this period, therefore, lithography became as important to her art
as easel painting or murals. |
|
Eastern Memory was commissioned by the A.A.A. sometime
between 1950 and 1954. Greenwood lived and worked in China from 1946 to
1948. An exhibition of her Chinese paintings was held at the A.A.A. New
York gallery in the latter part of 1948. In an interview, the artist stated,
" For about seven years after that, I still painted from my Chinese
experience. I find that years later, after the sieve of time takes place,
you really know more about what you want to say personally." * Eastern
Memory is clearly a masterpiece of Greenwood's art. *( "Tape-Recorded
Interview with Marion Greenwood at Woodstock, New York (1964)," Smithsonian
Archives of American Art, http://artarchives.si.edu/ oralhist/greenw64.htm). |
|
Associated American Artists: the Associated
American Artists of New York was founded in the mid 1930's. The Associated
American Artists commissioned original graphic art from such great masters
as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published
etchings and lithographs of no less stature during the 1960's as contributing
artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns,
Irwin D. Hoffman and Sidney Chafetz. |
Edition: |
All lithographs and etchings published by the A.A.A. were
produced in editions ranging from 125 to 250 impressions. |
Size: |
12 3/4 X 8 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
|
View larger Matted Image |
|
|
Condition: |
Printed upon wove paper and with full margins as published
by the Associated American Artists in New York around 1950. Signed in pencil
by the artist along the lower margin. Containing slight light toning, else
a fine impression and in excellent condition throughout. This original lithograph
entitled Eastern Memory represents a prime example of the art of
Marion Greenwood. |
Price: |
Sold - The price is no longer available. |
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