Title: |
Kitzbuhel (Kitzbuehel) |
Artist: |
Goldschmidt, Hilde (Leipzig, Germany, 1897 - Kitzbuhel, Austria, 1980) |
Date: |
1962 |
Medium: |
Original Monotype & Pastel Drawing |
Edition: |
One Impression |
Note: |
Hilde Goldschmidt: A major twentieth century
German/Austrian painter and printmaker, Hilde Goldschmidt first studied
art techniques at the Akademie der Bildender Kunste, Leipzig (1914-1917).
The arts played a large role in her youth as her parents' friends and acquaintances
included such individuals as Alexei Jawlensky, Marianne Werefkin, Rainer
Maria Rilke and Thomas Mann. In 1919 Hilde Goldschmidt designed stage sets
for such Leipzig play productions as Strindberg's A Dream Play and Lichnowsky's
A Game of Death. Later that year she enrolled in Dresden's Academy of Fine
Arts and was initially taught by Otto Hettner. In the following year, however,
Hilde Goldschmidt had become a principal student of Oskar Kokoschka (1886-1980).
She remained with Kokoschka until 1923 when she left for New York (along
with Friedrich Karl Gotsch and Hans Meyboden) to attend an exhibition of
their art at the Neumann Gallery. |
|
Hilde Goldschmidt's first solo exhibition of her art took
place in 1932 at the Gallery Caspari, Munich. During the following years
her art was the subject of solo exhibitions in Leipzig, Vienna, Basel,
Innsbruck, Jerusalem, Manchester and London. |
|
Hilde Goldschmidt first moved to Kitzbuhel in 1934. After
the Nazi annexation of Austria she was forced (because of her Jewish heritage)
to leave the country in 1939. Goldschmidt settled in England's Lake District,
near Ambleside, where she met and became friends with another exiled artist,
Kurt Schwitters (1887-1948). She returned to Kitzbuhel and made it her
permanent home in 1950. |
|
During the following years Goldschmidt travelled annually
to the city of Venice and also visited Malta, Israel and England. Both
Venice and Kitzbuhel figure prominently in her art from the 1960's and
1970's. Combining Expressionism and Abstraction her representations brilliantly
capture the psychological sense and spirit of these two cities. |
|
The graphic medium of the monotype (monoprint) was as paramount
to the art of Hilde Goldschmidt as painting. For her achievements in the
arts the President of Austria awarded Goldschmidt the honorary title of
'Professor' in 1974. Today the art of Hilde Goldschmidt will be found in
museums such as the Kitzbuhel Museum, the Tiroler Landesmuseum Ferdinandeum,
Innsbruck, the Dresden State Art Collections and in the Tate Gallery, London. |
Size: |
16 1/2 X 20 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Buy Now |
Price: $3,800.00 US |
Condition: |
Printed and drawn upon thin wove paper and with large, full
margins as created in 1962. Containing some foxing in the lower left margin
and slight light toning within the actual image. Chalk pastels, primarily
blues, greens and reds, have been drawn by her hand. This monotype is pencil
signed and dated to the lower right, titled to the lower centre and annotated, "Monotypie" (Monotype),
to the lower left. As well the artist has inscribed in pencil her monogramme
("HG") and the date within the image, both to the lower right
and lower left. Altogether, Kitzbuhel represents a most impressive, original
example of the art of Hilde Goldschmidt. |
Subject: |
Hilde Goldschmidt, Kitzbuhel (Kitzbuehel), original monotype
(monoprints) and pastel drawing, twentieth century German/Austrian painter
and printmaker, Expressionist and Cubist elements, Oskar Kokoschka (1886-1980),
artists of Tyrol (Tirol), Tate Gallery, London. |
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