Ginko

Toyotomi Hideyoshi at Daitokuji Temple (Great Japanese History Illustrated)

Ginko's original woodcut, "Toyotomi Hideyoshi at Daitokuji Temple" is printed upon hand-made, nineteenth century Japanese mulberry paper as published by Matsuki Heikichiis in 1898 for the "Great Japanese History Illustrated". This impression in "Toyotomi Hideyoshi at Daitokuji Temple" is a striking example of Meiji era art created by the Japanese artist, Ginko. Toyotomi Hideyoshi was a famous samurai warrior, and one of Oda Nobunaga's most distinguished generals who later became a formidable ruler during the Sengoku period. Oda Nobunaga was the powerful daimyo of Japan, head of the Oda clan (descendants of the Taira clan), and one of the most dominant warlords of the Sengoku period (a period of social upheaval, disputes, and military conflict in Japanese history marked by many as the 'Age of Civil War').

Toyotomi Hideyoshi at Daitokuji Temple Original Woodcut by Ginko by the Japanese artist Ginko published by Matsuki Heikichi for the Great Japanese History Illustrated

Toyotomi Hideyoshi at Daitokuji Temple (Great Japanese History Illustrated)

View other Japanese woodcuts by Ginko.

Ginko (Japan, fl., 1874 - 1899)
#	Image	Title & Artist	Medium	Date	Info	-
01-		Abe Bungo, on Horseback, Crossing the Sumida River (Great Japanese History Illustrated) by Ginko	Original Japanese Woodcut	March 01, 1898	Published by Matsuki Heikichi
02.-		Akichi Mitsuhide Attacks Oda Nobunaga at Honnoji Temple (Great Japanese History Illustrated) by Ginko	Original Japanese Woodcut	March 01, 1898	Published by Matsuki Heikichi	Sold
03.-		Toyotomi Hideyoshi at Daitokuji Temple (Great Japanese History Illustrated) by Ginko	Original Japanese Woodcut	March 01, 1898	Published by Matsuki Heikichi

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Title:	Toyotomi Hideyoshi at Daitokuji Temple
Artist:	Ginko (Japan, fl., 1874 - 1899)
Date:	March 01, 1898
Medium:	Original Japanese Woodcut
Publisher:	Matsuki Heikichi
Source:	Great Japanese History Illustrated
Note:	As little as fifty years ago, the trend with some Japanese art collectors was to reject the woodcuts of the Meiji era between (1868 & 1912) as being garish and unrefined. The introduction of Western pigments and styles and techniques (c. 1865) created a dynamic revolution in Japanese art. Bold new colour patterns and equally bold design concepts began to dominate the classic woodcut. Yet, far from ruining traditional art forms, Meiji era artists injected a vital force into the woodcut by amalgamating Japanese and Western concepts. The great masters of this time -- Yoshitoshi, Ginko, Chikanobu and others -- thus created a number of strikingly original images which contemporary scholars and collectors now favourably compare with the art of earlier nineteenth century woodcut artists.
	A noted innovator, Ginko filled a dual role during the Sino-Japanese War as both an illustrator and a war correspondent. Stylistically he bears similarities to Yoshitoshi, and probably Ginko studied under this master. Ginko's most striking art is found in the series of one hundred woodcuts which comprise, "Great Japanese History Illustrated", of which this original woodcut entitled, "Toyotomi Hideyoshi at Daitokuji Temple" is a fine example. This series depicted the great events of Japanese history and folklore and was published in ten folding portfolios during 1897 and 1898. The woodcuts achieved great critical recognition and even received an official award from the Japanese government. Displaying a complex range of colours and design elements, these original woodcuts stand as one of the finest accomplishments of Meiji era art.
	Toyotomi Hideyoshi was a famous samurai warrior, and one of Oda Nobunaga's most distinguished generals who later became a leading ruler during the Sengoku period. Oda Nobunaga was the powerful daimyo of Japan, head of the Oda clan (descendants of the Taira clan), and one of the most formidable warlords of the Sengoku period (a period of social upheaval, disputes, and military conflict in Japanese history marked by many as the 'Age of Civil War'). It has been noted that on of Oda Nobunaga's major goals was national unification as Japan was then ruled by hundreds of autonomous domains (hereditary land holdings), that were under the control of daimyo (powerful feudal lords who ruled Japan). The Oda clan crest (mon), known as the (Oda moukkou) was distinctive for its five petals around the edge, and is believed to represent the flowering Japanese quince, and the Toyotomi clan crest depicts the paulownia seal which is still used today to represent the government of Japan. An original woodcut, Toyotomi Hideyoshi at Daitokuji Temple hails from the Great Japanese History Illustrated is a striking example of the Meiji art created by the Japanese artist, Ginko.
Size:	7 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $395.00 US
Condition:	Printed upon hand-made, nineteenth century Japanese mulberry paper and with full margins as published in 1898. A splendidly printed impression from the first and only edition and in excellent condition throughout. Altogether, "Toyotomi Hideyoshi at Daitokuji Temple (Great Japanese History Illustrated)" represents a stunning and important original example of Ginko's fine art.
	Each woodcut in this series was published with a printed sheet describing the history of the event portrayed. This is included with the documentation.
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