James Gillray - Equestrian Elegance or A Noble Scot Metamorphosed

Equestrian Elegance! - or - A Noble Scot Metamorphosed

James Gillray's original etching "Equestrian Elegance! - or - A Noble Scot Metamorphosed" depicts the 'Noble Scot' Alexander Hamilton, the 10th Duke of Hamilton (1767 - 1852). Alexander Hamilton was a leading diplomat of the period. This original etching was created by the British satirical artist, James Gillray and is printed on early nineteenth century wove paper with the 'Whatman' watermark and with large, full margins as published by Hannah Humphrey in 1803.

Original Hand-Coloured Etching by the British Satirical artist, James Gillray.

Equestrian Elegance Original Etching by the British Satirical artist James Gillray

Equestrian Elegance! - or - A Noble Scot Metamorphosed

View other original works of art by James Gillray.

James Gillray (Chelsea, 1757 - London, 1815)
#	Image	Title & Artist	Medium	Date	Publisher	-
01-		Equestrian Elegance! - or - A Noble Scot Metamorphosed by James Gillray	Original Hand-Coloured Etching	May 7, 1803	Hannah Humphrey, London	Sold
02.-		Modern Grace - or - The Operatical Finale to the Ballet of Alonzo e Caro by James Gillray	Original Hand-Coloured Etching	1796	Hannah Humphrey, London	Sold
03.-		Posting in Scotland by James Gillray after Charles Lorraine Smith	Original Etching and Aquatint	May 25, 1805	Hannah Humphrey, London	Available
04.-		So Skiffy Skipt On, With His Wonted Grace by James Gillray	Original Hand-Coloured Etching	February 1, 1800	Hannah Humphrey, London	Sold

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Title:	Equestrian Elegance! - or - A Noble Scot Metamorphosed
Artist:	Gillray, James (Chelsea, 1757 - London, 1815)
Date:	May 7, 1803
Medium:	Original Hand-Coloured Etching
Publisher:	Hannah Humphrey, London
Note:	James Gillray: Viewed by many as the greatest of all English satirical artists, James Gillray spent his youth in the rigid religious environment of the Moravian sect. In his teens he apprenticed to a city engraver and etched maps and bank notes. Finding it dull labour, James Gillray ran off and joined a troupe of traveling actors. In 1778 he entered the Royal Academy Schools and studied stipple engraving under Francesco Bartolozzi. Gillray's first etchings were illustrations for popular literary works of the day such as Fielding's, Tom Jones , and Goldsmith's, The Deserted Village.
	At about the same time James Gillray began etching political satires for various London publishers. His brilliant use of distortion to portray liknesses of leading figures quickly made Gillray both famous and infamous. In 1792, James Gillray came to work exclusively for Mrs. Hannah Humphrey and even lived and worked in her publishing shop for the rest of his life. Gillray's now famous portrayals of George III, Napoleon and a host of many others were created for this publisher. It was, in fact, James Gillray's delightful invention of Napoleon as a 'manic midget' that was crucial in forming public opinion against his aggressive military activities.
	From 1811, James Gillray suffered from ill health, failing eyesight and fits of madness. By then, however, his brilliant methods had permanently reshaped the art of satire and caricature and remain a major influence to this day.
	Because of the importance of James Gillray's art many of his etched plates were reprinted later in the nineteenth century. These later printings, however, are usually easy to detect because of the paper used and the fact that most of the etchings were printed on both sides of the sheet. Hannah Humphrey
	A Biographical Note: This original etching depicts the 'Noble Scot' who was Alexander Hamilton, the 10th Duke of Hamilton (1767 - 1852). Hamilton was a leading diplomat of the period.
Reference:	The National Portrait Gallery, James Gillray Etchings, 1795-1797
	http://www.npg.org.uk
	The National Portrait Gallery in London is in the midst of compiling and illustrating its complete collection of James Gillray etchings. This original etching and many others are illustrated on its web site and it is highly recommended.
Reference:	William Feaver, Masters of Caricature, London, Weidenfeld & Nicolson, 1981, pp. 53 - 57.
Size:	10 X 8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on early nineteenth century wove paper with the 'Whatman' watermark and with large, full margins as published by Humphrey in 1803. Apart from very minor creasing, this is an excellent early impression retaining all its fine, unfaded hand-colouring. This original etching represents both a delightful and valuable example of the famous satirical art of James Gillray.
Price:	Sold - The price is no longer available.
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