Robert Swain Gifford - Coal Pockets at New Bedford Massachusetts

Coal Pockets at New Bedford, Massachusetts

View other original works of art by Robert Gifford.

Robert Swain Gifford (Nonamesset, Mass., 1840 - New York, 1905)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Blakesmoor by Robert Swain Gifford	Original Etching	1883 (Published, 1884)	Signed and dated in the plate by Robert Swain Gifford.	Available
02.-		Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford	Original Etching	1879	Signed and dated in the plate by Robert Swain Gifford.	Sold
03-		The Path by the Shore by Robert Swain Gifford	Original Etching	1879	Signed in the plate by Robert Swain Gifford.	Sold

View other original works of art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".

"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881)
#	Image	Title & Etcher	Artist Info	Medium	Date	-
01.-		A Village Street in France by Joseph Foxcroft Cole	Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892)	Original Etching	1879 (1st Ed: 1880)	Sold
02.-		A Young Republican by John Ames Mitchell	John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918)	Original Etching	1881	Sold
03.-		Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
04.-		Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris'	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
05.-		Divination in Tea Leaves by Alfred Laurens Brennan	Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921)	Original Etching	1879
06.-		Durham, England by Samuel Colman	Samuel Colman (Portland, Maine, 1832 - New York City, 1920)	Original Etching	1880
07.-		Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1881
08.-		Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller	Hans Meyer (Berlin, 1846 - 1919)	Original Etching and Aquatint	1881
09.-		Mill Pond at Windsor Connecticutt by Albert Fitch Bellows	Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883)	Original Etching	1879	Sold
10.-		Moonlight on the Androscoggin by John Henry Hill	John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922)	Original Etching and Aquatint	1880	Sold
11.-		Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart.	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
12.-		Near Mattakeesett by Edmund Henry Garrett	Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929)	Original Etching	1881
13.-		Negro Huts at Wilmington, North Carolina by John Mackie Falconer	John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903)	Original Etching	1880	Sold
14.-		November by Stephen Parrish	Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938)	Original Etching	1880	Sold
15.-		Old Boat House, Gloucester, Massachusetts by Charles Adams Platt	Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933)	Original Etching	1881	Sold
16.-		Old Cedars, Coast of Maine by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1880	Sold
17.-		On New York Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1879	Sold
18.-		On the Housatonic by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1881	Sold
19.-		On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1880	Sold
20.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926)	Original Etching	1880
21.-		Pond at Cernay-La-Ville by Eliza Pratt Greatorex	Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897)	Original Etching	1880	Sold
22.-		Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1881
23.-		Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond	Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930)	Original Etching and Aquatint	1880
24.-		Schwabelweiss by Otto Henry Bacher	Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909)	Original Etching	1879	Sold
25.-		Summer by Ignaz Marcel Gaugengigl	Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932)	Original Etching	1880
26.-		Sunset, Gowanus Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1880	Sold
27.-		The Mermaid by Frederick Stuart Church	Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924)	Original Etching and Aquatint	1880	Sold
28.-		The Noonday Rest by Peter Moran	Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914)	Original Etching	1877 (1st Ed: 1880)
29.-		The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1880
30.-		The Path by The Shore by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
31.-		Up The Hill by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1879	Sold

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Title:	Coal Pockets at New Bedford, Massachusetts
Artist:	Gifford, Robert Swain (Nonamesset, Mass., 1840 - New York, 1905)
Date:	1879
Medium:	Original Etching
Publisher:	Dana Estes and Charles E. Lauriat, Boston
Source:	The American Art Review
Note:	Robert Swain Gifford 'Robert Swain Gifford': One of America's most influential etchers of the nineteenth century, Robert Swain Gifford first studied art under Albert Van Beest in New Bedford. In 1864 he moved to Boston and two years later moved to New York where he established his studio. Robert Gifford first exhibited his art at the prestigious National Academy of Design in 1864 and was elected an Associate in 1867 and an Academician in 1878. A leading educator, Robert Swain Gifford taught at New York's Cooper Union from 1877 to 1896. Robert Gifford was a full member of the Society of American Artists, the American Water Color Society, the National Arts Club, and the Royal Society of Painters and Etchers, London, England. Along with James D. Smillie, Gifford also founded the long lived New York Etching Club in 1879.
	Robert Swain Gifford first experimented with the art of etching as early as 1857. During the 1860's and 1870's Gifford traveled extensively and both painted and etched scenes in Oregon, Alaska, Europe and North Africa. Robert Swain Gifford was also perhaps the first American etcher to examine the changes wrought by industrial America. "Coal Pockets at New Bedford, Massachusetts" is one of his etchings which delineates this theme.
	The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, "The American Art Review" (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as Thomas and Peter Moran, Otto Bacher, J. M. Falconer, Robert Swain Gifford, Henry Farrer, Samuel Colman, John Foxcroft Cole and James D. Smillie.
	Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century. Robert Swain Gifford contributed two original etchings to the American Art Review.
Reference:	Francine Tyler, "American Etchings of the Nineteenth Century", New York, Dover Books, 1984, p. XVIII.
Note:	Coal Pockets at New Bedford is illustrated on plate 43.
Size:	7 X 5 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review". Signed and dated '1879' in the plate (lower right corner) by the artist. Containing slight foxing and scuffing in the outer margins else a finely printed, early impression and in excellent condition throughout. This original etching entitled, "Coal Pockets at New Bedford, Massachusetts" stands as a prime example of the nineteenth century American art of Robert Swain Gifford.
Subject:	Robert Swain Gifford, Coal Pockets at New Bedford, original etching, nineteenth century American art, National Academy of Design, New York Etching Club.
Price:	Sold - The price is no longer available.
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