Paul Gavarni Hippolyte Guillaume Suplice Chavalier - Ciel Anatole Good Heavens Anatole Le Charivari Oeuvres Nouvelles de Gavarni Carnaval

Original Lithograph by the French artist, Paul Gavarni, also known as 'Hippolyte Guillaume Sulpice Chevalier'.

Ciel! Anatole! (Good Heavens! Anatole!)

View other original works of art by the French artist, Gavarni.

Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866)
#	Image	French Title & Artist	Medium	Date	Source	-
1.-		Ciel! Anatole! (Good Heavens! Anatole!) by Paul Gavarni	Original Lithograph	1846	Oeuvres Nouvelles de Gavarni, Carnaval, Le Charivari, Paris, Gavarni Catalogue Raisonne: #1039 - XVI (16)
2.-		Declasses Mais je fus epiciere et sentis la Chandelle (Decline in Social Distinction, But I was a grocer & felt the candle light) by Paul Gavarni	Original Lithograph	1858	Masques et Visages, Physionomies Parisiennes, Paulin et Le Chevalier, Paris, Gavarni Catalogue Raisonne: #1898 No XLIX (49)
3.-		Gulnare, Mlle. Melanie Waldor (Portrait of Mlle. Melanie Waldor as one of the leading characters, 'Gulnare' in the ballet entitled "Le Corsaire" by Paul Gavarni	Original Lithograph	1843	Les Beaux-Arts, Paris (1er Volume), Leon Curmer, Paris, Gavarni Catalogue Raisonne: Portraits, #72	Sold
4.-		La biche au Bois (The Doe in the Woods) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, Par-Ci, Par-La, Paulin et Le Chevalier, Paris, Gavarni Catalogue Raisonne: #1840 No XLI (41)	Sold
5.-		La Douleur d'une Mere (The Suffering of a Mother) by Paul Gavarni	Original Lithograph	1844	Revue et Gazette Musicale, Physionomies Des Chanteurs, Gavarni Catalogue Raisonne: #1541 - No II (2)
6.-		Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni	Original Lithograph	1856	L'Artiste, (Sixieme Serie, Tome Deuxieme), Gavarni Catalogue Raisonne: Portraits, #210
7.-		Mademoiselle! v'la ce que c'est qu'un homme! Connu! (Miss! what is it in a man! Familiarity!) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, La Foire Aux Amours, Gavarni Catalogue Raisonne: #1299 No VIII (8)	Sold
8.-		On n'a Jamais Compris son Coeur! (One can never Understand One's Heart!) by Paul Gavarni	Original Lithograph	1844	Revue et Gazette Musicale, Physionomies Des Chanteurs, Gavarni Catalogue Raisonne: #1540 - No I (1)
9.-		Petite Servante, Deviendra Maitresse (Little Servant, Become Mistress) by Paul Gavarni	Original Lithograph	1857	Masques et Visages, Physionomies Parisiennes, Paulin et Le Chevalier, Paris, Catalogue Raisonne: #1874 No XXV (25)
10.-	-	Voila cette petite danseuse dont je l'ai parle, mon oncle; elle est un peu ..., Bossue, Charmant!, Et mal jambee (There is this little dancer I was referring to, my uncle; she is a little, hunchbacked, charming, bad legs) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, Les Parents Terribles, Gavarni Catalogue Raisonne: #1420 - No I (1)	Sold
11.-		Vous etes une Veuve! Vous etes une Veuve! Mais! la Justice! ... (You are a Widow! You are a Widow! But! Justice!) by Paul Gavarni	Original Lithograph	1858	D' Apres Nature, Morizot, Libraire-Editeur, Catalogue Raisonne: #1626, No XXXVIII (38)

View original lithographs published by the 19th century journal, Le Charivari, Paris'.

Le Charivari, Paris
#	Image	Title	Artist	Medium	Date	Source	-
01.-	-	Cabriolet La M'Sieu ...Je N'ai Pas Seulement de Quoi Aller a Pied (Emotions Parisiennes), by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph	October, 1839	Chez Bauger et Cie. r. du Croissant No. 16, Imp. d'Aubert & Cie, Le Charivari, Paris, 'Emotions Parisiennes' (Parisian Emotions)	Sold
02.-		C'est drole, monsieur et madame engraissent mais c'est pas du meme cote (Actualites), by Cham 'Charles-Henri-Amedee, comte de Noe'.	Cham 'Charles-Henri-Amedee, comte de Noe' (Paris, 1819 - 1879)	Original Lithograph	c. 1862-1865	Maison Martinet, 172 r de Rivoli et 41 rue Vivienne, Lith. Destouchet, 28 r. Paradis, Pre, Paris, Le Charivari, Paris	Sold
03.-		Cherchez-Vous un Laurier? Oui Un Laurier Sauce Attributed to Charles Philipon	Charles Philipon (Lyons, 1804 - Paris, 1862)	Original Lithograph	c. 1835	Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg 6, Le Charivari, Paris
04.-		Ciel! Anatole! (Carnaval), by Paul Gavarni	Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866)	Original Lithograph	13, February, 1847	Chez Aubert, pl. de la Bourse, 29. a D., Imp. d'Aubert et Cie., 'Oeuvres Nouvelles de Gavarni', Le Charivari, Paris
05.-		Comment savoir le nom de ce cavalier qui vient de tomber? (Actualites), by Cham 'Charles-Henri-Amedee, comte de Noe'	Cham 'Charles-Henri-Amedee, comte de Noe' (Paris, 1819 - 1879)	Original Lithograph	c. 1862-1865	Maison Martinet, 172 r de Rivoli et 41 rue Vivienne, Lith. Destouchet, 28 r. Paradis, Pre, Paris, 'Actualites', Le Charivari, Paris
06.-		Comment! c'est bien aujourd'hui le 29. Oui, Monsieur, mais la soiree de Madame a eu lieu le 19. (Actualites), by Frederic Bouchot	Frederic Bouchot (Paris, 1798 - 1860)	Original Lithograph	1838	Imp. d'Aubert & Cie., Chez gal. Vero-Dodat, Le Charivari, Paris
07.-		Courses d'Automne (Actualites), by Cham 'Charles-Henri-Amedee, comte de Noe'	Cham 'Charles-Henri-Amedee, comte de Noe' (Paris, 1819 - 1879)	Original Lithograph	c. 1862-1865	Maison Martinet, 172 r de Rivoli et 41 rue Vivienne", "Lith. Destouchet, 28 r. Paradis, Pre, Paris, 'Actualites', Le Charivari, Paris.
08.-		Gan... (Portrait of Auguste Hippolyte Ganneron) by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph	September 6, 1833	Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6, Le Charivari, Paris	Sold
09.-		La Marchande d’Arlequins (Comme on dine a Paris), by Charles Joseph Travies	Charles-Joseph Travies de Villers (Winterthur, Switzerland. 1804- Paris, 1859)	Original Lithograph	September 23, 1845	Chez Aubert, Pl. de la Bourse, 29, Imp. d'Aubert & Cie., 'Comme on dine a Paris', Le Charivari, Paris
10.-		L'Arret. Habitant du Marais (Les plaisirs de la chasse), by Alcide Joseph Lorentz	Alcide Joseph Lorentz (Paris, 1813 - 1891)	Original Lithograph	October, 1842	Chez Bauger et Cie. r. du Croissant No. 16, Imp. d'Aubert & Cie., 'Les plaisirs de la chasse', Le Charivari, Paris
11.-	-	Les Ouvriers de Paris, Le Charivari (Paris Workers, French Satirical Scene)	Fuche, G. (French, active, c. 1840 - 1860)	Original Lithograph	c. 1845 - 1850	Aubert & Cie., Paris, 'Les Ouvriers de Paris', , Le Charivari, Paris	Sold
12.-		Modification au costume des jockeys (Actualites), by Cham 'Charles-Henri-Amedee, comte de Noe'.	Cham 'Charles-Henri-Amedee, comte de Noe' (Paris, 1819 - 1879)	Original Lithograph	c. 1862-1865	Maison Martinet, 172 r de Rivoli et 41 rue Vivienne, Lith. Destouchet, 28 r. Paradis, Pre, Paris, 'Actualites', Le Charivari, Paris
13.-		Monsieur le Comte de Filouski (Les Grecs de Paris), by Charles de Beaumont	Charles-Edouard Francois de Beaumont 'Edouard de Beaumont' (Lannion, 1821 - Paris, 1888)	Original Lithograph	May, 1845	Chez Aubert & Cie. Pl. de la Bourse 29", 'Les Grecs de Paris', Le Charivari, Paris
14.-		Monsieur Monsieur V La vot Mouchoir (Moeurs Conjugales), by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph (Hand-Colored 'Sur Blanc' Impression)	27, April 1842	Imp. d'Aubert & Cie., Le Charivari, Paris, 'Moeurs Conjugales' (Marriage Customs)
15.-	-	Monsieur Par Suite de la Fusion, Je Vous Rends L'Argent de Vos Actions (Les Philantropes du Jour), by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph	January 12, 1846	Chez Aubert Pl de la Bourse, 29, Imp. d' Aubert & Cie., Le Charivari, Paris, 'Les Philantropes du Jour' (Philanthropists of the Day)
16.-		Mr. Fremouillot Je Vous y Prends, Vous Connaissez le Double-Blanc (Types Parisiens), by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph ('Sur Blanc' Impression)	November 28, 1839	Chez Bauger R. du Croissant, 16, Imp. d'Aubert & Cie.Le Charivari, Paris, 'Types Parisiens' (Parisian Types)	Sold
17.-		Mr. Joliv... (Portrait of Adolphe Jollivet) by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph	September 14, 1833	Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6, Le Charivari, Paris	Sold
18.-		Mr. Sebast, (Portrait of Count Horace Sebastiani) by Honore Daumier	Honore Daumier (Marseilles, 1808 - Valmondois, 1879)	Original Lithograph	July 10, 1833	Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6., Le Charivari, Paris	Sold
19.-		Sa Majeste Daigna Tirer Elle Meme by Jules Bourdet	Jules Joseph Guillaume Bourdet 'Jules Bourdet' (Paris, 1799 - 1869)	Original Lithograph	1839	Imp. d'Aubert & Cie.Le Charivari, Paris, No 150, Le Charivari, Paris
20.-		Si J'Avais Vingt Cinq Mille Francs De Rente!! (Les Ouvriers de Paris), by Clement Pruche	Clement Pruche (Paris, Active, 1811 - 1890)	Original Lithograph	c. 1840 - 1845	Chez Bauger et Cie. R. du Croissant No. 16, Chez Aubert, Pl. de la Bourse.", "Imp. d'Aubert & Cie., 'Les Ouvriers de Paris ', Le Charivari, Paris

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Title:	Ciel! Anatole! (Good Heavens! Anatole!)
Artist:	Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866)
Date:	13, February, 1847
Medium:	Original Lithograph
Publisher:	Le Charivari, Paris
Printer:	Aubert, pl. de la Bourse, 29, Paris
Source:	Oeuvres Nouvelles de Gavarni, Carnaval #16
Note:	Hippolyte Guillaume Sulpice Chevalier: -- much better known to the world as 'Gavarni' or 'Paul Gavarni' -- is second only to Daumier as the greatest social commentator and satirical artist of nineteenth century France. Beginning his career as an engineer's assistant he began to exhibit signs of his future genius in the late 1820's as a fashion designer and illustrator. His talent for caricature and satirical art, however, led him to the editorship of Les Gens du Monde in 1835. He afterwards took charge of the influential periodical, Charivari, and was then forced to live and work in England in the late 1840's in order to avoid political persecution. One of the most clever caricaturists of any time, Paul Gavarni's draughtsmanship was without equal. With the greatest economy of line he captured the follies and foibles of his age.
	Ciel! Anatole! (Good Heavens! Anatole!) originates from the series entitled, Carnaval. Costume balls had long been a major part of French carnivals but during the 1840's and 1850's these events reached their highest popularity. Paul, Gavarni was a regular at Paris's most prestigious balls and even designed many costumes for them. From 1839 to 1850 a number of his finest lithographic sets drew their subject matter from the costume ball. These included, Souvenirs du Bal Chicard (1839), Les Debardeurs (1841) and Le Carnaval a Paris.
	Gavarni's carnival lithographs gave him the opportunity to study his subjects in situations dominated by both intrigue and deception. Sexuality and sexual roles were also prime components with women dressed as men and (as is seen in Ciel! Anatole!) men dressed as women. As well, Beatrice Farwell writes, "The majority of Gavarni's carnival lithographs reflect his interest in the small groups that drift away from the crowd as a consequence of the romantic liaisons that preoccupied many of the participants at a masked ball." * Such elements have made Gavarni's carnival lithographs among his finest and most famous works of art.
	The Armelhault et Bocher, "Catalogue Raisonne: L'oeuvre de Gavarni", Revues et Journaux, Carnaval, pages (273 - 284), notes that Gavarni's 'Carnaval' series consisted of fifty original lithographs. It also includes a complete listing with information for each the lithographs from this set. This original lithograph is listed on page 277, Catalogue number 1039 - XVI. - "Ciel! Anatole!".- Au bal de l'Opera un jeune homme se dirigeant a D. (At the Opera, a young man is headed to the right, en costume grotesque de nourrice (wearing a grotesque nurse's costume), bonnet sur la tete (a bonnet on his head), jupe tres-courte (a very short skirt), tablier blanc (a white apron), moustaches noires (black mustache), les bras croises par derriere (his arms crossed behind him). Il tient une poupee d'enfant au maillot (He holds a baby doll in a shirt), la tete en baase (its head is upside down). A. G. sur le second plan une femme de face en domino blanc et masque noir (in the background, there is a woman in a white dress wearing a black mask), que le reconnait (who recognizes him), joint les mains en signe d'elonnement (Clasped hands indicating astonishment). Au fond des masques dansant (In the background masked people dancing). - A G. 46-95. - En B. au-dessous du fil (containing the text below the border). a G. Chez Aubert, pl. de la Bourse, 29. a D. Imp. d'Aubert et Cie. = H. 197, L. 165. (Le Charivari, 13 fevrier 1847) , 1er Etat. Avant toute lettre (1st State, without letters). 2e Etat. Celui qui est descrit (2nd State, as described). This is a (2nd State) proof impression bearing the text "Oeuvres Nouvelles de Gavarni", "Carnaval 16" in the upper margin as well as the address, "Chez Aubert, pl. de la Bourse, 29. a D. Imp. d'Aubert et Cie" in the lower margin as published in Paris by Le Charivari for 'Oeuvres Nouvelles de Gavarni' in 1847. The Heidelberg University Library includes an impression of this orignal lithograph (with text on verso) in its permanent collection, Le Charivari, 1947 (No. 32-59), #175, Seizieme Anne.- No. 44 issue, dated Sunday 13, Febuary, 1847.
Note:	Antonin Proust: An influential writer, art critic and government official, Antonin Proust was born in 1832 and died in Paris in 1905. He maintained a lifelong friendship with Edouard Manet and was a classmate in both primary school and in the Paris painting studio of Thomas Couture. Proust became the founder and editor of the influential newspaper, The Republic. He also served as both a secretary and as Minister of Fine Arts within the government of Gambetta. From this post Antonin Proust championed the art of Manet, Pisarro, Monet and others and, in 1881, secured for Manet the prestigious Legion of Honour.
	Antonin Proust's portrait was painted by Manet in 1880 and Rodin later created an engraved portrait of him. Proust published his invaluable memoirs of Manet in 1897. He was also the uncle of one of France's greatest writers, Marcel Proust.
	Not surprisingly Antonin Proust was a major collector of art, particularly graphic art from both France and Japan. Proust has both signed and annotated this impression of Ciel! Anatole! and was apparently either researching or cataloguing Paul Gavarni's art. The passage reads; "Certifie conforme sur tirage, Paris, le 26 janvier 1847 imp. Aubert et Cie. - Proust" which translates to "I certify that it conforms with the pressing, Paris, January 1847, printed by Aubert et Cie. Proust"
Provenance:	Ciel! Anatole! originates from the estate of Antonin Proust (Annotated and signed)
Raisonne:	J. Armelhault et Bocher, "Catalogue Raisonne: L'oeuvre de Gavarni, Lithographies Originales et essais d'eau-forte et de procedes nouveaux, Libraire des Bibliophiles, Rue Saint-Honore, 338 Paris, 1873, Carnaval, page 277, Catalogue Number 1039 XVI. - Ciel! Anatole!
Reference:	Paul Gavarni, "Gavarni. Masques et Visages", Paulin et Lechevalier, Rue Richelieu, 60, 1857, pages (219-243), Catalogue de L'oeuvre de Gavarni, page 226, Carnaval (le) 1847-1848. - Oeuvres nouvelles. - 49 suj. - Publie. par le Charivari.
Reference:	* Beatrice Farwell, The Charged Image: French Lithographic Caricature, 1816-1848, Santa Barbara, Santa Barbara Museum of Art, 1989, p. 88.
	12 1/4 X 9 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Buy Now	Price: $985.00 US
Condition:	Printed upon nineteenth wove paper with full margins bearing the text "Oeuvres Nouvelles de Gavarni", "Carnaval 16" in the upper margin as well as the address, "Chez Aubert, pl. de la Bourse, 29. a D. Imp. d'Aubert et Cie" in the lower margin as published in Paris by Le Charivari for 'Oeuvres Nouvelles de Gavarni' in 1847. Containing some marginal foxing else this is a fine, early impression on superior 'sur blanc' paper and in excellent condition throughout. Signed and annotated by Antonin Proust to the lower right. Altogether this original lithograph from the collection of Antonin Proust represents a prime example of the famous satirical art of Gavarni.
	The Fine Arts Museums of San Francisco includes an impression of Ciel! Anatole! in its permanent collection
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Paul Gavarni (Hippolyte Guillaume Sulpice Chevalier)

Ciel! Anatole! (Good Heavens! Anatole!)