Title: |
Portrait of Louis Fairfax Muckley |
Artist: |
Gaskin, Arthur Joseph (Birmingham, England, 1862 -
1928) |
Date: |
1884 |
Medium: |
Original Graphite Drawing |
Note: |
Arthur Joseph Gaskin 'Arthur Gaskin': A major illustrator,
portraitist, painter and designer during the last decade of the nineteenth
century, Arthur Joseph Gaskin was a leading force of what was called 'the
Birmingham School'. This was an influential group of artists who both allied
their style of illustration to and often worked with William Morris at the
famous Kelmscott Press. Briefly, the Birmingham School was particularly
concerned with the applied arts, design and illustration and included architects,
artisans and illustrators. Other prominent artists in this movement included
Louis Fairfax Muckley, E. H. New and C. M. Gere. |
|
Arthur Gaskin studied art at the Birmingham School of Art and later
taught there. During the early 1880's, his classmates and companions were
such fellow artists as Frank Richards and Louis Fairfax Muckley. After his
contact with William Morris, Arthur Gaskin applied himself to the study of decorative
illustration and the crafts. In this latter light he also became an accomplished
jewelry designer and later was appointed the Director of the Jewellers and
Silversmiths School, Birmingham. His wife, Georgina Gaskin, was as well
a noted designer and illustrator. |
|
In the 1890's, Arthur Gaskin illustrated some of the finest
books of the period. These included Andersen's, Stories and Fairy Tales
(1893), Good King Wenceslas (1895) and Spencer's, The Shepheardes
Calendar (1897). The last named book ranks as one of the greatest achievements
of the Kelmscott Press and of late nineteenth century illustration. Arthur Joseph Gaskin
was also a contributing artist to the English Illustrated Magazine,
The Quarto and Aubrey Beardsley's influential, The Yellow Book. |
|
During his career, Arthur Gaskin was a frequent exhibitor
at many major institutions, such as the Royal Academy and the Royal Society
of British Artists. Among other major collections examples of his drawings
are included at the Victoria and Albert Museum, London, and the Birmingham
Art Gallery. |
|
Louis Fairfax Muckley (Stourbridge, England, 1861
- c. 1915): A leading illustrator, etcher, painter and designer,
Louis Fairfax Muckley studied painting and drawing at the Birmingham School
of Art. During the early 1880's, his classmates were such fellow artists
as Frank Richards and Arthur Joseph Gaskin. After his contact with the influential
art of William Morris, Muckley applied himself to the study of decorative
illustration and illustrated his first major book while still a student;
R. D. Blackmore's, Fringila (1885). |
|
In the 1890's, Louis Fairfax Muckley was commissioned for numerous illustrations
from leading periodicals such as The Graphic and the Illustrated
London News. He was also a founding designer for The Quest
and The Quiver. Perhaps his finest achievement, however, was his
illustrative work for the Kelmscott Press, Spenser's Faerie Queen,
which was published in 1897. This book is considered a masterpiece of late
Pre-Raphaelite art. |
|
During his career, Louis Fairfax Muckley was a frequent exhibitor
at many major institutions, such as the Royal Academy and the New Gallery.
Among other major collections examples of his drawings are included at the
Victoria and Albert Museum, London, and the Birmingham Art Gallery. |
Provenance: |
From the collection of Frank Richards R.B.A. A well known
landscape and figure painter, Frank Richards exhibited his art from 1883
to 1925 at such institutions as the Royal Academy, London, and in Birmingham,
Manchester and Bournemouth. He was elected to the Royal Society of British
Artists in 1921 and eventually settled in Newlyn, Cornwall. |
|
Richards completed his formal studies at the Birmingham School
of Art, along with his fellow classmates, Arthur Joseph Gaskin and Louis
Fairfax Muckley. Richards' collection included a handful of drawings by
both artists (including portrayals of himself); this graphite drawing being
one of them. On the verso of each portrait drawing, Richards noted the identity
of both the sitter and the artist. |
Size: |
3 1/4 X 2 1/2 (Sizes in inches are approximate, height
preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
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View larger Framed Image |
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Condition: |
Drawn upon wove paper which has been backed onto a larger
sheet of thick, laid paper. Signed with Gaskin's 'A. G.' monogramme and
dated, 'Dec. '84', to the lower right. As well, Frank Richards has written,
"By Arthur J. Gaskin, Sketch of Louis Muckley" on the verso. This
exquisite graphite drawing is in excellent condition throughout and represents
a striking, original example of the art of Arthur Joseph Gaskin, one of
England's greatest late nineteenth century illustrative artists. |
Price: |
Sold - The price is no longer available. |
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