Title: |
The Great Fall - Niagara |
Engraver: |
Forrest, William (Edinburgh, 1805 - 1899) |
Designer: |
Church, Frederic Edwin (Hartford, CT, 1826 - New York, 1900) |
Date: |
1875 |
Medium: |
Original Engraving |
Publisher: |
Knoedler & Company, Fifth Avenue, New York |
Edition: |
Proof Impression Before Letters |
Note: |
William Forrest: When the major New York publisher,
Knoedler & Company acquired the engraving rights to The Great Fall,
Niagara, he turned to the Scottish engraver, William Forrest.
From 1845, Forrest worked in both London and Edinburgh and had created a strong
reputation for both his landscape and genre engravings. The Great Fall, Niagara
was William Forrest's largest and most important work of original engraved art. |
|
Frederick Edwin Church : American nineteenth century landscape painting
reached its finest expression under the movement known as the Hudson River
School. Among its many great painters the names of Bierstadt, Asher Brown
Durand, Thomas Cole and Frederick Church assume the highest position. Frederick
Edwin Church studied under Thomas Cole in Catskill, New York (1844-46).
In 1845, he exhibited his first paintings with the National Academy of
Design and opened his studio in New York two years later. Frederick Church
became a full member of the prestigious National Academy in 1849. |
|
Frederick Edwin Church's large and monumental landscape paintings always created the
greatest admiration at national expositions. In 1853 and 1857 he traveled
in South America and created one of his finest canvases, The Heart of the
Andes, which was exhibited in 1859. He then visited Labrador, and his painting,
Icebergs, was exhibited in both New York and London in 1863. Three years
later, Frederick Edwin Church went to the West Indies and in 1868 made his first trip through
Europe, including important visits to Greece and Palestine. |
|
Frederick Church's, The Great Fall, Niagara, may possibly be the most famous painting
in the history of nineteenth century American art. Originally, this painting of Niagara Falls was purchased
by John Taylor Johnstone, it was sold in 1876 to the Corcoran Gallery in
Washington for the price of 5,000 Pounds. For many years thereafter this
was a record price paid for an American painting. |
|
Victorian Era Engraving: Perhaps the most technically demanding form of original printmaking,
the large Victorian era engraving reached its pinnacle of virtuosity in
the later nineteenth century. Highly skilled engravers would often devote
more than a full year's labour to one of these large works of art. |
|
Large Victorian era engravings, such as this original example, are now
very scarce. Nineteenth century framers had no knowledge of conservation
methods and thus the huge majority of these valuable works of art were
either completely destroyed or unalterably stained and marred by their
acidic mats and frames. Finding another impression of this impressive engraving
in such superb condition would be next to impossible. |
|
This particular impression is a 'Proof before Letters'. This means it
was one of the first impressions to be pulled from the plate before the
regular edition was published with the title appearing on the lower margin.
A proof impression thus contains all the fine lines and subtle shades that
would wear down during the printing of the regular edition. As well, proofs
were usually printed on superior papers. This impression of Niagara Falls is printed on
fine china paper and pressed onto a larger sheet of wove papers. |
Size: |
17 3/4 X 28 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
UnMatted |
Condition: |
Printed upon fine china paper which has been pressed onto a larger sheet
of white wove paper and with large, full margins as published by Knoedler
in 1875 (with the publisher's address and date engraved at the lower margin
and the Printsellers Association stamp to the lower left). Apart from one
small scrape in the sky to the upper right this is a fine printing bearing
all the tones and shades of a 'Proof' impression and is in very good condition
throughout. The Great Fall, Niagara is a most important, original example
of the large Victorian engraving and of nineteenth century American landscape
art. |
Subject: |
William Forrest, "The Great Fall - Niagara", 19th
century engraving, Niagara
Falls, American artists, Frederick Edwin Church,
Proof Before
Letters, Knoedler & Company, Printsellers Association, Victorian landscape
engraving. |
Price: |
Sold - The price is no longer available. |
Important Information: |
The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.
Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |