Giovanni Battista Falda - Chiesa di Santa Anastasia Church of Saint Anastasia

Chiesa di Santa Anastasia (Church of Saint Anastasia)

Giovanni Battista Falda's original etching, Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro (Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine) provides a striking view of this basilica church with the ruins of the Roman palace on Mount Palatine illustrated in the background. The first church dates back to the late third or early fourth century and is named after the martyr, Anastasia of Sirmium. The church has undergone many restorations through the centuries, the last taking place in 1636 under the papacy of Sixtus IV. The Church of Saint Anastasia has long been linked to the cult of St. Jerome. Domenichino's painting of this saint hangs over its alter.

This original Giovanni Battista Falda etching is printed upon seventeenth century hand-made, laid paper and with full margins as published in Rome by Giacomo de Rossi in 1669. It is a fine, original example of the etched art created by the 17th century Italian artist, Giovanni Battista Falda and of architectural etching of the Baroque age.

Original Etching by the 17th century Italian artist, Giovanni Battista Falda.

#01.- Giovanni Battista Falda: Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro (Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine)

View other original etchings for "Nuovo Teatro delle Fabriche" by Giovanni Battista Falda .

"Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna" (Newly Constructed Churches of Rome)
Giovanni Battista Falda (Valduggia, 1643 - Rome, 1678)
#	Image	English Title & Artist	Italian Title	Medium	Date	Publisher	-
01.-		Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine by Giovanni Battista Falda	Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro	Original Etching	1669	Giacomo de Rossi, Rome
02.-		Church of Saint Agnes in Piazza Navona by Giovanni Battista Falda	Chiesa Dedicata A S. Agnese VM in Piazza Navona La Faciatta in Sino La Cornice con L'Alzata della CVP	Original Etching	1669	Giacomo de Rossi, Rome	Sold
03.-		Church of St. Andrea on the Quirnale Hill by Giovanni Battista Falda	Chiesa Dedicata A San Andrea Apostolo del Novitiato de Padri Giesuiti sul’ Monte Quirnale (Chiesa Sant’Andrea sul’ Monte Quirnale)	Original Etching	1669	Giacomo de Rossi, Rome
04.-		Church of St. Bibiana on Mount Esquilino by Giovanni Battista Falda	Chiesa di Santa Bibiana sul’ Monte Esquilino	Original Etching	1669	Giacomo de Rossi, Rome
05.-		Church of St. Charles on the Quirnale Hill at the Four Fountains by Giovanni Battista Falda	Chiesa Dedicata a San Carlo de Padre del Riscatto de la Natione Spagnola. Su'l Monte Quirnale alle Quattro Fontane	Original Etching	1669	Giacomo de Rossi, Rome	Sold
06.-		Church of St. Luke the Evangelist, Churches of San Gioseppe e San Pietro, Church of San Adriano and the Roman arch of Settimio Seuero in the Campo Vaccino by Giovanni Battista Falda	Chiesa Dedicata A S. Luca Evangelista et S. Martina V. M. Dove FV L'Antico Tempio in Campo Vaccino	Original Etching	1669	Giacomo de Rossi, Rome
07.-		Church of St. Crisogono of the Carmelite Order in Trastevere by Giovanni Battista Falda	Chiesa Di S-Grisogono de Frati Carmelitani in Trastevere	Original Etching	1669	Giacomo de Rossi, Rome
08.-		Francescan Church at Monte Pincio by Giovanni Battista Falda	Chiesa Della Santis-Trinita de Monti de PP. Minimi Francesi SVL' Monte Pinicio	Original Etching	1669	Giacomo de Rossi, Rome	Sold
09.-		St. Peter's Church in Montorio by Giovanni Battista Falda	Chiesa Dedicata a S-Pietro Apostolo, Detta in Monteorio SVL 'Giancolode Padri Reformati di San Francesco	Original Etching	1669	Giacomo de Rossi, Rome

View other original etchings for "Nuovo Teatro delle Fabriche" by Alessandro Specchi .

"Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna" (Views of the Palaces and Stately Homes of Rome)
Alessandro Specchi (Rome, 1668 - 1729)
#	Image	English Title & Artist	Italian Title	Medium	Date	Publisher	-
01.-		Alternate View of the Principal Façade of the Altieri Palace, Opposite the Church of the Gesu by Alessandro Specchi	Altra Veduta della Gacciata Principale del Palazzo dell'Eccellentis. Casa Altieri, Verso Il Giesu	Original Etching	1699	Domenico de Rossi, Rome
02.-		Palace of the Grand Duke of Tuscany in Piazza Madama (Palazzo Madama) by Alessandro Specchi	Palazzo del Serenis, Gran DVCA di Toscana in Piazza Madama	Original Etching	1699	Domenico de Rossi, Rome
03.-		Palazzo Barberini on the Quirnal Hill by Alessandro Specchi	Palazzo Barberino dell' Ecc. Sig. Prencipe di Pellestrina Nel Monte Quirinale	Original Etching	1699	Domenico de Rossi, Rome
04.-		Palazzo Chigi in Piazza Colonna by Alessandro Specchi	Palazzo dell' Ecc. Sig. Prencipe Chigi in Piazza Colonna	Original Etching	1699	Domenico de Rossi, Rome
05.-		Palazzo Chigi-Odescalchi, or Palazzo Odescalchi, at Piazza dei SS. Apostoli by Alessandro Specchi	Palazzo Nella Piazza de S.S. Apostoli Ristavrato et Adornato dall' EM. Sig. Cardinal Flavio Chigi	Original Etching	1699	Domenico de Rossi, Rome
06.-		Palazzo Doria Pamphilio or (Palazzo Doria Pamphilj) by Alessandro Specchi	Palazzo dell’ ECC. SIG. Prencipe Pamfilio su la Piazza del Collegio Romano	Original Etching	1699	Domenico de Rossi, Rome
07.-		View of Prince Pamfilio's Palace in Piazza Navona by Alessandro Specchi	Veduta del Palazzo dell' Ecc. Sig. Prencipe Pamfilio in Piazza Navona	Original Etching	1699	Domenico de Rossi, Rome	Sold
08.-		View of the New Customs Office Incorporating the Ruins of Antonius Pius..., Now Italy's Stock Exchange by Alessandro Specchi	Veduta della Dogana Nuova di Terra Eretta su le Ruine del Fianco della Curia di Antonio Pio, Dalla Santita di N. S,. Papainnocentio XII. Al Publico Benefitio	Original Etching	1699	Domenico de Rossi, Rome
09.-		View of the Palazzo Borghese by Alessandro Specchi	Altra Veduta del Palazzo Dell' Ecc. Sig. Prencipe Borghese	Original Etching	1699	Domenico de Rossi, Rome
10.-		View of the Palace of the Villa di Bel Respiro by Alessandro Specchi	Veduta del Palazzo della Villa di Bel Respiro, Fuori di Porta S. Ancratio dell' Ecc. Sig. Prencipe Pamfilio	Original Etching	1699	Domenico de Rossi, Rome	Sold
11.-		View of the Palazzo Salviati alla Lungara by Alessandro Specchi	Veduta del Palazzo dell' Ecc. Sig. Duca Salviati alla Lungara	Original Etching	1699	Domenico de Rossi, Rome
12.-		View of the Papal Palace of the Vatican by Alessandro Specchi	Veduta del Palazzo Pontificio al Vaticano	Original Etching	1699	Domenico de Rossi, Rome

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Title:	Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro (Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine)
Artist:	Falda, Giovanni Battista (Valduggia, 1643 - Rome, 1678)
Date:	1669
Medium:	Original Etching
Publisher:	Giacomo de Rossi, Rome
Note:	Giovanni Battista Falda: Showing artistic gifts at an early age, Giovanni Battista Falda studied art in his native town under the painter, Francisco Ferrari. At the age of fourteen he traveled to Rome where he was soon employed by the publisher, Giacomo de Rossi. Concentrating almost solely upon architectural views, Giovanni Battista Falda's recorded opus runs to 298 original etchings. Most of these works of art are found in his three greatest sets of etchings, the Nuovo Teatro (1665-1669), The Gardens of Rome (1670), and The Fountains of Rome (1675).
	Giovanni Battista Falda's artistic style was quite unlike any other mid seventeenth century Italian etcher or engraver. His strong contrasts of light and shade, his architectural accuracy and the care he took delineating incidental figures and objects have led scholars to compare his etchings most frequently to those of his great French contemporaries, Jacques Callot and Israel Silvestre. Falda's influence upon Italian architectural art was far reaching. In the following generations such great etchers as Venturini, Alessandro Specchi and Guiseppi Vasi were directly inspired by Giovanni Battista Falda's art. It was Falda, in fact, who created the foundation for the great school of Italian eighteenth century architectural etching, most notably led by Piranesi.
	The Nuovo Teatro: One of the most important architectural projects of the seventeenth century was the urban renovation of Rome. Under the brilliant leadership of Pope Alessandro VII (1655-1667), Rome dramatically emerged as one of the most modern and beautiful cities of the new Baroque age. Within several decades spacious roadways were constructed, monumental buildings arose, and many public squares appeared with elaborate fountains and monuments. To be sure, this massive undertaking was meant to underline the absolute power of the Papacy but it also brought forth a new flowering of Italian art and architecture.
	The Nuovo Teatro was initiated in 1665 to depict the new Rome in a series of etchings. What it gave to future generations was a magnificent historical record of views etched by two of Italy's greatest architectural artists. The printing and publishing of these important etchings was entrusted to Giacomo de Rossi (1626-1691), the head of the most dominant Roman publishing house. ( Sons and nephews of de Rossi, in fact, continued the publishing house until 1738 when the business was sold to Pope Clement XII to form the basis of the Regia Calcografia.) Altogether, four sets of Nuovo Teatro were created during the seventeenth century. Volumes one (35 etchings) and two (17 etchings) were both published in the year of 1665 and dealt mainly in views of the new piazzas, gardens, terraces and their surrounding buildings. Volume 3 (38 etchings) was published in 1669 and concentrated upon the newly constructed churches of Rome. Every plate from the first three sets was both designed and etched by the influential architectural artist, Giovanni Battista Falda (1643-1678). Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro hails from this 1669 set. For reasons unknown the fourth and final volume (52 etchings) did not appear until 1699. It was published by Giacomo's successor, Domenico de Rossi, and featured views of the palaces and stately homes of Rome. Each plate was designed and etched by the famous architect and etcher, Alessandro Specchi (1668-1729).
Source:	Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna
	Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine is the 28th view from the 1669 set dealing with the churches of Rome and its environs. This Fine engraving provides a striking view of this basilica church with the ruins of the Roman palace on Mount Palatine illustrated in the background. The first church dates back to the late third or early fourth century and is named after the martyr, Anastasia of Sirmium. The church has undergone many restorations through the centuries, the last taking place in 1636 under the papacy of Sixtus IV. The Church of Saint Anastasia has long been linked to the cult of St. Jerome. Domenichino's painting of this saint hangs over its alter.
Size:	6 3/4 X 11 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $785.00 US
Condition:	Printed upon seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1669. Apart from several spots of foxing in the outer margins and a small stain within the title this original etching is in very good condition throughout and bears all the fine lines and tones of an early impression. Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro (Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine) is a most important, original example of the famous art of Giovanni Battista Falda and of mid seventeenth century Italian architectural etching.
Subject:	Giovanni Battista Falda, original etching, Chiesa di Santa Anastasia alle Radici del' Palatino Verso il Velabro (Church of Saint Anastasia with the Ruins of the Imperial Palace on the Palatine), cult of St. Jerome, Anastasia of Sirmium, Mount Palatine, Roman Imperial Palace, architectural etching of the Baroque age.
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