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John Mackie Falconer's original etching, "Negro Huts at Wilmington, North Carolina" is printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review" in 1880 and is signed in the plate by the artist. "Negro Huts at Wilmington, North Carolina" is a poignant study of impoverished living conditions in the post Civil War South. It is a fine, original example of the nineteenth century landscape art created by the American artist, John Mackie Falconer. |
Title: | Negro Huts at Wilmington, North Carolina |
Artist: | Falconer, John Mackie (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903) |
Date: | 1880 |
Medium: | Original Etching |
Publisher: | Dana Estes and Charles E. Lauriat, Boston |
Source: | The American Art Review |
Note: | John Mackie Falconer: A fine etcher, painter and watercolorist, John Mackie Falconer came to the United States in 1836. His first experiments with etching date from 1849. It wasn't until 1866, however, the he began to dedicate himself to this medium and during the following twenty years John Mackie Falconer produced many etched views of New York, Brooklyn, Boston and the American South. |
John Mackie Falconer was a full member of the New York Etching Club. He was also made an honorary member of the National Academy of Design in 1856. Living mostly in Brooklyn, Falconer was a central figure in the cultural life of the community. Among his closest friends there were the fellow artists, Thomas Cole and Asher Brown Durand. | |
As an original etcher, John Mackie Falconer became best known for his studies of older buildings and ruins. Negro Huts at Wilmington, North Carolina is a poignant study of impoverished living conditions in the post Civil War South. | |
The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, American Art Review (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as Thomas and Peter Moran, Otto Bacher, J. M. Falconer, Robert Swain Gifford, Henry Farrer, Samuel Colman, John Foxcroft Cole and James D. Smillie. | |
Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century. | |
Reference: | Francine Tyler, American Etchings of the Nineteenth Century, New York, Dover Books, 1984, p. XVIII. |
Note: | Negro Huts at Wilmington, North Carolina is illustrated on plate 35. |
Size: | 3 7/8 X 5 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
Matted with 100% Archival Materials | |
Condition: | Printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in 1880. Signed in the plate (lower right corner) by the artist. Negro Huts at Wilmington, North Carolina is a splendidly printed, early impression and in excellent condition throughout. This original etching stands as a prime example of the nineteenth century American landscape art of John Mackie Falconer. |
Price: | Sold - The price is no longer available. |
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Original etching by John Mackie Falconer.
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Negro Huts at Wilmington, North Carolina |
View other original works of art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".
"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881) | ||||||
# | Image | Title & Etcher | Artist Info | Medium | Date | - |
01.- | ![]() |
A Village Street in France by Joseph Foxcroft Cole | Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892) | Original Etching | 1879 (1st Ed: 1880) | Sold |
02.- | ![]() |
A Young Republican by John Ames Mitchell | John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918) | Original Etching | 1881 | Sold |
03.- | ![]() |
Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford | Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905) | Original Etching | 1879 | Sold |
04.- | ![]() |
Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris' | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1879 | |
05.- | ![]() |
Divination in Tea Leaves by Alfred Laurens Brennan | Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921) | Original Etching | 1879 | |
06.- | ![]() |
Durham, England by Samuel Colman | Samuel Colman (Portland, Maine, 1832 - New York City, 1920) | Original Etching | 1880 | |
07.- | ![]() |
Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1881 | |
08.- | ![]() |
Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller | Hans Meyer (Berlin, 1846 - 1919) | Original Etching and Aquatint | 1881 | |
09.- | ![]() |
Mill Pond at Windsor Connecticutt by Albert Fitch Bellows | Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883) | Original Etching | 1879 | Sold |
10.- | ![]() |
Moonlight on the Androscoggin by John Henry Hill | John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922) | Original Etching and Aquatint | 1880 | Sold |
11.- | ![]() |
Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart. | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1879 | |
12.- | ![]() |
Near Mattakeesett by Edmund Henry Garrett | Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929) | Original Etching | 1881 | |
13.- | ![]() |
Negro Huts at Wilmington, North Carolina by John Mackie Falconer | John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903) | Original Etching | 1880 | Sold |
14.- | ![]() |
November by Stephen Parrish | Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938) | Original Etching | 1880 | Sold |
15.- | ![]() |
Old Boat House, Gloucester, Massachusetts by Charles Adams Platt | Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933) | Original Etching | 1881 | Sold |
16.- | ![]() |
Old Cedars, Coast of Maine by James David Smillie | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1880 | Sold |
17.- | ![]() |
On New York Bay by Henry Farrer | Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) | Original Etching | 1879 | Sold |
18.- | ![]() |
On the Housatonic by Hendrik Dirk Kruseman Van Elten | Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904) | Original Etching | 1881 | Sold |
19.- | ![]() |
On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten | Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904) | Original Etching | 1880 | Sold |
20.- | ![]() |
Passaic Meadows (In The Newark Meadows) by Thomas Moran | Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926) | Original Etching | 1880 | |
21.- | ![]() |
Pond at Cernay-La-Ville by Eliza Pratt Greatorex | Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897) | Original Etching | 1880 | Sold |
22.- | ![]() |
Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1881 | |
23.- | ![]() |
Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond | Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930) | Original Etching and Aquatint | 1880 | |
24.- | ![]() |
Schwabelweiss by Otto Henry Bacher | Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909) | Original Etching | 1879 | Sold |
25.- | ![]() |
Summer by Ignaz Marcel Gaugengigl | Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932) | Original Etching | 1880 | |
26.- | ![]() |
Sunset, Gowanus Bay by Henry Farrer | Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) | Original Etching | 1880 | Sold |
27.- | ![]() |
The Mermaid by Frederick Stuart Church | Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924) | Original Etching and Aquatint | 1880 | Sold |
28.- | ![]() |
The Noonday Rest by Peter Moran | Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914) | Original Etching | 1877 (1st Ed: 1880) | |
29.- | ![]() |
The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome | Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915) | Original Etching | 1880 | |
30.- | ![]() |
The Path by The Shore by Robert Swain Gifford | Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905) | Original Etching | 1879 | Sold |
31.- | ![]() |
Up The Hill by James David Smillie | James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909) | Original Etching | 1879 | Sold |
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