|
Georg Sigmund Facius's & Johann Gottlieb Facius's original engraving, All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. is based upon a design created by the British artist, Francis Wheatley for John Boydell's "Shakspeare Gallery". It is printed upon mid nineteenth century wove paper and with full margins as published by Shearjashub Spooner in New York in 1852. It is a striking, original example of the British art of George Sigmund Facius, Johann Gottlieb Facius & Francis Wheatley and the famous Boydell Shakespeare Gallery. This engraving represents a William Shakespeare play, All's Well that Ends Well, Act V, Scene III. This scene takes place at the Count's palace with Bertram, the young and foolish Count of Roussillion, Helena, the daughter of doctor Gerard de Narbon, a bright and talented girl, who has her father's medical skills, but after his death is brought up by Countess Roussillion, Bertram's mother. Lafeu (Lafew), is a lord in the King's court and is responsible for helping Helena persuade the King to give her the opportunity of curing his illness. After succeeding, Helena is rewarded, and given her choice of husbands, and so, chooses her childhood love, Bertram who does not reciprocate her feelings, nonetheless marries her. Soon after the wedding, he goes off to war, leaving her with a letter containing an impossible ultimatum to fulfill, in order to win his heart. This particular scene portrays Helena, who is believed to be dead, appearing before the King, Countess, Bertram and others, with the letter containing Bertram's parting instructions which she has fulfilled. Other characters include Parolles, a braggart and a soldier in the king's army; the Old widow of Florence, mother of the young lady Diana Capillet, the girl Bertram intended to seduce. Both women agreed to help Helena with her scheme to deceive Bertram.The play also includes the Duke of Florence, Lord Dumaine, Astringer, Lords, & attendants etc. The text below the image of this impression reads; "Shakspeare. All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. Publish'd June, 4, 1794 by John & Josiah. Boydell, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by S. & F. G. Facius. Painted by F. Wheatley R. Westall R. A.
|
Title: | All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. |
Engraver: | Facius, Georg Sigmund (Ratisbon, Germany, c. 1750 - London, 1814) |
Engraver: | Facius, Johann Gottlieb (Ratisbon, Germany, c. 1750 - London, 1802) |
Designer: | Wheatley, Francis (London, 1747 - 1801) |
Date: | 1792 (Shearjashub Spooner Edition, 1852) |
Medium: | Original Stipple Engraving |
Publisher: | John Boydell, London |
Source: | Shakspeare Gallery |
Note: | Georg Sigmund Facius & Johann Gottlieb Facius: Born in Germany, the Facius brothers studied engraving techniques in Brussels. Excelling in the stipple medium they produced many portraits, decorative, religious and mythological subjects. In 1776 they moved to London, at the request of John Boydell, and produced many engravings for this publisher. |
During their careers, Georg Sigmund Facius (also spelt George Sigmund Facius). and Johann Gottlieb Facius created notable plates after the designs of Francis Wheatley, Benjamin West, Joshua Reynolds and many others. Interestingly, they produced very few works individually and preferred to work in collaboration. Such is the case with All's Well that Ends Well. | |
Francis Wheatley: A distinguished 18th century painter and designer, Francis Wheatley studied art first at Shipley's drawing-school before completing his education of the Royal Academy. Early in his career he worked upon painting the ceiling at Brocket Hall, for Lord Melbourne, and assisted on the decorations at Vauxhall. He then worked as a portraitist in both London and Dublin. By 1790, however, Francis Wheatley had emerged as a major painter of rural and domestic subjects as well as literary and allegorical scenes. Boydell commissioned his talents for twelve large engravings from the Shakespeare set, including this original example. | |
John Boydell (Shropshire, 1719 - London, 1804): John Boydell is easily one of England’s most remarkable 18th century personalities. Born in poverty, he began his career as an at best mediocre engraver of small book plates. At this time England was at a very low ebb as a serious centre for the visual arts (particularly engraving) and John Boydell sought to eradicate this situation by beginning a second career as a publisher of fine prints. Modest initial experiments in the 1760's led to a rapid expansion of his business and during the 1770's he published his striking series of mezzotint engravings, Liber Veritas, engraved by Richard Earlom after the drawings of Claude Lorrain. This ambitious undertaking put England back on the printmaking map and was a huge financial success for John Boydell. | |
John Boydell had now established London as an important publisher for the arts and this once poor and struggling engraver/publisher was acknowledged for his efforts by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell's most grandiose undertaking. His new publishing establishment in Pall Mall, the ‘Shakspeare Gallery’, began by commissioning the most esteemed painters and engravers in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell’s nephew, Josiah (1752-1817), had joined the firm. | |
This monumental venture continued until John Boydell's death thirteen years later. By that time, the Shakspeare Gallery had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England's foremost publisher of art ended his life the way he began, dying penniless. Note: During that period, William Shakespeare's name was also spelt, 'Shakspeare', thus the spelling for Boydell's (Shakespeare Gallery) appears printed as 'Shakspeare Gallery'. | |
Shakspeare Gallery: Georg Sigmund Facius & Johann Gottlieb Facius, All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. | |
Shakspeare. All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. Publish'd June, 4, 1794 by John & Josiah. Boydell, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by S. & F. G. Facius. Painted by F. Wheatley R. Westall R. A.
This engraving was created by Georg Sigmund Facius & Johann Gottlieb Facius after a painting created by Francis Wheatley as commissioned by Boydell for the Shakespeare Gallery to represent Act V, Scene III. from a play entitled, All's Well that Ends Well by William Shakespeare. The scene takes place at the Count's palace with Bertram, the young and proud Count of Roussillion, who has been promised to wed Helena by the King of France. Helena is the daughter of the great doctor, Gerard de Narbon, a bright and talented girl, who has her father's medical gift, and the recipes for cures her father has left. After his death, Helena was brought up by Countess Roussillion, Bertram's mother. Lafeu (Lefew), is a lord in the King's court sent to bring young Bertram into the King's ward after his father's death. This old lord was also responsible for helping Helena persuading the King to give her an opportunity to cure his illness. She succeeds, and as a reward, Helena was given her choice of husbands, having fallen in love with Bertram, he was her choice. Bertram's feelings were not reciprocal, thus her offer was rejected, nevertheless, after realizing this would cause disfavor with the King, he agreed to marry her, then went off to war, leaving her with a letter containing an impossible ultimatum to fulfill, in order to win his heart. This particular scene portrays Helena, who was believed to be dead, appearing before the King, Countess, Bertram and others, with the letter containing his parting instructions which she has fulfilled (ring in hand & carrying his child). Other characters include Parolles, a soldier in the king's army, a braggart and a bad influence on the young Bertram. The Old widow of Florence, the innkeeper on the road to Copostella, mother of the young lady Diana Capillet, the girl Bertram intended to seduce. Both women agree to help Helena with her scheme to deceive Bertram when needed. The Duke of Florence, Lord Dumaine, Astringer, various other Lords, & attendants. |
|
Edition: | This original engraving is a 'Spooner Edition". 5. 'Posthumous Impressions and Restrikes'. Shearjashub Spooner acquired the plates, 'restored' them and published the last edition in New York In 1852. The text below the image of this impression reads; "Shakspeare. All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. Publish'd June, 4, 1794 by John & Josiah. Boydell, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by S. & F. G. Facius. Painted by F. Wheatley R. Westall R. A.
|
An Important Note on Boydell States and Editions: Proof impressions and true first edition impressions are easily identified by their fine lines and strong contrasts of black and white tones. Later more common editions print in a more overall grey tone and contain areas of re-working. Briefly, the publishing history of these great engravings can be categorized into five states or editions: 1. 'Artist's Proofs'. These are the earliest of states and were printed in only a handful of impressions. They are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin. |
|
Size: | 19 1/2 X 24 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
UnMatted | |
Buy Now | Price: $625.00 US |
Condition: | Printed upon mid nineteenth century wove paper and with full margins as published by Spooner in New York in 1852. A finely printed, deep impression and in excellent condition throughout. All's Well that Ends Well, Act Five, Scene Three (King, Countess, Lafeu, Lords, Attendants, Bertram Guarded, Helena, Diana & Widow.) represents a prime, original example of the famous art of Boydell's Shakespeare Gallery. |
Subject: | Georg Sigmund Facius, George Sigmund Facius, Johann Gottlieb Facius, Francis Wheatley All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow., original engraving, British artist, 'Shearjashub Spooner Edition', John Boydell, the Shakspeare Gallery, British art, the Shakespeare Gallery, William Shakespeare play, Shakespearean prints, Count of Roussillion, King of France, Doctor Gerard de Narbon, Helena, Countess Roussillion, Count Bertram, Lafeu (Lefew), Parolles, Old widow of Florence, the innkeeper, Copostella, Diana Capillet, Duke of Florence, Lord Dumaine, Astringer. |
Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Stipple Engraving by Georg Sigmund Facius & Johann Gottlieb Facius designed by Francis Wheatley (Shakspeare Gallery, John Boydell, London).
(Shearjashub Spooner Edition)
View other original engravings by George Sigmund Facius & Johann Gottlieb Facius.
George Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) Johann Gottlieb Facius (Ratisbon, Germany, c. 1750 - London, 1802) |
|||||||
# | Image | Title & Artist | Medium | Date | Engraver | Designer | Notes |
01- | All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. by Georg Sigmund Facius & Johann Gottlieb Facius designed by Francis Wheatley | Original Stipple Engraving (Spooner Edition, 1852) | 1792 | Georg Sigmund Facius & Johann Gottlieb Facius | Francis Wheatley | John Boydell, London, Shakespeare Gallery: inscribed, "Aqua Fortis. Publish'd May 1, 1789, by Jn. & Josiah Boydell. No. 90. Cheapside & No. 59, Pall Mall, London. Shakspeare. G. S. & I. G. Facius Sculpt. Miller Pinxit.". | |
02- | Romeo and Juliet. Act I, Scene V. A Hall in Capulet's House. Romeo, Juliet, Nurse, with Guests etc. by Georg Sigmund Facius & Johann Gottlieb Facius designed by William Miller | Original Stipple Engraving (Proof Before Title Impression) | 1789 | Georg Sigmund Facius & Johann Gottlieb Facius | William Miller | John Boydell, London, Shakespeare Gallery: inscribed, "Shakspeare. All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. Publish'd June, 4, 1794 by John & Josiah. Boydell, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by S. & F. G. Facius. Painted by F. Wheatley R. Westall R. A., Hel. Oh, my good lord, when I was like this maid, I found you wond'rous kind._ There is your ring; And, look you, here's your letter"_ This it says, _ This is done: Will you be mine now you are doubly won?" | |
03.- | Annibale Carracci's (Head of a Man) by George Sigmund Facius designed by Annibale Carracci | Original Soft Ground Etching & Stipple Engraving | 1807 | George Sigmund Facius | Annibale Carracci | John Chamberlaine, London, inscribed, "From the Original drawing by 'Annibale Carracci.", "Engrav'd by G. S. Facius", "In His Majesty's Collection", the publication line, "Published as the Act directs May 7.1807. by J. Chamberlaine. Scotland Yard.", and the plate number "PL. XI." |
View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).
Art of the Print / www.artoftheprint.com | |||||
John Boydell & Josiah Boydell Shakspeare Gallery |
|||||
All's Well that Ends Well | |||||
01.- | All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. by Georg Sigmund Facius & Johann Gottlieb Facius | George Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, Germany c. 1750 - London, 1802) | Original Stipple Engraving (Spooner Edition, 1852) | 1792 | |
As You Like It | |||||
02.- | As You Like It. Act I, Scene II. Before the Duke's Palace. Rosalind, Celia, Orlando & Attendants etc. Charles carried off. by William Satchwell Leney | William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) | Original Stipple and Line Engraving (Artist Proof Impression) | 1794 | |
03.- | As You Like It. Act II, Scene I. Jaques and the Wounded Stag in the Forest of Arden. Enter Duke, Amiens and other Lords. by Samuel Middiman | Samuel Middiman (London, 1750 - 1831) | Original Line Engraving (Open Letter Proof Impression) | 1791 | |
04.- | As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple Engraving (Proof Impression Before Title) | 1790 | |
As You Like It: The Seven Ages of Man | |||||
05.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. First Age. Infancy. by Peltro William Tomkins | Peltro William Tomkins (London, 1760 - 1840) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
06.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Second Age. Childhood. by John Ogborne | John Ogborne (Chelmsford, 1755 - London, 1837) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
07.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Third Age. Youth. by Robert Thew | Robert Thew (Partington, 1758 - Stevenage, 1802) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
08.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Fourth Age. Manhood. by John Ogborne | John Ogborne (Chelmsford, 1755 - London, 1837) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
09.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
10.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Sixth Age. Old Age. by William Satchwell Leney | William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
11.- | As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
Comedy of Errors | |||||
12.- | Comedy of Errors. Act V, Scene I. A street before the Priory. Merchant, Angelo, Lady Abbess, Adriana, etc. by Charles Gauthier Playter | Charles Gauthier Playter (Died, Lewisham, 1809) | Original Stipple Engraving (Proof Impression Before Title) | 1794 | |
Cymbeline | |||||
13.- | Cymbeline. Act I, Scene II. Cymbeline's palace in Britain. Imogen, Posthumus, Queen, Cymbeline, etc. by Thomas Burke | Thomas Burke (Dublin, 1749 - London, 1815) | Original Stipple and Line Engraving (First Edition Impression) | 1795 | |
14- | Cymbeline. Act III, Scene IV. Near Milford Haven. Pisanio and Imogen. by Robert Thew | Robert Thew (Partington, 1758 - Stevenage, 1802) | Original Stipple Engraving (Open Letter Proof Impression) | 1801 | |
15.- | Cymbeline. Act III, Scene VI. The Forest and Cave. Imogen in Boy's Cloaths. by Thomas Gaugain | Thomas Gaugain (Abbeville, France, 1748 - London, 1810) | Original Stipple Engraving (Open Letter Proof Impression) | 1803 | |
Julius Caesar | |||||
16.- | Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. by Edward Scriven | Edward Scriven (Alcester, 1775 - London, 1841) | Original Line and Stipple Engraving (Spooner Edition, 1852) | 1803 |
King Richard The Second | |||||
32.- | King Richard The Second. Act IV, Scene I. King Richard, Bolingbroke, York, Aumerle, etc. by Benjamin Smith | Benjamin Smith (London, 1754 - 1833) | Original Stipple Engraving (Artist Proof Impression) | c. 1795 | Sold |
33.- | King Richard the Second. Act V, Scene II. The Entrance of King Richard and Bolingbroke into London. by Robert Thew | Robert Thew (Partington, 1758 - Stevenage, 1802) | Original Stipple and Line Engraving (First Edition Impression) | 1801 | Sold |
King Richard The Third | |||||
34- | King Richard the Third. Act III, Scene I. Prince of Wales, Duke of York, his Brother, etc. by Robert Thew | Robert Thew (Partington, 1758 - Stevenage, 1802) | Original Stipple & Line Engraving (Open Letter Proof Impression) | 1791 | |
Love's Labour's Lost | |||||
35.- | Love's Labour's Lost. Act IV, Scene I. Princess, Forester, Boyet, Attendants, etc. by Thomas Ryder | Thomas Ryder (London, 1746 -1810) | Original Stipple Engraving (Open Letter Proof Impression) | 1793 | |
Measure for Measure | |||||
36.- | Measure for Measure. Act II, Scene I. Angelo's House. Escalus, A Justice, Elbow, Froth, Clown, Officers, etc. by Charles Gauthier Playter & Thomas Ryder | Charles Gauthier Playter (Died, Lewisham, 1809) Thomas Ryder (London, 1746 -1810) |
Original Stipple Engraving (Artist Proof Impression) | 1794 | Sold |
Merchant of Venice | |||||
37.- | Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot. by Jean Pierre Simon | Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810) | Original Stipple Engraving (First Edition Impression) | 1795 | |
38.- | Merchant of Venice. Act V, Scene I. A Grove & Lawn, before Portia's House. Jessica, Lorenzo and Stephano. by John Browne | John Browne (Finchingfield, Essex, 1741 - Walworth, 1801) | Original Line Engraving (First Edition Impression) | 1795 | |
Merry Wives of Windsor | |||||
39.- | Merry Wives of Windsor. Act V, Scene V. Windsor Park. Falstaff disguised with a buck's head on etc. Sir Hugh Evans, Anne Page, etc. by Isaac Taylor, Junior | Isaac Taylor, Junior (1759 - Ongar, 1829) | Original Line Engraving (Artist Proof Impression) | 1793 | Sold |
40.- | Merry Wives of Windsor. Act IV, Scene II. A room in Ford's House. Falstaff in women's clothes led by Mrs. Page. by Thomas Ryder | Thomas Ryder (London, 1746 -1810) | Original Stipple Engraving (First Edition Impression) | 1801 | |
41.- | Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple and Line Engraving (Proof Impression Before Title) | 1792 | |
42.- | Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple and Line Engraving (First Edition Impression) | 1793 | |
Much Ado about Nothing | |||||
43.- | Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple and Line Engraving (Open Letter Proof Impression) | 1790 | Sold |
44.- | Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple and Line Engraving (Open Letter Proof Impression) | 1790 | |
Othello | |||||
45.- | Othello. Act II, Scene I. A Platform. Desdemona, Othello, Iago, Cassio, Rodrigo, Emilia, etc. by Thomas Ryder | Thomas Ryder (London, 1746 -1810) | Original Stipple Engraving (Artist Proof Impression) | 1799 | |
Queen Charlotte | |||||
46.- | Her Most Gracious Majesty, Queen Charlotte by Thomas Ryder, Thomas Ryder Junior, and Sir William Beechey. | Thomas Ryder (London, 1746 -1810) Thomas Ryder Junior (British, born 1789 -died ?) |
Original Stipple Engraving (First Edition Impression) | 1804 | |
Romeo and Juliet | |||||
47.- | Romeo and Juliet. Act I, Scene V. A Hall in Capulet's House. Romeo, Juliet, Nurse, with Guests etc. by Georg Sigmund Facius & Johann Gottlieb Facius | Georg Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, c. 1750 - London, 1802) | Original Stipple Engraving (Proof Before Title Impression) | 1789 |
The Tempest | |||||
48.- | The Tempest. Act I, Scene I. The Enchanted Island: Before the Cell of Prospero. Prospero and Miranda. by Benjamin Smith | Benjamin Smith (London, 1754 - 1833) | Original Stipple Engraving (First Edition Impression) | 1797 | |
49.- | The Tempest. Act V, Scene I. Ferdinand & Miranda playing at Chess. by Caroline Watson | Caroline Watson (London, 1760 - Pimlico, 1814) | Original Stipple Engraving (First Edition Impression) | 1795 | |
The Alto-Relievo (The frontis-piece for the Shakspeare Gallery set) | |||||
50.- | Shakspeare seated between the Dramatick Muse and the Genius of Painting. The alto relievo in the front of the Shakspeare Gallery, Pall Mall by Benjamin Smith | Benjamin Smith (London, 1754 - 1833) | Original Stipple Engraving (First Edition Impression) | 1796 | |
Two Allegorical Engravings (The introductory engravings for the Shakspeare Gallery set) | |||||
51.- | The Infant Shakspeare. Attended by Nature and the Passions by Benjamin Smith | Benjamin Smith (London, 1754 - 1833) | Original Line and Stipple Engraving (Spooner Edition 1852) | 1799 | Sold |
52.- | Shakspeare Nursed by Tragedy And Comedy by Benjamin Smith | Benjamin Smith (London, 1754 - 1833) | Original Stipple Engraving (First Edition Impression) | 1803 | |
Troilus and Cressida | |||||
53.- | Troilus and Cressida. Act II Scene II. Scene, Troy. Cassandra Raving. by Francis Legat | Francis Legat (Scotland, 1755 - London, 1809) | Original Line Engraving (First Edition Impression) | 1795 | |
Twelfth Night | |||||
54.- | Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. by Francesco Bartolozzi | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Original Stipple and Line Engraving (Open Letter Proof Impression) | 1797 | |
55.- | Twelfth Night. Act III, Scene IV. Olivia's - house. Olivia, Maria. & Malvolio. by Thomas Ryder | Thomas Ryder (London, 1746 -1810) | Original Stipple Engraving (Open Letter Proof Impression) | 1794 | |
Two Gentlemen of Verona | |||||
56.- | Two Gentlemen of Verona. Act V, Scene III. A Forest. Valentine, Proteus, Silvia & Julia. by Luigi Schiavonetti | Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) | Original Stipple Engraving (First Edition Impression) | 1792 | |
Winter's Tale | |||||
57.- | Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita. by Jean Pierre Simon | Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) | Original Stipple Engraving | 1793 | Sold |
58.- | Winter's Tale. Act III, Scene III. Storm Scene, Antigonus Pursued by a Bear. by Samuel Middiman | Samuel Middiman (London, 1750 - 1831) | Original Line Engraving (Spooner Edition, 1852) | 1793 | |
59.- | Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. by James Fittler | James Fittler (London, 1758 - Turnham Green, 1835) | Original Line Engraving (Proof Impression Before Title) | 1789 |
Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art. | |
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories. | |
Century: | |
Old Master Artist Index | The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's. |
Fine 19th Century Artist Index | The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899. |
Country: | |
British Artists Index | The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century. |
Subject: | |
Animals in Art Index | The 'Animal Art' directory contains a selection of original animal art created by artists throughout the centuries, depicting birds, cats, dogs, horses, cows, sheep, pigs, monkeys, fish and or many other creatures. The artists' depictions range from rare zoological studies to some very humorous animal portrayals. |
Royalty Portrayed in Art Index | The 'Royalty, Nobility, Palaces and Castles' directory contains a selection of original art depicting portraits of Kings and Queens, as well as a variety of portrayals of nobles holding the title of Prince, Princess, Duke, Duchess, Count, Countess, etc., and scenes depicting royal ceremonies. Also included is a listing of original artworks with depictions of and castles and palaces. The artworks date from the 16th century to the 20th century. |
Theater Portrayed in Art Index | The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare. |
Women Portrayed in Art Index | The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries. |
Customer inquiries: Contact us or phone Greg & Connie (905) 957-6666
www.artoftheprint.com - Home | About Us | Artist Index | Gallery | Catalogue | Our Policy | Contact Us | Site Map
© copyrighted by Art of The Print / www.artoftheprint.com / Greg & Connie Peters. All Rights Reserved. |