William Henry Egleton and Thomas Uwins - Hyacinth Flowers of Loveliness

Hyacinth (Flowers of Loveliness)

William Henry Egleton's Original Engraving, Hyacinth (Flowers of Loveliness) is based upon a design created by the British artist, Thomas Uwins A.R.A.. This impression is printed upon early 19th century wove paper and with full margins, bearing the title, "Hyacinth", the artists' signatures, "W. H. Egleton Sculp.", & "T. Uwins Del." , as well as the name of The London Printing and Publishing Company within the plate as published by John Tallis and Company for Flowers of Loveliness in 1854. The scene depicts two young women adorning a little girl with flowers. It is a fine, original example of the 19th century art by the British artists, William Henry Egleton & Thomas Uwins.

Original Engraving by the British artist, William Henry Egleton (W. H. Egleton), after a design by Thomas Uwins (T. Uwins).

Hyacinth (Flowers of Loveliness)

View other original works of art published by John Tallis and Company for 'Flowers of Loveliness'

Flowers of Loveliness by John Tallis and Company, London
#	Image	Title & Engraver	Engraver	Designer	Medium	Date	-
01-		Daisies (Flowers of Loveliness), by William Thomas Fry after Edmund Thomas Parris	William Thomas Fry, 'W. T. Fry' (London, 1789 - 1843)	Edmund Thomas Parris, 'E. T. Parris' (London, 1793 - 1873)	Original Engraving	1854
02.-		Forget Me Not (Flowers of Loveliness), by William Henry Egleton after Thomas Uwins	William Henry Egleton, 'W. H. Egleton' (London, active 1833 - 1862)	Edmund Thomas Parris, 'E. T. Parris' (London, 1793 - 1873)	Original Engraving	1854	Sold
03.-		Heartsease (Flowers of Loveliness), by Henry Thomas Ryall after Edmund Thomas Parris	Henry Thomas Ryall, 'H. T. Ryall' (Frome, Somerset, 1811 - Cookham, Berkshire, 1867)	Edmund Thomas Parris, 'E. T. Parris' (London, 1793 - 1873)	Original Engraving	1854	Sold
04.-		Hyacinth (Flowers of Loveliness), by William Henry Egleton after Thomas Uwins	William Henry Egleton, 'W. H. Egleton' (London, active 1833 - 1862)	Thomas Uwins, 'T. Uwins' (British, 1782 - 1857)	Original Engraving	1854
05.-		Iris (Flowers of Loveliness), by James Thomson after Thomas Uwins	James Thomson, 'J. Thomson' (Mitford, Northumberland, 1788 - London, 1850)	Thomas Uwins, 'T. Uwins' (British, 1782 - 1857)	Original Engraving	1854	Sold
06.-		Lily (Flowers of Loveliness), by James Thomson after Edmund Thomas Parris	James Thomson, 'J. Thomson' (Mitford, Northumberland, 1788 - London, 1850)	Edmund Thomas Parris, 'E. T. Parris' (London, 1793 - 1873)	Original Engraving	1854
07.-		Poppy (Flowers of Loveliness), by Thomas Anthony Dean after Fanny Corbaux	Thomas Anthony Dean, 'T. A. Dean' (London, 1801 - 1860)	Marie Francoise Catherine Doetter Corbaux 'Fanny Corgaux' (France, 1812 - Brighton, 1883)	Original Engraving	1854
08.-		Violets (Flowers of Loveliness), by Henry Thomas Ryall after Edmund Thomas Parris	Henry Thomas Ryall, 'H. T. Ryall' (Frome, Somerset, 1811 - Cookham, Berkshire, 1867)	Edmund Thomas Parris, 'E. T. Parris' (London, 1793 - 1873)	Original Engraving	1854	Sold

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Title:	Hyacinth
Engraver:	Egleton, William Henry 'W. H. Egleton' (London, active 1833 - 1862)
Designer:	Uwins, Thomas 'T. Uwins' (British, 1782 - 1857)
Date:	1854
Medium:	Original Engraving
Publisher:	John Tallis and Company, London
Printer:	The London Printing and Publishing Company
Source:	Flowers of Loveliness
Note:	William Henry Egleton (W. H. Egleton): A fine 19th century printmaker, William Henry Egleton was also known as W. H. Egleton. His oeuvre mainly consisted of portraits, figure studies, and religious subjects in the medium of mezzotint, line, and stipple engraving. Egleton created graphic art for such works as, "Flowers of lovelines, Forty Groups of Female Figures Emblematic of Flowers, Designed by first Artists, Expressly for this Work: with poetical illustrations, by Letitia E. Landon, The Countess of Blessington, and Thomas Haynes Bayley, Esq., Dedicated to Her Most Gracious Majesty, The Queen, John Tallis and Company (1854), "Ballads and other poems" by Mary Howitt, Margaret Gillies, William Henry Egleton and others (1847), "Heath's Book on Beauty" (1836), "Finden's Portraits Of The Female Aristocracy Of The Court Of Queen Victoria" (1838), "Legends of Venice, edited by Thomas Roscoe" (1841), and other fine illustrated volumes. Hyacinth hails from the large portfolio of forty engravings of female figures entitled, "Flowers of Loveliness" published in 1854 by John Tallis and Company, London, Edinburgh, Dublin, and New York.
	Thomas Uwins (T. Uwins): A fine painter, watercolour artist, and illustrator, Thomas Uwins R.A. studied art at the Royal Academy, London. He was a member of the Watercolour Society, keeper of the royal galleries and the National Gallery, as well as librarian of the Royal Academy (1844-1855). His artistic oeuvre consisted of portraits, landscapes, and genre, but was also well known as a miniature portrait painter. T. Uwins was elected A.R.A (1833), R.A. (1838). A fine illustrator, Uwins created designs for such works as, Flowers of loveliness: Twelve Groups of Female Figures, Emblematic of Flowers, from Designs by E. T. Parris, Esq. with Poetical Illustrations, in Verse by the Countess of Blessington, published by Ackermann and Company, London (1836), Thomas Day's "The History of Sandford and Merton", Samuel Carter's "The Book of Gems: The modern poets and artists of Great Britain" (1838), "Heath's Book of Beauty: with Beautifully Finished Engravings, from Drawings" (1837), and other fine illustrated volumes. An original engraving by William Henry Egleton, Hyacinth hails from the large portfolio of forty engravings of female figures entitled, Flowers of Loveliness published in 1854 by John Tallis and Company, London, Edinburgh, Dublin, and New York.
	Flowers of Loveliness: Near the beginning of Queen Victoria's long reign there appeared a large portfolio of forty engravings of female figures that were unequaled for their delicacy of line and composition. Published by John Tallis, London, Edinburgh, Dublin, and New York in 1854 under the title of, Flowers of Loveliness, Forty Groups of Female Figures Emblematic of Flowers, Designed by first Artists, Expressly for this Work: with poetical illustrations, by Letitia E. Landon, The Countess of Blessington, and Thomas Haynes Bayley, Esq., Dedicated to Her Most Gracious Majesty, The Queen. The theme of this set was to unite the beauty of women with that of flowers. The designers that were commissioned included some of the finest British artists of the day, such as, Edmund Thomas Parris (1793-1873), Thomas Uwins (1782-1857), Kenny Meadows (1790-1874), Eliza Sharpe (1796-1874), Fanny Corbaux (1812-1883), and others. The engravers were no less distinguished as they included Henry Thomas Ryall (1811-1867), William Thomas Fry (1789-1843), Thomas Woolnoth (1785-1838), James Thomson (1788-1850), William Henry Egleton, Thomas Anthony Dean (1801-1860), George Adcock, and others. This original engraving bears the title, "Hyacinth", the artists' signatures, "W. H. Egleton Sculp.", & "T. Uwins Del.", as well as the name of The London Printing and Publishing Company within the plate as published by John Tallis and Company for Flowers of Loveliness in 1854. The text included with each engraving contained poetry, and sometimes detailed information concerning each flower. The scene depicts two young women adorning a little girl with flowers. The following is the first stanza from the poem; "The Hyacinth. Where is the bee its sweetest music bringing,-- The music living in its busy wings, Like the small fountain's low perpetual singing, Counting the quiet hours that noontide brings?..."
	John Tallis: The London publisher John Tallis was considered one of the most sought after cartographers of the early 19th century. From 1838 to 1851 John Tallis published maps, genre, theatrical portraits, views, and other historical works under his various firms, 'L. Tallis', 'Tallis & Co.', 'John Tallis', 'J. & F. Tallis publishing company', 'John Tallis & Co.' (London & New York). In his book, Hamlet and the Visual Arts, 1709-1900, published 2002, the author Alan R. Young writes that John Tallis established a new publishing company (in partnership with Ephraim Tipton Brain), 'The London Printing and Publishing Co.', London and New York in December of 1853. An original engraving, Hyacinth hails from the large portfolio of forty engravings of female figures entitled, Flowers of Loveliness first published by John Tallis and Company, London, Edinburgh, Dublin, and New York. The engravings bear the title, the artists' names, and the name of ' The London Printing and Publishing Company' within the plate.
:Provenance:	This original engraving entitled, Hyacinth from Flowers of Loveliness, hails from the collection of Richard H. Harris, Principal of the High School Vienna County Elgin, Upper Canada, February 25th, 1856.
Size:	12 1/2 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $195.00 US
Condition:	Printed on early nineteenth century wove paper and with full margins, bearing the title, "Hyacinth", the artists' signatures, "W. H. Egleton Sculp.", & "T. Uwins Del." , as well as the name of The London Printing and Publishing Company within the plate as published by John Tallis and Company for Flowers of Loveliness in 1854. Containing the usual traces of foxing one finds in wove paper of this era (particularly in the outer margins), else a finely printed, early impression and in good condition throughout. "Hyacinth" represents a superb, original example of the early 19th century genre engraving by William Henry Egleton .
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