| Title: |
Pearl (The Hawthorne Portfolio: The Scarlet Letter) |
| Artist: |
Dielman, Frederick (Hanover, Germany, 1847 - Ridgefield, CT, 1935) |
| Date: |
1884 |
| Medium: |
Original Etching |
| Publisher: |
The Riverside Press, Cambridge |
| Edition: |
Limited Edition of One Hundred and twenty-five impressions,
Numbered 4/125 |
| Source: |
The Hawthorne Portfolio (Set of 24 India Proofs) Illustrating The New Riverside Edition |
| Note: |
Frederick Dielman: An American muralist,
painter, illustrator and etcher, Frederick Dielman was born in Germany but
came to Baltimore as a young child. He received his education there at Calvert
College and graduated in 1864. From 1866 to 1872, Frederick Dielman worked as a topographer
for the United States Engineers. He then returned to Germany and studied
art at the Royal Academy of Munich, under Wilhelm von Diez. |
| |
Frederick Dielman returned to the United States in 1876 and
established a studio on Tenth Street in New York. Beginning in 1878 he taught
at the Art Students League of New York and eventually assumed the post of
Director of the Art Schools of Cooper Union (1905-1931). Frederick Dielman was also contributed many illustrations to Harper's & Brothers illustrated periodicals, such as the wood engraving after his illustration published in 1884 for Harper's Weekly entitled, Grandmother's Room engraved by F. H. Wellington and Amy was Soon Busy Sketching Them engraved by F. S. King. |
| |
Frederick Dielman was a founding member of the Society of
American Artists (1877), a member of the National Institute of Arts and
Letters, the American Water-Color Society, the Salmagundi Club and the New
York Etching Club. He was elected an Associate of the National Academy of
Design (1881) and an Academician (1883). He also served as President of
the National Academy of Design, from 1899 to 1909, and as President of the
Fine Arts Federation of New York, from 1910 to 1915. |
| |
At present such institutions as the Yale University Art Gallery,
the National Academy of Design Museum, Pennsylvania Academy of the Fine
Arts, Carnegie Museum and the Library of Congress, Washington, D.C., include
Frederick Dielman's art in their permanent collections. |
| |
The Hawthorne Portfolio: In 1883 the Riverside
Press, Cambridge, published its twelve volume set of the collected writings
of the American author, Nathaniel Hawthorne (1804-1864). The publisher commissioned
such contemporary American etchers as Robert Blum, Walter Shirlaw, F. S.
Church, Ross Turner, Frederick Dielman and R. S. Gifford to contribute twenty-four
original etchings to the publication. These were printed on laid paper with
narrow margins. |
| |
A year later (1884) this publisher re-issued the etchings
without the text in a limited edition of one hundred and twenty five sets.
These limited edition etchings were printed upon fine India paper with large
margins and mounted onto individual sheets of white, wove paper. Bearing
the title of The Hawthorne Portfolio, these finely printed etchings
were published unbound within a folding case. |
| |
Frederick Dielman contributed four original etchings to The
Hawthorne Portfolio. These are entitled, Hester Prynne and Roger Chillingworth,
Pearl, The Draught of Immortality and The Grave on the Hill-Top. In these
etchings, Frederick Dielman shows his mastery at portraying scenes and figure studies.
Pearl, is a brilliant portrayal of the enigmatic daughter of Hester
Prynne from one of Nathaniel Hawthorne's greatest novels, The Scarlet Letter. |
| |
Nathaniel Hawthorne (Salem, Massachusetts, 1804 - Plymouth New Hampshire, 1864): One of the greatest fiction authors, in American literature, Nathaniel Hawthorne was a master of short stories and novels. His literary masterpieces were published both in book form and journals, periodicals, magazines, and annuals, many of which appeared anonymously in literary sources such as the New England Magazine, Atlantic Monthly, Scribner's Monthly, The American Magazine of Useful and Entertaining Knowledge, The Token and Atlantic Souvenir, and the Salem Gazette, Blackwood's Magazine, Tait's Edinburgh Magazine, and many others. This selection of Hawthorne's published tales and novels is not a complete list, but it does include the majority of his most famous works. It begins with Hawthorne's first published novel, Fanshawe (1828), a romance issued by Marsh & Capen published anonymously at his own expense three years after graduating from Bowdoin College, in Brunswick, Main. That novel was followed by such memorable works as, The Hollow of the Three Hills and An Old Woman's tale, both published in the Salem Gazette (1830). The Gentle Boy, and My Kinsman, Major Molineux, first appeared, along with other tales in the Token and Atlantic Souvenir (1832). In 1834, the New-England Magazine published The Story Teller I and II, and a year later (1835), that same magazine published Young Goodman Brown, a tale of witchcraft, later released in Hawthorne's collection of tales entitled, Moses from an Old Manse (1846). In 1836, Nathaniel Hawthorne moved to Boston to work as the editor of The American Magazine of Useful and Entertaining Knowledge, but is only there for a few months as the magazine filed for bankruptcy, and that same year, The Maypole of Merry Mount and The Wedding-Knell were published in the Token. Then in 1837, Hawthorne's first of three collections of short stores was published under the title, Twice-Told Tales; it included eighteen previously published works, republished in 1842 with additional material, and again in 1851 in the final collection of tales (published during Hawthorn's lifetime), under the title, The Snow Image and Other Twice Told Tales. Published simultaneously in London (dated, 1851) and in Boston (dated, 1852), this new edition included the first book, the 1842 expanded edition, his most recent stories, as well as other uncollected works such as, My Kinsman, Major Molineux, The Man of Adamant, Ethan Brand, The Snow-Image: A Childish Miracle, The Great Stone Face, and others. From 1838 to 1841, Hawthorne published various other works such as the Time's Portraiture, Being the Carrier's Address to the The Salem Gazette (1838), The Sister Years, and The Gentle Boy (1839) and in 1841, he wrote, Grandfather's Chair, a History of Youth, a historical account of New England's past continued in his next volumes, Famous Old People, and the Liberty Tree; the three works formed the whole history of Grandfather's Chair. |
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In 1842, Nathaniel Hawthorne married the painter and illustrator, Sophia Peabody, and they took residence at the Old Manse located in Concord, Massachusetts (1842-1845).During his residency
at the Old Manse, he enjoyed his most productive period publishing many short stories, such tales as The Birth-Mark (1843), and The Hall of Fantasy,(1843), appeared in the Pioneer Magazine. Other works were also published in the United States Magazine and Democratic Review; these include, Buds and Bird Voices (1843), A Select Party (1844), Rappaccini's Daughter (1844). Several of the tales from this period were later included in one of his finest collections of tales which he aptly titled, Mosses from an Old Manse. At the end of 1845, Hawthorne moved back to Salem, Massachusetts where he held the position of Surveyor of the Port of Salem (1846-1849). During his stay in Salem, Hawthorne authored, The Custom House, an introduction to one of his most famous works, The Scarlet letter, a novel set in a village in Puritan New England (1850). The Great Stone Face, published in The National Era, and The Snow Image, which appeared in The International Magazine were both published in 1850. Hawthorne then rented a small cottage in Stockbridge, just outside Lenox, Massachusetts (1850/1851), where he devoted himself to writing, The House of the Seven Gables, a romance novel set in 19th century Salem, Massachusetts (1851). In the winter of 1851, Hawthorne and his family moved to West Newton, Mass. near Boston where he completed, The Blithedale Romance, a story partly based upon Hawthorne's disenchantment with the utopian community (an experiment in communal living where Hawthorne spent some time just before got married) at Brook Farm near Boston (1852). Soon after (1852), Nathaniel Hawthorne purchased their first home, The Wayside in Concord, Massachusetts previously known as Hillside and owned by Mr. and Mrs. Amos Bronson Alcott, parents of Abigail May, Anna, Elizabeth and Louisa May Alcott, the famous author of Little Women and other works. Hawthorne enjoyed his new home and dedicated himself to writing such works as, A Wonder-Book for Girls and Boys, a children's book based on Greek mythology (1852), and the Life of Franklin Pierce (1852), a campaign biography for his lifelong friend, Franklin Pierce, who was elected as the 14th President of the United States (1853-1857). About a year later, Hawthorne published his next children's book, Tanglewood Tales for Girls and Boys: Being a Second Wonder-Book, which was also a series of mythological tales retold (1853), and no less than ten days later, his appointment to the consulate at Liverpool by President Pierce was confirmed. |
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Hawthorne then moved to England where he served as an American Consul to Britain from (1853-1857). During that time, he wrote a manuscript dedicated to Mrs. J. P. Heywood, entitled, The Ghost of Doctor Harris (1856), A Rill from the Town Pump (1857), and his English notebooks, later published in series form as travel articles in The Atlantic Monthly, then published under the title, Our Old Home, after which they were edited and published posthumously by Hawthorn's wife, Sophia Hawthorne. After his term at the British consulate ended, the Hawthorne's took an extended holiday traveling through Europe, and eventually took up residence in Italy, and about two years later they returned to England where Hawthorne completed the Italian romance which was first published in London under the title, Transformation: or, The Romance of Monte Beni (1860), then in America under his original title, The Marble Faun; or, The Romance of Monte Beni (1860). That same year, they returned to the United States and took up permanent residence at the Wayside in Concord, Massachusetts, where Hawthorne continued writing such works as, Pilgrimage to Old Boston (1862), Our Old Home (1863), A London Suburb (1863), and his last, but unfinished literary creation was, Pansie, a Fragment; sometimes called Little Pansie (1864). As mentioned earlier, some of Hawthorne's unfinished works were published posthumously; they include, Passages from his Note-Books (1866), also reprinted in book form as Passages From The American Note-Books, a description of his 1838 summer tour in western Massachusetts (1868), A Passage From Hawthorne's, English Note-Books, edited by Sophia Hawthorne appeared in the Atlantic Monthly (July, 1867), followed by five impressions issued between (1870-1874). The French and Italian Note-Books, passages from his journals while traveling with his family in France, Italy and parts of Switzerland appeared in Scribner's Monthly, (October, 1871). Septimius Felton appeared in the Atlantic Monthly, & in Scribner's Monthly; and again in Septimius, a Romance, edited by Una Hawthorne (1872). Also published posthumously were The Dolliver Romance (1876), and Dr. Grimshaw's Secret: A Romance which was originally a fragment from the second version of the English romance written while living in England in 1860, first published in 1883 with preface and notes by his son, Julian Hawthorne. This original Frederick Dielman etching entitled, Pearl hails from The Hawthorne Portfolio published by the 'The Riverside Press' in 1884 in the limited edition of one hundred and twenty-five impressions, numbered 4/125. Pearl, is a brilliant portrayal of the enigmatic daughter of Hester Prynne from one of Nathaniel Hawthorne's greatest novels, The Scarlet Letter. |
| Size: |
3 X 3/14 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| |
Matted with 100% Archival Materials |
| Buy Now |
Price: $225.00 US |
| Condition: |
Printed upon fine almost tissue thin, India paper and with
large, full margins as published in the limited edition of 125 impressions
in The Hawthorne Portfolio in 1884. A deeply printed, India Proof
impression and in excellent condition throughout. Pearl represents
a prime, original example of the famous nineteenth century art of Frederick
Dielman. |
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