Title: |
The First Glimpse of Mont St. Michele |
Artist: |
Decaris, Albert (Sotteville-les-Rouen, 1901 - Paris, 1988) |
Date: |
c. 1930 - 1940 |
Medium: |
Original Drypoint Engraving |
Note: |
"Decaris's approach is direct, unhesitating. Once the vision of what
he desires is fully imprinted on his mind, he is not hindered by details,
by technical difficulties, gaping crowds, sweltering studios. The accomplishments
of pushing delicate ravines through a copper plate with a burin, of biting
impossibly rich blacks with nitric acid, of spreading sepia washes which
dry with miraculous effect, all of these he takes for granted and promptly
forgets." *
|
|
One of France's foremost engravers of the twentieth century, Albert Decaris
began his formal art studies at the age of fourteen at the Ecole Estienne.
Four years later he was accepted into the Ecole des Beaux-Arts, Paris,
and studied in the studios of Carmon and Laguillermie. Within six months
Decaris had won the Premier Grand Prix de Rome and became the youngest
student ever to win this prestigious honor. |
|
Decaris thus journeyed to Rome where he worked and lived at the Villa
Medici. Unfortunately he contacted malaria on a journey to Paestum and
was critically ill for a period of one year. Upon his recovery Albert Decaris
was 'rewarded' with a two year mandatory service in the French military.
After this he concluded his fellowship in Rome and then returned to Paris.
He first worked upon a series of engravings of Beligian subjects which
he submitted to the Paris Salon. These works received the Salon's Medaille
d'Argent. It was the first time in the Salon's long history that an artist
had received this major medal with his premiere presentation. |
|
During the following years Albert Decaris created a major
oeuvre of original engravings and etchings, both as individual plates and
as illustrations for livres d'artiste. In this latter category he illustrated
such magnificent books as Shakespeare's, Macbeth (1930), Cathlin's,
Le Sommeil d'Endymion (1934), Milton's, Samson Agonistes (1939), Chenier's,
Eglogues (1945), Heriot's, Mythologie des Anciens Grecs et Romains (1955),
Emile Henriot, Les Trophees (1967) and Eschyle, Tragedies
sous la Direction de Mario Vincent (1975-1977). |
|
Between 1935 and 1985 Albert Decaris created more than six hundred stamps
for France and its territories. Held in equally high esteem for his architectural,
historical, landscape, portrait and figurative engravings, he became a
full member of the Academie des Beaux-arts in 1943 and was nominated its
President in 1960. In 1962 Decaris was named the official painter of the
Marine Francaise. |
|
The First Glimpse of Mont St. Michele was published as an individual
engraving in a small, limited edition of thirty signed impressions. Composed
entirely of both rapid and deeply printed engraved lines it is surely one
of this master's most accomplished landscape compositions. |
Edition: |
Limited edition of thirty impressions, numbered 16/30. |
Reference: |
* Samuel Chamberlain, “Decaris, Master of Black
and White”, W. P. Truesdell, ed., The Print Connoisseur, Vol.
X, No. 3, July 1930, Champlain, NY, pp. 221 - 242. Quotation taken from
p. 226. |
Size: |
10 1/8 X 7 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
|
Matted with 100% Archival Materials |
Condition: |
Printed upon pure rag paper with the 'Combourg' watermark and with full,
deckled margins as published in Paris in the limited edition of 30 impressions.
Signed and numbered, '16/30', in pencil along the lower margin. A brilliantly
printed impression and in excellent condition throughout. The First
Glimpse of Mont St. Michele represents a both a prime and scarce example of the
famous engraved art of Albert Decaris. |
Price: |
Sold - The price is no longer available. |
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