Title: |
Night Owl in Flight |
Artist: |
De Laborde, Leon Emmanuel Joseph Simon 'Leon Laborde' (Paris, 1807 - Chateau de Beauregard, Eure, France, 1869) |
Date: |
c. 1830 - 1835 |
Medium: |
Original Wood Engraving |
Note: |
Leon Emmanuel Joseph Simon de Laborde 'Leon Laborde': An important
early nineteenth century French artist, art scholar and archaeologist,
Leon Laborde (Marquis) is known through both his writings and his art.
In the early 1830's he travelled in the Orient and wrote several books
on this subject, particularly on Petra and its ruins. In 1833, Leon de Laborde
published his Essais de gravures pour servir a une histoire de la gravure
en bois. This was the first French examination of contemporary wood
engraving methods. Leon Laborde continued to write other books on printmaking
and its artists such as, Histoire de la Gravure en maniere Noire
(1839). Most of his original wood engravings and lithographs date from
this decade. |
|
On his return from his Eastern travels, Leon Emmanuel Joseph Simon de Laborde was appointed
a secretary to the French Embassy, holding posts in London, The Hague
and Cassel. He also worked in Rome, as a deputy under Chateaubriand. In
1842 Leon Laborde was elected as a member of the French Academy. He was
afterwards appointed Keeper of the Sculpture at the Louvre. Finally, in
1856, Laborde gained the post of Keeper of the Archives of the Empire
and Senate. |
|
During the early nineteenth century the art of wood engraving
was virtually nonexistent in France. In England Thomas Bewick (the inventor
of wood engraving) had founded a strong tradition of talented artists
in this new medium. In France, however, wood engraving was first used
almost exclusively as an economical means of reproducing images in books
and journals. Very few French artists explored the unique capabilities
of this art form until the early twentieth century. |
|
The wood engravings of Leon Laborde are clearly an exception.
One might surmise that his early diplomatic posting in London brought
him into contact with the art of Bewick and his pupils. Yet in, Night
Owlin Flight , the imagery is strongly rooted in the French Romantic
movement of the day, led by such masters as Delacroix and Gericault. With
its strong atmospheric effects, tonal values and its powerful expressiveness
it is worthy of the works of the greatest masters of twentieth century
wood engraving. It is indeed a surprise to find what is clearly an early
masterpiece of wood engraving in France in the 1830's. |
Size: |
3 3/4 X 5 7/8 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
|
Framed and Matted with 100% Archival Materials |
Condition: |
Printed on thin, hand-made, laid paper and with
full margins as published in Paris between 1830 and 1835. Signed with
the artist's stylized 'LL' monogramme within the block to the lower left.
A strong, finely printed impression and in excellent condition throughout.
Night Owl in Flight represents a superb, original example of the
art of Leon Emmanuel Joseph Simon de Laborde 'Leon Laborde' and of early 19th century wood engraving. |
Subject: |
Marquis Leon Laborde, Leon de Laborde, Leon Emmanuel Joseph
Simon de Laborde, Night Owl in Flight, original wood engraving,
gravure en bois, early nineteenth century French artists, Chateaubriand, Thomas Bewick. |
Price: |
Sold - The price is no longer available. |
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