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Adrien Dauzats's' original lithograph, "Portes de Fer: Les Soldats atteignent la second muraille" (Gates of Iron: The Soldiers Reach the Second Wall) was exhibited at the Paris Salon in 1841. Dauzats’s lithograph is based upon his watercolour, currently housed in the permanent collection of the musee Conde, Lieu de Chantilly. This impression bears the text, "Salon de 1841", & the artist's name, "a. dauzats" in the upper margin, as well as the artist's name, "A. Dauzats: del", the title, "Portes de Fer / Les Soldats atteignent la second muraille", the printer's details, "Imp. Petit & Bertauts", as well as the publisher's address, "Challamel edit. 4. R. de L'Abbaye. F.S.' Gn.', Paris, Maison du Roi" along the lower margin as as published for the "Album du Salon de 1841", a collection of graphic works of art depicting the principal art exhibited at the Louvre, created by the painters or under their supervision, edited by Augustin Challamel, (Jules Robert), text by Whilhelm Tenint. "Portes de Fer: Les Soldats atteignent la second muraille" is a fine, original example of the lithographic art created by the French artist, Adrien Dauzats. In October of 1839 the duc d’Orleans led a division of three thousand French soldiers into Algeria for the purpose of occupying the country. Thus the 1837 Treaty of Tafna was abruptly broken. To travel from Constantine to Algiers the military division had to navigate through the narrow and dangerous pass in the Djurdjura Mountains known as Les Portes de Fer (The Iron Gates, or Gates of Iron). Adrien Dauzats was the only artist to accompany the expedition. His dramatic paintings, watercolours, drawings and lithographs of the occupation of Algeria were shown in Paris in 1841 and solidified Dauzats’s reputation as a leading Orientalist artist. |
| Title: | Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) |
| Artist: | Dauzats, Adrien (Bordeaux, 1804 - Paris, 1868) |
| Date: | 1841 |
| Medium: | Original Lithograph |
| Publisher: | Challamel, 4. Rue de L'Abbaye, Faubourg Saint-Germain, Paris |
| Printer: | Petit & Bertauts, Paris |
| Source: | Album du Salon de 1841 |
| Note: | Adrien Dauzats: Born in Bordeaux, Adrien Dauzats first studied theatre designs and came to Paris to paint sets for the Theatre Italien. At the same time he took art lessons from Michel-Julien Gue. In 1827 Adrien Dauzats began working as one of Baron Taylor’s illustrators for his monumental, "Voyages pittoresques et romantiques dans l’ancienne France". In 1830 Dauzats again accompanied Baron Taylor through the Arab world for his book, "La Syrie, l’Egypte, la Palestine et la Judee". He also traveled in Spain and Portugal, during the years from 1835 to 1837, Algeria, for the military occupation of 1839, and Tangiers, in 1850. |
| Adrien Dauzats first exhibited his art at the Paris Salon in 1831. He received medals and decorations for his fine art in 1831, 1835, and 1855, and was appointed to the Legion d’honneur in 1837. | |
| Today the art of Adrien Dauzats is included in such major collections as the Louvre, Paris, the Palace of Versailles, The Victoria and Albert Museum and the British Museum, London, the Art Institute of Chicago and the Metropolitan Museum of Art, New York, the Rijks Museum, Amsterdam contains an impression of" Portes de Fer: Les Soldats atteignent la second muraille" in their collection, number RP-P-1941-215. | |
| Throughout his career, Adrien Dauzats was most highly regarded for his Orientalist subjects. Orientalism – the Romantic depiction of Arab life and culture –took France by storm during the mid and latter nineteenth century – and Adrien Dauzats was one of the first great artists to work in this genre. | |
| In 1844 Dauzats moved to the rue Notre-Dame de Lorette, in Paris. A nearby neighbour there was none other than one of France’s greatest Romantic artists, Eugene Delacroix (1798-1863). A friendship existed between the two artists from that time on. Delacroix, in fact, named Dauzats as one of the executors of his will. | |
| Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall): Adrien Dauzats's lithograph entitled, "Portes de Fer Les Soldats atteignent la second muraille" is based upon a watercolour he created and exhibited at the Paris Salon in 1841. The watercolor is currently housed in the permanent collection of the musee Conde, Lieu de Chantilly. The "Album du Salon de 1841", pages (25-26) contains interesting information written by M. Simeon Fort, concerning "Portes de Fer Les Soldats atteignent la second muraille" and four other watercolors by Dauzats, all dealing with the expedition and perils as they crossed through les Portes de Fer. | |
| In October of 1839 the duc d’Orleans led a division of three thousand French soldiers into Algeria for the purpose of occupying the country. Thus the 1837 Treaty of Tafna was abruptly broken. To travel from Constantine to Algiers the military division had to navigate through the narrow and dangerous pass in the Djurdjura Mountains known as Les Portes de Fer (The Iron Gates, or Gates of Iron). Adrien Dauzats was the only artist to accompany the expedition. His dramatic paintings, watercolours, drawings and lithographs of the occupation of Algeria were shown in Paris in 1841 and solidified Dauzats’s reputation as a leading Orientalist artist. The expedition, particularly the ascent of Les Portes de Fer, remained a primary item of cultural interest for several years. In 1844 Charles Nodier’s Journal de l’Expedition des Portes de Fer was published in Paris. Numerous wood-engraved illustrations were provided by Auguste Raffet, Alexandre-Gabriel Decamps and, of course, Adrien Dauzats. | |
| This original Adrien Dauzats lithograph was commissioned for the "Album du Salon de 1841". It bears the text; "Salon de 1841", & the artist's name, "a. dauzats" in the upper margin, as well as the artist's name, "A. Dauzats: del:", the title, "Portes de Fer / Les Soldats atteignent la second muraille", the printer's details, "Imp. Petit & Bertauts", as well as the publisher's address, "Challamel edit. 4. R. de L'Abbaye. F.S.' Gn.', Paris, Maison du Roi" along the lower margin. It is listed in the index for “des dessins de L’Album du Salon de 1841” as # 29, "Les portes de fer", Dauzats - Dauzats. *See: "Album du Salon de 1841", Collection, Des Principaux Ouvrages Exposes au Louvre, Reproduits, Par les Peintres eux-memes, ou sous leur direction, Par MM. Alophe, Baron, Bayot, Challamel, Eug. Ciceri, Henriquel Dupont, Francois-Louis Francais, Tony Johannot, Emile Lassalle, Adolphe Mouilleron, Celestin Nanteuil, Leon Noel, W. Wyld. Texte Par Wilhelm Tenint. Troisieme Annee., Paris, Challamel, Editeur. 4, Rue de L’Abbaye, Faubourg Saint-Germain, 1841. The 1841 issue contained 63 prints. As noted earlier, additional prints (proofs and early impressions) were also sold at the publisher's / editor's address, (Challamel edit. 4. R. de L'Abbaye, Faubourg Saint-Germain). | |
| Album du Salon de (1839-1844): Edited by Augustin Challamel (Jules Robert), "Album du Salon" was an illustrated journal of literature, the sciences and the arts. The first issue, with a slightly different title, "Le Salon de 1839" contained twenty plates, with text by Laurent-Jan. It was followed by, "Album du Salon de 1840", which contained forty one plates, with text by Jules Robert (Augustin Challamel); preface by le baron Taylor. The third publication was "Album du Salon de 1841", which contained sixty three plates, and text by Wilhelm Tenint. This was followed by "Album du Salon de 1842", fifty eight plates, text by Whilhelm Tenint, and "Album du Salon de 1843", sixty plates, text by Wilhelm Tenint, and the lastly "Album du Salon de 1844", which contained fifty nine plates, with text, edited by Challamel, in all, six albums containing three hundred and one prints were produced. An original lithograph by the French landscape artist, Adrien Dauzats, "Portes de Fer Les Soldats atteignent la second muraille" hails from the 1841 issue. | |
| This series contained reproductive, but most importantly, original prints by fine 19th century painters and printmakers who exhibited their works of art at the Louvre during that period. Each album also included a review of the principal paintings, sculptures, architecture, watercolors, engravings and lithographs exhibited at the Louvre. The "Album du Salon" prints were created by or under the supervision of such fine artists as Alexandre Decamps, Amaury-Duval, C. Corot, Andre Giroux, Eugene Isabey, Eugene Delacroix, Henri Delaborde, Paul Flandrin, Robert Fleury, Adolphe Leleux, Ch. Lefebre and others. Contributing printmakers for the series of this publication included such fine artists as Alophe-M., Beyot, Henri Charles Antoine Baron, Bayor, C. Bour, Eugene Ciceri, Francois-Louis Francais, Jorel, Aug. Lemoine, Loire, Marvy, Adolphe Mouilleron, Tony Johannot, Emile Lassale, Victor Petit, Sabatier, Victor Petit, Mademoiselle Anais Colin, Th. Frere, Achille Giroux, W. Hyld, Celestin Nanteuil, Leon Noel, Henriquel-Dupont, Challamel, Eugene Leroux "Eugene Le Roux', Adrien Dauzats and others. Additional prints (proof impressions and early impressions), after the Salon paintings were also offered for sale at the address of the publisher / editor (Challamel edit. 4. R. de L'Abbaye, Faubourg Saint-Germain). Adrien Dauzats's original lithograph, "Portes de Fer: Les Soldats atteignent la second muraille" is a fine example of the graphic works of art both designed and created by the same artist. | |
| Augustin Challamel 'Jules Robert' (1818-1894): A 19th century, painter, graphic artist, historian, and publisher, Augustin Challamel, i.e., Jules Robert was a member and president of the 'Societe des Gens de Lettres' and Conservateur a la Biblioteque Sainte- Genevieve, Paris. There seems to be some confusion as to the identity of Augustin Challamel and, or Jules Robert, also listed as Jules-Robert-Pierre-Joseph Challamel. Some sources indicate they were brothers, where as others note that the pseudonym of the publisher / editor of "Album du Salon", Augustin Challamel, was Jules Robert. Information concerning Challamel's pseudonym can be found in the "Album du Salon de 1842", Ouvrages Publies par Challamel. The "Manuel de L'Amateur de Livres du XIX Siecle (1801-1893)", by Georges Vicaire, Librairie A. Rouquette, Paris 1894, page 25-26, contains further information concerning the "Album du Salon" and notes that the series was published by M. Augustin Challamel, at the address "rue de l'Abbaye, 4, Paris". It also includes the following text; "Jules Robert est le Pseudonyme de M. Augustin Challamel". This original lithograph entitled, "Portes de Fer Les Soldats atteignent la second muraille" bears the address, "Challamel edit. 4. R. de L'Abbaye. F.S.' Gn.', Paris, Maison du Roi" along the lower margin. A third source, "Lexicon Pseudonymorum" by Emil Weller, Regensburg, Verlag von Alfred Coppenrath, 1886, page 482, provides a listing for Jules Robert (1841-1842), confirming that name as Augustin Challamel's pseudonym. And lastly, the "Dictionnaire Universel des Contemporains", by G. Vapereau, Quatrieme Edition, Librairie Hachette et Cie, 1870, page 362, lists Jean-Babtiste-Marie-Augustin (1818-1894) as the publisher of the "Album du Salon" publication. It also contains information for Jules-Robert-Pierre-Joseph Challamel (French, 1813 - c. 1848/1892 ?), who is listed, by some, as the publisher/ editor of the "Album du Salon". See: page 362 (same volume), Challamel (Pierre-Joseph) (Paris, 1813- ), French artist, editor, painter and lithographer. Augustin Challamel was responsible for numerous publications that dealt with the arts, French history, and various other subjects, volumes such as "Les Francais Sous La Revolution", par MM. Augustin Challamel et Whilhelm Tenint, Paris, Challamel, Editeur, 4, Rue de L'Abbaye (1843), "Exposition de L'industrie Francaise Annee 1844, Texte par M. Jules Burat, Publiee par M. Challamel, Editeur, 13, Rue de la Harpe, (1844). Challamel contributed text to the "Album du Salon 1840", using his pseudonym. The 1840 Album title page contains the the following text; "Texte par Jules Robert", and then signs off as Challamel. He also contributed several lithographs for various albums in the series. The "Album de Salon1840" issue contained five lithographs by him, "Caravane arretee dans les ruines de Balbeck" after Marihat, "La Saboterie" after Fortin, "Justice de Trajan" after Eugene Delacroix, "Vase funeraire" after Pradier, and "Les Forges de Fourchambault"after Bonhomme. Lithographs by Jules-Robert-PIerre-Joseph Challamel also appeared in L'Artist and L'Illustration. | |
| Bertauts, Publishing & Printing Firm (c. 1830's - c. 1970's): The renowned French lithographic publisher and printer, Bertauts was considered one of the finest printers in Europe during the mid-nineteenth century. According to the Beaus-Arts – de la Lithographie et des Imprimeurs, Bertauts began printing lithographs after 1826 and established his lithographic firm in 1836. During the 1830's and into the 1870's, original lithographs printed by Bertauts appeared in such publications as, "L'Artiste, Paris" (1831-1904), "Album du Salon" (1839-1844), "Les Beaux-Arts" (1843-1844), "Les Artistes Contemporains", (1845 - 1853), "Les Artistes Anciens et Modernes, Paris" (1850 - 1862), "Animaux et Paysages d'Apres Nature" (1858), the "Gazette des beaux arts" (1859-1939), "Souvenirs d' Artistes" (1860-1876), and other major 19th century art journals of the time. Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) was printed by Bertauts for the Album du Salon de 1841 published by Challamel, 4. Rue de L'Abbaye, Faubourg Saint-Germain, Paris. | |
| Reference: | "Album du Salon du 1841", Collection des Principaux Ouvrages Exposes au Louvre, Reproduits Par les Peintres Eux - Memes ou sous Leur Direction, (Index), Clasification des Dessins de L'Album du Salon de 1841, Les portes de fer - Dauzats - Dauzats - #29 |
| "Dictionnaire Universel des Contemporains", G. Vapereau, Quatrieme Edition, Librairie Hachette et Cie, 1870, page 362, Jean-Babtiste-Marie-Augustin (1818-1894) | |
| "Lexicon Pseudonymorum", Emil Weller, Regensburg, Verlag von Alfred Coppenrath, 1886, page 482 | |
| Size: | 12 5/8 X 9 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $365.00 US |
| Condition: | Printed upon wove paper with full margins as printed in Paris by Petit & Bertauts in 1841. Bearing the text, "Salon du 1841", & the artist's name, "a. dauzats" in the upper margin, as well as the artist's name, "A. Dauzats: del:", the title, "Portes de Fer / Les Soldats atteignent la second muraille", the printer's details, "Imp. Petit & Bertauts", and the address, "Challamel edit. 4. R. de L'Abbaye. F.S.' Gn.', Paris, Maison du Roi" along the lower margin as published for the Album du Salon de 1841. Containing slight overall toning to the image and the near margins due to a former acidic matting, else a good impression and in fair condition throughout. "Portes de Fer: Les Soldats atteignent la second muraille" (Gates of Iron: The Soldiers Reach the Second Wall) represents an important, original example of the Orientalist art of Adrien Dauzats. |
| Subject: | Adrien Dauzats, "Portes de Fer: Les Soldats atteignent la second muraille" (Gates of Iron: The Soldiers Reach the Second Wall), original lithograph, 1839 occupation of Algeria, Baron Taylor, art of the Arab world, Orientalist art, Orientalism, Romantic depiction of Arab life and culture, Eugene Delacroix (1798-1863). |
| Important Information: | The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial. Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
Original Lithograph by the French artist, Adrien Dauzats.
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| Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) |
View other original works of art published in the"Album du Salon ".
| Album du Salon 1841 & Album du Salon 1842 | |||||||||
| # | Image | Artist & Title | Artist Info | Medium | Date | Info | |||
| 01.- |  |
Jeune homme jouant de la basse (Young Man Playing the Cello) by Adolphe Mouilleron after a design by Jean Louis Ernest Meissonier | Adolphe Mouilleron (Paris, 1820 – 1881) after Jean Louis Ernest Meissonier (Lyons, 1815 - Poissy, 1891) | Original Lithograph | 1842 | Bearing the text, "Salon de 1842", & the designer's name, "Meissonier" in the upper margin, as well as the lithographer's name, "Mouilleron del", the title, "Jeune homme jouant de la basse", the printer's details, "Imp. Bertauts, Paris", and the publisher's address, "Challamel e'dit. 4. R. de L'Abbaye" along the lower margin as published for the "Album du Salon de 1842". | Sold | ||
| 02.- |  |
Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) by Adrien Dauzats | Adrien Dauzats (Bordeaux, 1804 - Paris, 1868) | Original Lithograph | 1841 | Bearing the text, "Salon du 1841", & the artist's name, "a. dauzats" in the upper margin, as well as the artist's name, "A. Dauzats: del:", the title, "Portes de Fer / Les Soldats atteignent la second muraille", the printer's details, "Imp. Petit & Bertauts", and the publisher's name & address, "Challamel edit. 4. R. de L'Abbaye. F.S.' Gn.', Paris, Maison du Roi" along the lower margin as published for the "Album du Salon de 1841". | |||
| 03- |  |
Un Chemin (A Road) by Francois-Louis Francais | Francois-Louis Francais (Plombieres (Vosges), 1814 - Paris, 1897) | Original Lithograph | 1842 | Bearing the text, "Salon du 1842", & the artist's name, "francais" in the upper margin, as well as the artist's name, "Francais del", the title, "Un Chemin", the printer's details, "Paris, Imp. Bertauts", and the publisher's name & address, "Challamel edit. 4. R. de L'Abbaye. (S.' Gn.')," along the lower margin as published for the "Album du Salon de 1842". | |||
| 04- |  |
Une Source (A Source, Particularly of a Stream or River) by Celestin-Francois Nanteuil | Celestin-Francois Nanteuil (Rome, 1813 - Bourron-Marlotte, 1873) | Original Lithograph | 1842 | Bearing the text, "Salon de 1842" and the artist's name, "Celestin Nanteuil" in the upper margin, as well as the artist's name, "Celestin Nanteuil, del", the printer's details, "Imp. Bertauts a Paris", the publisher's name & address "Challamel edit. 4. R. de L'Abbaye. (S.' Gn.'), Paris" along the lower margin as published for the "Album du Salon de 1842". | |||
View other original works of art by the 19th century publisher / printer Bertauts, Paris.
| Bertauts, Paris | ||||||||||
| # | Artist Last Name | Image | Artist & Title | Medium | Date | Artist Information | Notes | - | ||
| 01.- | Baron |  |
Jeux d'enfants (Children's Games) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1853 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, II, Paris". | |||
| 02.- | Baron |  |
La Musique (Music) by Henri Charles Antoine Baron 'Henri Baron' | Original Lithograph | 1854 | Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885) | Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 03.- | Bodmer |  |
Marcassins (Young Wild Boars) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 04.- | Bodmer |  |
Sangliers dans une Mare (Wild Boars in a Pond) by Karl Bodmer | Original Tinted Lithograph | 1858 | Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893) | Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris". | Sold | ||
| 05.- | Boulanger |  |
Attaque du Lion by Louis Boulanger | Original Tinted Lithograph | c. 1830 (Souvenirs d'Artistes edition) | Louis Boulanger (Vercelli, 1806 - Dijon, 1867) | Souvenirs d'Artistes, "Imp. Bertauts, r. Cadet, Paris". | |||
| 06.- | Chaplin |  |
Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jeanron | Original Lithograph | 1851 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) after Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877) | L'Artiste, Paris, "Imp. Bertauts, Paris". | |||
| 07.- | Chaplin |  |
Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin | Original Lithograph | 1849 | Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) | L'Artiste, Paris (Salon 1849), "Imp. Bertauts, Paris". | |||
| 08.- | Dauzats | |
Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) by Adrien Dauzats | Original Lithograph | 1841 | Adrien Dauzats (Bordeaux, 1804 - Paris, 1868) | Salon de 1841, Challamel edit. 4. R. de L'Abbaye. F.S.' G.', Paris, Maison du Roi, "Imp. Petit & Bertauts". | |||
| 09.- | Francais | |
Un Chemin (A Road) by Francois-Louis Francais | Original Lithograph | 1842 | Francois-Louis Francais (Plombieres (Vosges), 1814 - Paris, 1897) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | |||
| 10.- | Gavarni |  |
Gulnare (Mlle. Melanie Waldor) by Paul Gavarni | Original Lithograph | 1843 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | Les Beaux-Arts, Paris, L. Curmer, 49, Rue de Richelieu, "Imp. Bertauts" | Sold | ||
| 11.- | Gavarni |  |
Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni | Original Lithograph | 1856 | Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866) | L'Artiste, "Imp. Bertauts". | |||
| 12.- | Laurens |  |
Puits Breton (Breton Well) by Jules Laurens designed by Charles de Tournemine | Original Lithograph | c. 1850 - 1853 | Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) after Charles Emile Vacher de Tournemine 'Charles de Tournemine' (Toulon, 1814 – 1873) | Les Artistes Contemporains, Paris, "Imp. Bertauts, r. Cadet, Paris". | |||
| 13.- | Leleux |  |
Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux | Original Lithograph | 1845 | Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885) | L’Artiste, Paris, (Salon de 1845), "Imp. Bertauts". | |||
| 14.- | Leroux |  |
L'Embuscade (The Ambush) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1843 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) | Les Beaux-Arts, "Imp. Bertauts, r. St. Marc, 14". | |||
| 15.- | Leroux |  |
Le Singe au Miroir (The Monkey at the Mirror) by Eugene Leroux 'Eugene Le Roux' | Original Lithograph | 1850 | Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) after Alexandre Gabriel Decamps (Paris, 1803 - Fontainebleau, 1860) | Les Artistes Anciens et Modernes, "Imp. Bertauts". | |||
| 16.- | Martin |  |
Gorges d’Apremont Gorges of Apremont by Hector Martin | Original Lithograph | 1846 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris" | |||
| 17.- | Martin |  |
Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, Paris". | |||
| 18.- | Martin |  |
Pecheur Champenois (Fisherman of Champagne) by Hector Martin | Original Lithograph | 1848 | Hector Martin (France. c. 1825 -1846) | L'Artiste, "Imp. Bertauts, r. st. Marc 14". | |||
| 19.- | Mouilleron | |
Jeune homme jouant de la basse (Young Man Playing the Cello) by Adolphe Mouilleron after a design by Jean Louis Ernest Meissonier | Original Lithograph | 1842 | Adolphe Mouilleron (Paris, 1820 – 1881) after Jean Louis Ernest Meissonier (Lyons, 1815 - Poissy, 1891) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | Sold | ||
| 20.- | Mouilleron |  |
L'Orage (The Storm) by Adolphe Mouilleron | Original Lithograph | 1844 | Adolphe Mouilleron (Paris, 1820 – 1881) | Les Beaux-Arts, Paris, Leon Curmer, 49 Rue Richelieu, Paris, "Imp. Bertauts | |||
| 21.- | Nanteuil | |
Une Source (A Source, Particularly of a Stream or River) by Celestin-Francois Nanteuil | Original Lithograph | 1842 | Celestin-Francois Nanteuil (Rome, 1813 - Bourron-Marlotte, 1873) | Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts". | |||
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| Subject: | |
| Animals in Art Index | The 'Animal Art' directory contains a selection of original animal art created by artists throughout the centuries, depicting birds, cats, dogs, horses, cows, sheep, pigs, monkeys, fish and or many other creatures. The artists' depictions range from rare zoological studies to some very humorous animal portrayals. |
| Landscapes, Seascapes, City & Town Views Art Index | This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century. |
| Military Art Index | The 'Military Art' directory contains original works of art with a focus on the armed forces, the militia, mercenaries, soldiers, weapons, artillery, military artifacts, as well as depictions of the battles, wars and other such military activities that have taken place during our world history. |
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