George Cruikshank - Very Unpleasant Weather Raining Cats Dogs and Pitchforks

Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs & Pitchforks'

George Cruikshank’s original etching, "Very Unpleasant Weather, or the Old Saying Verified, ‘Raining Cats, Dogs & Pitchforks", was first published in 1820. This original impression hails from the second and final edition of 1835. The designer of Very Unpleasant Weather is presently not known. The ‘AE’ monogramme, however, might possibly be that of Augustus Earle (1793-1838). Well traveled, Augustus Earle is best known for his topographical illustrations of books on such areas as Africa, Brazil, Chile and New Zealand. His most famous trip was in 1833 when he was appointed draughtsman to Charles Darwin on the expedition of the H.M.S. Beagle. Augustus Earle also drew caricatures and genre subjects. The Fine Arts Museums of San Francisco includes an impression of George Cruikshank’s "Very Unpleasant Weather" in its permanent collection.

Very Unpleasant Weather or Raining Cats and Dogs by George Cruikshank

Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs & Pitchforks'

View other original etchings by George Cruikshank.

George Cruikshank (London, 1792 - 1878)
#	Image	Title & Artist	Medium	Date	-
01.-		A Party of Pleasure by George Cruikshank designed by Captain Frederick Marryat	Original Etching	August, 01 1835	Sold
02.-		A Swarm of English Bees Hiving in the Imperial Carriage!! by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
03.-		Anglo - Gallic Salutations in London - or, Practice makes Perfect by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
04.-		Anglo - Parisian Salutations or, Practice par Excellence! by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
05.-		Humming-Birds -- or a Dandy Trio by George Cruikshank	Original Etching	c. 1820 (Second and Final Edition, 1835)	Sold
06.-		Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess by George Cruikshank	Original Etching	1816 (Second and Final Edition, 1835)
07.-		Monstrosities of 1819 and 1820 by George Cruikshank	Original Etching	1819 and 1820 (Second and Final Edition, 1835)	Sold
08.-		Monstrosities of 1822 by George Cruikshank	Original Etching	1822 (Second and Final Edition, 1835)	Sold
09.-		The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 by George Cruikshank	Original Etching	1852 (First State of Two)
10.-		The Advantages of Travel; -or- 'A Little Learning is a Dangerous Thing' (Plate I) & (Plate II) by George Cruikshank	A Set of Two Original Etchings	1834 (Second and Final Edition, 1835)
11.-		The Good Effects of Carbonic Gas by George Cruikshank	Original Hand-Coloured Etching	December 10, 1807 (First and Only Edition)
12.-		Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs and Pitchforks' by George Cruikshank	Original Hand-Coloured Etching	1820 (Second and Final Edition, 1835)	Sold

View other original etchings by Issac Robert Cruikshank.

Isaac Robert Cruikshank (London, 1789 - 1856)
#	Image	Title & Artist	Medium	Date	-
01.-		Dandy Fainting - or - an Ekquisite in Fits by Isaac Robert Cruikshank	Original Etching	1822 (Second and Final Edition, 1835)	Sold
02.-		Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families by Isaac Robert Cruikshank	Original Etching	1827 (Second and Final Edition, 1835)
03.-		Monstrosities of 1827 by Isaac Robert Cruikshank	Original Etching	1827 (Second and Final Edition, 1835)	Sold

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Title:	Very Unpleasant Weather, or the Old Saying Verified, 'Raining Cats, Dogs & Pitchforks'
Etcher:	Cruikshank, George (London, 1792 - 1878)
Designer:	Monogramme: 'AE'
Date:	Date: 1820 (Second and Final Edition, 1835)
Medium:	Original Etching
Publisher:	Thomas McLean, Haymarket
Note:	George Cruikshank: The name of George Cruikshank deserves to stand beside those of William Hogarth, Thomas Rowlandson and James Gillray as representing the greatest satirical artists from the Golden Age of this art form. As a child he learned etching techniques from his father, Isaac Cruikshank (1762-1811), a fine satirical artist in his own right. George Cruikshank published his first etching at the age of twelve. During the second and third decades of the nineteenth century he created works of art which equaled the etchings of Gillray and Rowlandson in their technical abilities, but which perhaps surpassed either of these masters in their pure and wonderful humour. More than any other artist of satire, George Cruikshank was at his best when the target was -- as in this fine example -- culture, fashion and social life. George Cruikshank also worked in collaboration with his brother, Isaac Robert Cruikshank (1789-1856), another fine caricaturist and satirical artist, as well as other satirical designers, such as Captain Frederick Marryat.
	As the conservative Victorian era began (1837) most forms of satirical art grew to be unfashionable. George Cruikshank thus turned his talents to the illustrated book. Some of the greatest volumes from these later times, including Dickens’s "Oliver Twist", bear testimony to the lifelong creativity of his art.
	In 1835 the London publisher, Thomas McLean, acquired a number of the most popular plates of both George and Robert Cruikshank and reprinted them with his address for a second and final edition which was titled, "Cruikshankiana". This original etching hails from this edition.
	The ‘AE’ monogramme might possibly be that of Augustus Earle (1793-1838). Well traveled, Augustus Earle is best known for his topographical illustrations of books on such areas as Africa, Brazil, Chile and New Zealand. His most famous trip was in 1833 when he was appointed draughtsman to Charles Darwin on the expedition of the H.M.S. Beagle. Augustus Earle also drew caricatures and genre subjects.
Raisonne:	Albert M. Cohn, "George Cruikshank: A Catalogue Raisonne", London, Bookman’s Journal, 1924 (Reprinted, 1971). Cohn #2074, Second and Final State as published in 1835.
Size:	10 X 15 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on early nineteenth century wove paper and with large margins as published by Thomas McLean in 1835. Containing slight scuffing in the outer margins else in very good condition throughout. "Very Unpleasant Weather, or the Old Saying Verified, ‘Raining Cats, Dogs & Pitchforks" stands as a prime, original example of the famous satirical art of George Cruikshank. Note: The Fine Arts Museums of San Francisco includes an impression of "Very Unpleasant Weather" in its permanent collection.
Subject:	George Cruikshank, "Very Unpleasant Weather, or the Old Saying Verified, ‘Raining Cats, Dogs & Pitchforks", original etching, Augustus Earle, Charles Darwin, H.M.S. Beagle, caricatures, satirical art, Thomas McLean, Cruikshankiana, Oliver Twist.
Price:	Sold - The price is no longer available.
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